Personal works
Literature
According to the biography of Lu Ji in the Book of Jin, Lu Ji wrote more than 3 poems, poems and articles, and there are 17 poems and 127 articles (including fragments) today. There are forty-seven volumes in the original anthology, and fourteen volumes of Lu Ji Ji Ji are also recorded in Sui Shu Jing Ji Zhi, all of which are lost. In the Southern Song Dynasty, Xu Minyi discovered 1 volumes of posthumous works, which were compiled with Lu Yunji as the Collected Works of Jin Erjun, which was reprinted by Lu Yuanda in the Ming Dynasty, that is, the Collection of Lu Shiheng, which is now popular. Lu Pingyuan Collection is included in Zhang Pu's Collection of 133 Famous Scholars in Han, Wei and Six Dynasties in Ming Dynasty. His works are recorded in Volume 96~ Volume 99 of Quan Jin Wen, and his poems are compiled in Poems of Qin, Han, Wei, Jin, Southern and Northern Dynasties by Qi Qinli.
In 1982, Zhonghua Book Company published Lu Ji Ji Ji, which was collated by Jin Taosheng. Today, Liu Yunhao has Lu Shiheng's Collated Works.
historiography
Lu Ji has also made great achievements in historiography, including four volumes of Jin Ji, Wu Shu (unfinished), Yaolan and Luoyang Ji.
Painting
According to Zhang Yanyuan's Records of Famous Paintings of Past Dynasties in the Tang Dynasty, Lu Ji also wrote The Theory of Painting.
Lu Ji (261-33), born in Wuxian County (now Suzhou, Jiangsu Province), was a famous writer and calligrapher in the Western Jin Dynasty. Born in Lushi, Wu County, he is the grandson of Lu Xun, the prime minister of Sun Wu, and the fourth son of Lu Kang, a fu. Together with his brother Lu Yun, he is called "Erlu" and "Luoyang Sanjun" with Gu Rong and Lu Yun.
Lu Ji was a dental keeper in Sun Wu's time. After Wu's death, he became an official in the Western Jin Dynasty. In the tenth year of Taikang (289), Lu Ji's brothers came to Luoyang, and their literary talents were appreciated by Zhang Hua, a great teacher. Since then, they have gained great fame. Sometimes there is a saying that "two land into Los Angeles, three tickets are reduced in price". He has served as a wine-offering ceremony for a teacher, a doctor of the State of Wu, a doctor of the Langzhong, and a writer of Langzhong, and became "twenty-four friends of Jingu" with Jia Mi and others. When Sima Lun, the king of Zhao, came to power, he was cited as a prime minister to join the army, and he was appointed as a Guan Zhong Hou. When he usurped the throne, he was falsely appointed. After Sima Lun was put to death, he was saved by Sima Ying, the king of Chengdu. Since then, he has committed himself to it, which is called "Lu Pingyuan" in the world. In the second year of Tai 'an (33), he was appointed as the later general and the governor of Hebei Province, and led an army to crusade against Wang Sima, Changsha, but he was defeated by Qilijian, and was finally killed and destroyed by three tribes.
Lu Ji's "few wizards, the article is the best in the world", and his poems emphasize algae and paintings, and his parallel prose is also good. Both Lu Yun and his brother are famous writers in the Western Jin Dynasty, and they are known as "the English of Taikang". As the representatives of the Western Jin Dynasty, Pan Yue formed the "Taikang Poetry Style", which is known as "Pan Jiang Land and Sea" in the world. Lu Ji is also good at calligraphy, and his "Ping Fu Tie" is the earliest authentic celebrity calligraphy in the middle and ancient times.
to achieve
literature
Liu Heng painted
The poetic circles in the two Jin Dynasties were in a transitional state, with Lu Ji and Pan Yue as the representatives, paying attention to form, complicated description, gorgeous rhetoric and complicated poetic style. The so-called Taikang poetic style refers to the poetic style of the Western Jin Dynasty represented by Lu and Pan. Lu Ji's genius Xiuyi, whose rhetoric is brilliant and beautiful, is known as the "English of Taikang".
Lu Ji's composition is beautiful in melody, dual in emphasis and full of allusions, which creates a precedent for parallel prose. In order to strengthen the descriptive function of poetry, Lu and Pan applied the sentence patterns of Ci and Fu to poetry, which enriched the expressive techniques of poetry. The elements of landscape description in their poems have greatly increased, and the sentences of parallelism are mainly used to describe the mountains and waters, which has played a leading role in the landscape poems of Xie Lingyun and Xie Tiao.
The pursuit of flowery rhetoric, complicated and detailed description and extensive use of parallelism are the main manifestations of the "complicated" characteristics of Taikang's poetic style. Judging from the law of literary development, it is an inevitable trend to change from simplicity to magnificence and from simplicity to complexity. Just as Xiao Tong said, "To cover up the matter and increase China, to change it and intensify it, to have both things and articles." Lu and Pan developed Cao Zhi's side of "adopting Hua Mao", which contributed to the development of China's poetry, and promoted the development of landscape poetry and the maturity of temperament and antithesis skills in the Southern Dynasties.
There are 15 poems handed down by Lu Ji, most of which are Yuefu poems and quasi-ancient poems. His representative works include "A Gentleman's Journey", "Chang 'an has narrow and evil deeds" and "Going to Luodao for Work". Liu Xie's "Wen Xin Diao Long Yuefu" said: "Zi Jian Shi Heng, Xian You Jia."
There are 27 pieces of Lu Ji's Fu today, among which the outstanding ones are Wen Fu, Lament Fu and Missing Carving Fu. In prose, apart from On the Death, the masterpiece is Hanging Wei Wudi. Lu Ji also imitated Yang Xiong's "Lian Zhu Ti" and wrote 5 pieces of "Performing Lian Zhu". The essay "Wen Xin Diao Long" called many imitations of Yang Xiong's works "Want to penetrate the pearl, penetrate the fish's eyes", and only recommended Lu Ji's works: "Only a scholar can balance his thoughts, manage the new culture, and cut chapters and sentences, which are wider than the old ones. Do you admire Zhu Zhong's four inches?" My husband's writing is small and easy, and I can think about leisure. It is enough to make the meaning clear and the words clear, the things are round and the sound is lustrous, and Lei Lei rotates, which can be called Pearl Ear. "
Zhang Hua once said to Lu Ji, "When others write, they often regret their lack of talent, but you are more worried about too much talent." Lu Yun, his brother, once said in a letter to him, "Jun Miao will burn his pen and inkstone when he sees his brother's article." Later, Ge Hong wrote a book, praising Lu Ji's article, "Like the jade accumulated in the Xuan Pu, there is nothing that shines at night. Five rivers spew and flow waves, but the source is the same. His prose is beautiful, elegant and comprehensive, and it is also a masterpiece of a generation! " Liu Xie's Wen Xin Diao Long Cai lue commented on his poem: "Lu Ji only wants to get a deep look, and his words are broad, so he can think skillfully, but not complicate." Zhang Pu praised it in the Ming Dynasty: "After Beihai (Kong Rong), there was only one person".
Thought
When Lu Ji wrote, he abided by the Taoist thought of advocating nature and was deeply influenced by Huang Lao's thought of internal cultivation. Theoretical opinions are closely related to Taoist thought in many aspects, either directly quoting or exerting it, which is very typical of Laozi and Zhuangzi's thought.
Luji advocated the enfeoffment system in politics, and once wrote "Five Grades Theory" to illustrate it.
Calligraphy
Lu Jishan's calligraphy, whose Zhang Cao's work Ping Fu Tie is the earliest authentic calligraphy of famous people in ancient China, and also the first ink of orderly calligraphy in history, has the reputation of "the ancestor of calligraphy" and has been rated as one of the nine "treasures of town and country".
Chen Yi of Song Dynasty once said, "Shiheng's Ping Fu Tie" is full of wonderful chapters and grasses. In Daguanlu, it is said that Pingfu Post is "cursive, if the seal is copied, the brushwork is strange". Ping Fu Tie also had a great influence on later generations. Gu Fu, a Qing Dynasty man, said, "The ancient meaning is mottled and the words are fantastic and unreadable, but I know Huai Su's Thousand-Character Works, Bitter Bamboo Shoots and Yang Ningshi's Immortal Living Method, and all the grass sages and sages got their pens from then on." These comments may be far-fetched, but if Huai Su and Yang Ningshi really see them, they will be moved. Dong Qichang praised the cloud that "before the Right Army and after the Yuan Dynasty, only a few lines existed, which was a treasure for the future". Xuan He Shu Pu also included his running script Wang Xiang Tie.