Han has his own unique views on calligraphy art. He believes that the reason why calligraphy has become the art of writing Chinese characters is determined by its own regularity. As far as Chinese characters are concerned, the relationship between strokes is complex, which brings many difficulties to word formation. From the relationship between words, the collocation of distance, the arrangement of font size and the degree of dryness, we are very particular about it. As far as the whole layout is concerned, there are many changes, such as leveling first, avoiding later, correcting later, and combining Winyuer, which should be appropriate and unified, and harmonious and natural. As far as writing tools are concerned, because they are soft brushes, they are both elastic and elastic. The weight of writing power, the positive side of the pen tip, the shade of ink color, the rapidity of operation, the momentum before and after, and the posture left and right are all enough to form different styles, different styles and different artistic effects. As the main body of calligraphy appreciation, we can describe it appropriately, but we are also influenced by it invisibly. Unconsciously, we pour our feelings into it, infect our hearts, change our mood and enhance our taste. In the long run, the level of appreciation and aesthetics will gradually improve. If you have a high vision, you can improve your kung fu.
He dabbled extensively in literature and art, and fully demonstrated the qualities of entrepreneurs. He is versatile. Part-time Chairman of the Provincial Calligraphers Association and Consultant of the Municipal Artists Association. In his spare time, he is engaged in artistic creation, and has published Han Calligraphy Collection, Han Art Photography Collection, Zi Gui Qing Han Poetry Collection and Landscape Calendar. His calligraphy works have participated in many exhibitions and been published by relevant media, and his solo exhibition has had a great impact on society.