Ou Yangxun's calligraphy is based on the characteristics of regular script in Han Li and Jin Dynasties, and also draws lessons from the inscriptions in the Six Dynasties, so it is widely used by various schools. The main characteristics of Ou Yangxun's calligraphy style are rigorous and neat, vigorous and powerful. Although the glyph is a little longer, it is white, neat and rigorous, with a tight middle palace, a long main pen, bold and unrestrained density, surrounded on all sides, exquisite and vivid, just right.
The combination of stippling and painting, the structural arrangement, is that the middle of the plane is steep and powerful, and the fonts extend to the right, but the center of gravity is still very stable, without the feeling of inclination, which is interesting and dangerous. Ou Yangxun's regular script inscriptions are mostly Chinese characters, mainly including the inscription of Daming Master in Huadu Temple, the inscription of Yu Gong Gong Wen Yanbo, and the inscription of Huangfu Shengchen in Jiucheng Palace Liquan.
The characteristics of Ou Yangxun's pen are as follows:
Ou Yangxun's calligraphy is neat, literary, vigorous and meticulous. Bao Qing Chen Shi once said: "The European fingering is solid and powerful, all-round and true to external forces." In other words, the European word emphasizes the power, and the strokes written are strong, not too thin or too full. Each pen is too long plus one point, too short MINUS one point, the weight is appropriate and the length is appropriate.
The use of European characters also pays attention to the strength of the middle part of strokes, and some horizontal paintings look full in the middle part and appear "neutral"; The main strokes of some characters extend outward, showing the compactness of the middle palace, especially the vertical paintings on the right side, which often exaggerate and extend upward, showing their superhuman courage. These are the unique features of European pens.