Liu Hongbiao, 1954, born in Pingxiang, Jiangxi, director of China Calligraphers Association and professor of China Calligraphy Training Center. * *
Liu Hongbiao, 1954, born in Pingxiang, Jiangxi, director of China Calligraphers Association and professor of China Calligraphy Training Center. * * * Full-time calligrapher and senior artist. Now I work in the literature and art workshop of the political department of the Second Artillery Corps. The following is the Liu Hongbiao cursive script I compiled for you, I hope it will be useful to you!
Liu Hongbiao cursive calligraphy picture 1
Liu Hongbiao cursive calligraphy picture 2
Liu Hongbiao cursive calligraphy picture 3
Liu Hongbiao cursive calligraphy picture 4
Brief introduction of Liu Hongbiao
Liu Hongbiao's name is Hou Yi, and he is known as the owner of Hanban Zhai. 1954 was born in Pingxiang, Jiangxi. Director of China Calligraphers Association, Secretary-General of cursive script committee, professor of calligraphy training center, director of literature and art studio of Second Artillery Political Department, and national first-class artist. He was the first member of the China Book Association.
His works have participated in many high-standard exhibitions at home and abroad and won awards. He has held two calligraphy exhibitions, two 40-year ink and wash exhibitions and 50-year ink and wash exhibitions in China Art Museum. In 2005, he participated in the first nomination exhibition of contemporary calligraphers in China Art Museum. He has served as the judge of the first and second national TV Calligraphy Competition, the second national cursive calligraphy exhibition, the first exhibition of young calligraphers' works and the fifth exhibition of new works in China calligraphy industry.
He has published 6 monographs and collections, 1 prose collection, and 1 calligraphy collection edited by the Second Artillery Corps. He has served as a heavyweight for many times.
Art planning of the exhibition.
What should be paid attention to in the collection of calligraphy inscriptions
Judging from the changes of art and history, some ancient rubbings have been lost due to various inscriptions, and rubbings have suffered several times and become rare, so we must pay special attention to them in appreciation. How to know Orphan?
At present, all major museums, libraries, literature and history data and personal collectors in China, as well as foreign museums and university data collectors, have unique and rare copies of China's historical inscriptions. So how can we call them "unique copies"?
1. Because some original stone carvings or engravings were damaged and lost earlier, some traces left behind were not original. According to the textual research of historical materials and written records, the inscriptions that are about to be lost are indeed "unique" and have high value in calligraphy art, literature and history.
2. If you want to call it an "orphan", it must be the original of the rubbings and stickers of the stone carvings, and the pirated ones cannot be called it. At the same time, it should be earlier rubbings, such as Tang rubbings, Song rubbings and Ming rubbings, which are relatively poor. If it's A Qing rubbings, it's often not called this "nickname". Inscriptions unearthed in the Qing Dynasty do not belong to this category.
3. Some "orphan books" are still incomplete volumes. At first, the initial expansion was incomplete. But the remains can explain the land and value of orphans. For example, according to records, the "Hot Springs" was first extended by dozens in the Tang Dynasty, and spread to the Song Dynasty and Mi Fei. After the extension, he wrote a line: "In August, 653, Yonghui four years, Guo Yier was surrounded by the Gufu", which showed the time. However, in the Song Dynasty, Pan Jiang was inscribed in it at this moment, but the fake "Jiang Tie" was not engraved in it, and later it was engraved in the "Yunqing Pavilion", indicating that this post had been circulated in the Song Dynasty, and later the original extension was lost. Until 1896, this post was found in the Thousand Buddha Cave in Dunhuang, but it was incomplete compared with the original extension and was plundered by the French. A photocopy of the photo shows that Luo Zhenyu said in "The Star Phoenix of Maureen": "Bo Shi believes in good books, and everyone has his own ideas, but his calligraphy is solid and he is a minister." Explain that these fifty lines are valuable. Because there are many problems in the residual edition, we should research and explain the status of the "orphan edition" according to the specific situation.
Some of the original rubbings of famous stone carvings and inscriptions are rare, or the quality difference of the original rubbings is caused by various factors, which directly affects the artistic quality and the reliability of materials. Part of it flowed to the country name because of the original lettering. Therefore, the earlier and rarer versions of the original extension in China are rare treasures. For example, there are only one or two original extensions in the Tang, Song and Ming Dynasties, all of which belong to the category of "rare books".
Analysis of various "rare books", from the perspective of calligraphy, there are roughly four kinds:
The first type: the original stone has been lost for a long time. The original extension has a great influence on calligraphy and is representative. Although there are various differences in the quality of various rubbings in the future, they still feel precious and can be called "rare books". For example, the tablet of Huashan Temple in Xiyue, and the old stone is in Xiyue Temple in Huayin, Shaanxi. There are 22 lines of official script, each with 38 words. Jiajing 1555 in Ming Dynasty was destroyed by the earthquake, and it was engraved with Guo Xiangcha's book and Yingchuan Handan Gong. Now there is a copy of Changyuan, and the most important one is the copy of the Northern Song Dynasty collected by King Hebei. The handwriting is only cross-damaged, which was bought by Nakamura, Japan. Secondly, Hua Yin Ben Guan Zhong was originally a rubbingless copy collected by Shi Nian in Dongzhiku, the former county, and was later collected by Hua Yin Wang Juji, indicating that the rubbings were nearly 100 words incomplete and are now in the Palace Museum in Beijing. The third is the Siming edition and rubbings collected by Daosheng in Fengxi, Zhejiang, and later collected by Tianyi Pavilion in Ningbo, but the number of residual characters has increased. Duan Fang's collection in the Qing Dynasty was also recorded, and now it is also hidden in the Palace Museum. Li Wentian also has half of Song Tuo's book, because this half of the book has been kept in private, and it was not known to the world until the Ma Rilu brothers hid it in Linglong Mountain Pavilion in the early Qing Dynasty, and there were more defects than white river cracks. Now it is kept by Mr. Ouyang of the Chinese University of Hong Kong, and Mr. Ouyang has a postscript. From the comparison of these four rare books, Changyuan is the best.
The second type: the initial extension of the original stone, due to factors such as extension and material, as well as storage factors, the quality of the original stone extension is different. For example, there are not many rubbings of the original vermilion carved by the emperor, but they have been found in Beijing and Taiwan Province Province. Later ink rubbings were not as good as Zhu rubbings and the first rubbings. One is the craft, the other is the long time interval and the material problem, so the vermilion version has become a rare version in seal cutting. Another example is the "Tomb of Brick Pagoda of Wangfu" unearthed in whipple Valley, Zhong Nanshan, Shaanxi Province during the Wanli period of the Ming Dynasty. In the south of Chang 'an County, the initial extension has been broken into three pieces, then five pieces, and then split into seven pieces. Later, the first piece was lost due to handling, and it all hit the extension of the vertebral body, so the initial extension was extremely rare. Liaoning Museum has the best rare books unearthed in Ming Dynasty.
The third type: the original stone still exists, but it is damaged too much, while the old rubbings are complete. This situation is because the original stone is stored in the wild, or the stone is poor in quality or struck by lightning, so the original rubbings are also very rare, which can be called "rare books". For example, in the 20th year of Jiaqing, Shaanxi Province, the old stone from the Epitaph of Sui Family was unearthed at Xianning 18 15, Wujin Lu Yaoqing moved to Jiangzuo, and the stone in the 10th year of Xianfeng 1860 was broken into two sections, with the word 170. The word "madam" was first used in the original stone. Although it can't be compared with the original stone rubbings, due to its superb calligraphy skills, the original stone rubbings can be called treasures, which can be found in Zhao Wanli's Collection of Tombs of Han, Wei, Southern and Northern Dynasties. The original stone is hidden in the Forbidden City in Beijing.
The fourth type: the original stone flows abroad, and there are few rubbings in China. The artistic quality of these inscriptions abroad is very high, and there are few rubbings handed down, and some even have reduced versions. These inscriptions are generally found in the late Qing Dynasty and the Republic of China, and some of them were sold or looted because of the defeat of the Han Dynasty. For example, in 19 19, a gold monument was unearthed in Luoyang, Henan Province. The tablet is small, with the first 19 lines and the last 6 lines 19 characters, all of which are official scripts. Because of the political situation at that time, no one was in charge, and it was bought by the Japanese who heard the news. There are not many rubbings in China, and most of them are reprinted. Compared with the original rubbings, the factory flowers in the left corner show traces of knives and axes. However, Zhang Langbei has not only the artistic value of calligraphy, but also the value of literature and history, so the monument is small but also a treasure.