The general situation of calligraphy in the early Yuan Dynasty was that it advocated retro style. Wenzong built Kuizhang Pavilion in the early Tianli period, specializing in secret antiques. Emperor Wenzong of the Yuan Dynasty often visited Kuizhang Pavilion to appreciate famous calligraphy and paintings, and calligraphy flourished for a time. Famous masters such as Zhao Mengfu and Xian Yushu are representatives of calligraphy during this period. They advocated the same method of calligraphy and painting, paying attention to the posture of knotting characters. However, the calligraphy world of the Yuan Dynasty was purely inherited from the Jin and Tang Dynasties, without its own style. Later, there were some changes after Zhao Mengfu's Kangli Xisi, and the extraordinary rise was unique to the calligraphy world of the Yuan Dynasty. Throughout the calligraphy of the Yuan Dynasty, the greatest achievements were still made in Zhenxing cursive script. As for seal script and official script, although there are several famous ones, they are not very outstanding. This type of calligraphy, with Zhen, Xing and Cursive scripts as the mainstream, did not change until the Qing Dynasty. The calligraphy style of the Yuan Dynasty still followed the style of the Song Dynasty and flourished in calligraphy studies, which were inherited from the Tang Dynasty and the Jin Dynasty. Although each has its own merits, it cannot be established in the calligraphy world with the method of one family.