My introduction: Mr. Zhou Yang, a famous calligrapher and painter, tutor/professor of the "Zhou Yang Calligraphy Art Specialized Class" in the advanced course training class of the Chinese calligraphy, painting and seal cutting art studio of the Academy of Arts and Design of Tsinghua University, whose calligraphy works are correct Elegance, elegance and elegance formed the style of the Jin and Tang Dynasties, and he also had high attainments in hard-pen calligraphy. Recently, Teacher Zhou’s demonstration works for students in online video lectures have been released, including copies of works by Mi Fu, Zhao Mengfu, Huai Su, Li Jianzhong, Su Shi, Zhang Xu and many other famous artists. This issue shows Teacher Zhou’s works "Lanting Preface", which I copied with hard pen in class, is a classic, and I appreciate it with you!
The "Preface to Orchid Pavilion" written by Zhou Xiang in hard pen, 21×118cm (0.7 gel pen)
The original text of "Preface to Orchid Pavilion"
In the ninth year of Yonghe, he was aged in Gui Chou, at the beginning of late spring, would go to the Orchid Pavilion in Shanyin, Kuaiji, to do bad luck. All the talented people have arrived, and the young and old have gathered together. Here there are high mountains, luxuriant forests and tall bamboos; there are also clear and turbulent streams, reflecting them to the left and right, which make them look like flowing water. Although it is not as prosperous as silk and bamboo orchestral music, one drink and one chant are enough to express the secret love. On that day, the sky was clear and the wind was gentle and gentle. Looking up at the vastness of the universe and looking down at the prosperity of categories, wandering around and wandering around was enough to provide a great visual and auditory entertainment. I believe it is a joy.
The lady's relationship with her has been admiring her for a lifetime. She may be held in her arms and enlightened within a room; Although there are many different interests, calmness and restlessness are different, when you are happy with what you encounter, you have temporarily gained yourself, you are happy and self-sufficient, and you never know that old age is coming. When I am tired of what I am doing, my emotions change with the situation, and I am filled with emotion. The admiration for it, and the admiration of it, have become old traces, and I still cannot help but feel happy about them. The situation will be shortened and changed, and it will eventually end. The ancients said: "Death and life are also big things." Isn't it painful?
Every time I look at the reasons for people's interest in the past, if they are combined into one, I will not fail to lament in the text, which cannot be described in my heart. I know that death and rebirth are just illusions, and mourning for Qi Peng is an illusion. The future looks upon the present, just as the present looks upon the past. Sad husband! Therefore, I listed people from that time and recorded what they said. Although things are different in different times, I am interested in them and they are consistent. Those who view it later will also feel the elegance.
Zhou Yang
Member of the CPPCC in Xiangshan District, Guilin, member of China Democratic National Construction Association, master of traditional Chinese arts and crafts, chairman of Guangxi Hard Pen Calligraphy Association, and famous artist of Chinese calligraphy, painting and seal cutting at the Academy of Fine Arts, Tsinghua University Instructor/Professor of the Zhou Yang Calligraphy Art Specialty Class of Studio Advanced Course Training Class, Professor of the Academy of Fine Arts of Guangxi Normal University, Director of the Chinese Calligraphers and Painters Association, Member of the Sculpture Committee of the China Arts and Crafts Association, Member of the Chinese Sculptors Association, Vice President of the CPPCC Xiangshan Painting and Calligraphy Academy long.
I have been learning calligraphy since I was a child, and studied under the famous calligraphers Shuai Lizhi and Wang Chunxin. Calligraphy is based on calligraphy, inheriting the tradition, and constantly learning from the classics of the two kings and Zhao Mengfu, Chu Suiliang, Wang Duo, Dong Qichang, etc. Draw nutrition from the calligraphy, and the calligraphy is upright, elegant, elegant and graceful. The foundation of regular script comes from Chu Suiliang, Yan Zhenqing, and Liu Gongquan, and it also incorporates the technical characteristics of Zhao Mengfu. The writing style is steady and skillful, solid and flexible, and the writing style is full of vitality, strength and masculine spirit, bold and bold, and magical. The cursive lines trace back to the "Two Kings", the pen and ink are plump, the pointillism is precise, the starting and ending are in place, the structure is tight, the words are exquisite, and the lines are filled with a strong classical flavor. The simplicity and harmony reveal Dong Qichang's unrestrained taste, unique style, elegance and vulgarity. It has the beauty of calligraphy form, traditional cultural connotation and strong appreciation.