2. Silkworm-headed phoenix tail: It describes dignified calligraphy and mild illness. From "Painting of Xuanhe Yan Zhenqing": Only he is loyal to heaven and knows the world well, so his spirit is unique and inclusive. ..... After popular science, it is to seek the end of its shape, which is called the swallow-tail of silkworm head, and it is only obtained.
3, full of strength: calligraphy has bones and muscles, and the pen is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough. From "Bi Tu": At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Critics said that it was infinitely powerful and had a lot of potential.
4. The ancient fat is now barren: a metaphor of different calligraphy styles. From Calligraphy to Record: impermanence is ancient fat, amethyst is barren today. Ancient and modern times are different, and fat and thin are the opposite.
5. It is "Hu" in the Romance of the Three Kingdoms; Clock: the clock in the Three Kingdoms period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin. Describe the beauty of calligraphy. The source of Zhang Tang Yan Yuan's calligraphy: Liu Desheng, a famous minister of the Wei Dynasty in the Three Kingdoms, became famous for his running script, while Zhao Hu and Zhong You copied his calligraphy. Hu Shupang and Zhong Shu were thin, each with his own merits.
6, domestic chicken wild owl: metaphor for different calligraphy styles. It is also a metaphor that people love novelty and hate ordinary. From JUNG WOO West Railway Station Postscript: At the beginning of the Western Expedition, I was dissatisfied with leisure, but I thought Boying was reborn.
7. If you are agile, you are agile. It is often used to describe the vigor of calligraphy or the beauty of dance. From "Biography of Wang Xizhi in the Book of Jin": You Shu is the best in ancient and modern times. Critics call it a pen gesture and think it is like a floating cloud and smart.
8, through the back of the paper: describe the strength of calligraphy, and the nib simply penetrates the back of the paper. From Zhang Changshi's twelve-meaning brushwork: meaning comes first; Through the back of the paper.
9. Luan Xiang Rong Feng: This is a symbol of calligraphy flying and stretching. From Jin's Fu on Floating Clouds: Luan Xiang is a phoenix, a swan is a crane flying, whales return to the waves, and sharks and crocodiles run.
10, dragon and snake fly: it seems that a dragon and a snake swim. Describe the vigorous and powerful calligraphy. From the stone "Xijiang Yuepingshan Hall": I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall.
1 1, while dancing like a dragon and a phoenix: it was originally used to describe the grandeur of mountains, and later it was also used to describe the boldness and agility of calligraphy. From, Han's "Tokyo Fu: Mountains have long eyes, water has flowers, dragons and phoenixes dance", excerpted from Lin 'an.
2. What idioms are there to describe the art of calligraphy: the dragon snake at the bottom of the pen, Mo Miao at the top of the pen, the dragon snake with a pen, the swallow-tailed silkworm head, hiding its head and protecting its tail, sinking happily, calmly, learning graffiti happily, rising and falling gracefully, Ding Zhenyong's grass, dancing with the phoenix, being full of muscle and strength, dancing with the phoenix, dancing with the dragonfly and dancing with the phoenix. Strong bones and abundant muscles, thirst for spring, anger for spring, thirst for deer for spring, back on paper, clinical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen tiger shock, Rowen tiger shock, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian. Failed to learn the sword, Yan Jia was hungry, Yan Gu Liu Jin, Yan Gu, Yan Gu, one-word understanding, silver hook's tail, silver hook's iron painting, silver hook's spitting jade, swimming in the clouds to shock the dragon, right army habits, worrying about the beauty of the face, implicit and full: pen and ink are used very freely and fully. It describes calligraphy and poetry as rich and full of vitality. Jin people have a small regular script of Huang Tingjing. In the old days, there was an idiom to comment on calligraphy, which was called "It is appropriate to write Huang Ting at first". Later, the metaphor was just right. Spring insects and autumn snakes: a metaphor for poor calligraphy, bending like the trajectory of spring insects and autumn snakes. The sword was drawn from its sheath and the bow was opened. It described the tense situation as explosive. Later, the calligraphy of Chunqiu is summarized into several categories, which are roughly explained. Later, it was said that the style of the book was "draw inferences from others, draw inferences from others". See "Examples". Through the back of the paper: the original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vividness and profundity of poetry. Fly like a dragon, fly like a phoenix. The original description is heroic and magnificent. There are many now. It also describes the lifelike plastic arts of dragons and phoenixes. Flying dragons and snakes: describe the vigorous and vivid style of calligraphy. Su Shi's "Xijiang Yuepingshan Hall" says: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Fengbo: Luan: A legendary bird like a phoenix. Originally, calligraphy was described as chic. Unlimited It also means that high flyers and his wife are separated. Luan Xiangfeng flies high. It means that the calligraphy style is flying. Beauty hairpin describes the beauty of calligraphy or poetry style. The original description was that the calligraphy style was strong (it is said that Jin and Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep), but now it is much more. Hook: hook. Describe the vigorous and beautiful calligraphy. Graffiti with letters: write casually. Graffiti: figurative words are poorly written and scribbled casually. Later, "graffiti" and "graffiti" were used to describe poor or random calligraphy. Graffiti with letters: listen and doodle casually; Letter pen: write casually; Graffiti: figurative words are poorly written and scribbled casually. Later, graffiti or alphabet graffiti was used to describe poor calligraphy or careless writing.
3. Calligraphy Idioms Chinese idioms have a comprehensive reflection on Chinese painting, music, dance, opera, calligraphy and other art forms.
In painting. This idiom means that Wen Tong, a painter famous for painting bamboo in Song Dynasty, had a complete idea before he put pen to paper, which is used to describe that he had a complete plan before he did something.
"A rabbit begins to fall" describes the agility of writing in order to capture the image in painting. "Big ink" means that painting should start from the main place.
"Two-pronged approach" originally means that Cao Zhang, a famous Song painter in the Tang Dynasty, can wield two strokes at the same time, and also means that two things can be done at the same time. "handy" describes skill.
"Poetry in painting" describes Wang Wei's paintings in Tang Dynasty as poetic. "Cloud Moon" refers to painting when touched and dyed from the side (later also refers to composition).
"Make the finishing point" refers to the key pen and ink in painting (later also refers to writing). In addition, there are idioms such as "painting a snake to add feet", "painting a tiger and a dog" and "painting fat and carving ice", which are used to ridicule the clumsiness of painting, or its futility, or even self-defeating.
Idioms and music culture are also inextricably linked. The rhythm of China ancient music is very subtle, with "five tones" and "six rhythms".
"Five tones" refers to the symbol feather of the upper corner of the palace, which is similar to 123456 in notation. This idiom means that people don't understand music at all.
"Changing one's palace and changing one's feathers" means changing the tune of music, and it also means that the content of things has changed. "China Merchants Carving Feathers" refers to mastering solemn music.
"Law" originally refers to twelve kinds of pipes with different lengths, which are used to set the standard tone, with Huang Zhong and Lu Da as the first two laws. The idiom "Yellow Law" describes the grandeur, solemnity and mystery of music or language.
"Huang Zhong destroys" means that a talented person is not appointed. From idioms such as "playing the flute", "playing the flute", "playing the golden stone and stringed instrument", "the piano is not tuned", "bells and drums chime", "Qin Zheng beckons the instrument" and "Shengqingtong", we can know that ancient musical instruments in China include plucked instruments such as "Qin" and "Se".
Idioms such as "Yellow Land", "A piece of palace merchants", "including merchants' signatures", "inviting merchants to carve feathers", "changing merchants' feathers" and "five tones and six rhythms" recorded China's unique ancient music theory and the resulting Gongdiao theory. There are also idioms such as "Zhong Qi Wei Gu", "Qin Zheng Chao Se" and "Thinking about Yan Ge" which reflect the regional characteristics of ancient music life in China. "Spring Snow" and "Xialiba People" recorded ancient music tracks, while "The Great Sound and the Sound of Hope", "The Sound Beyond the String" and "The Echoes" reflected the ancient people's pursuit of the musical realm, namely "the sound of righteousness" and "the echoes". Striving for strings and hurting bamboo reflect the effect of ancient silk and bamboo music playing different music; Striving for strings, playing bamboo and beating gongs and drums show different playing methods of different musical instruments; Qin Xin Jian Dan, Qin Broken the Strings, Qin Song and Jiu Fu, and Qin and Qi He show that the ancient people in China originated from music.
There are also operas, dances, calligraphy, seal cutting and painting. Like music, we can systematically and completely understand their basic characteristics from idioms. In addition, the idioms "beating drums with rubber posts", "fiddling", "the room is like a cantilever", "copper-clad iron plate", "stringed stringed instrument", "mourning bamboo" and "broken stone" respectively use the names and categories of some musical instruments, and also describe the morphological structure and performance characteristics of some musical instruments, so I won't say much here.
As for "one board with three eyes" (also called "one board with one eye"), it refers to the beat of traditional Chinese opera music after the Ming and Qing Dynasties. This idiom means that words and deeds are orderly, and sometimes it means that things are rigid. Huangzhong is an ancient percussion instrument in China, which was mostly used in temples. Therefore, the idiom "Huangzhong Wafu" is used to describe literary works with high or low artistry, "Huangzhong Ruin" is used to describe brilliant talents, and "Huangzhong Road" is used to describe solemn, just, harmonious and mysterious music or words.
Calligraphy is the art of writing Chinese characters with a brush, and it is a special art gradually formed under the long-term application and development of calligraphers' aesthetics. Calligraphy is one of the excellent traditional cultures of the Chinese nation, which not only has the practical value of language, but also has the value of artistic appreciation.
Many idioms in Chinese reflect the art of calligraphy, or metaphors of strokes and styles, or metaphors of judging merits and demerits. Such as: dragon and phoenix dance, tense, iron painting silver hook, Huang Ting's first stroke, willow bones and muscles, spring insects and autumn snakes, letter graffiti and so on.
In addition, for example, the idiom "step by step" means that when writing an article, the structure is properly arranged and the words and sentences are in line with the norms; "A thousand miles long" refers to a painting or a poem, which is short in length, but extremely rich in content and far-reaching in artistic conception; "Holding clouds to hold the moon" originally refers to a technique of rendering clouds to set off the moon when painting, and later refers to a technique of expressing the theme or theme through shading or profile description when painting or writing. "Suburban thinness" is a generalization of a certain artistic conception and style of poetry. "Parallel four wives and six wives" refers to the double parallelism of four-character or six-character sentences in parallel prose that prevailed in the Six Dynasties. "One word and one bead" is a metaphor for the clarity, tactfulness and roundness of singing and the essence of poetry writing. "Luan Pu Feng Bo" describes the brushwork of calligraphy. "The sword goes sideways" and "cut to the chase" describe the vigorous and powerful calligraphy with profound skill.
The idioms "wear out the inkstone" and "keep waving" describe the efforts and perseverance in practicing calligraphy. "Iron flower and silver hook" describes vigorous calligraphy.
Idioms such as "Dragon Leaping Tiger", "Dragon Dancing Phoenix", "Dragonfly Snake" and "Beauty Dancing Flowers" are all used to describe the beauty and vividness of calligraphy. As for the idiom "spring insects and autumn snakes", it is a metaphor for poor calligraphy.
Idioms like this are really endless. Literature and art: magic, Wei made up three miracles, which are absolutely wonderful. Astronomy and geography: vast territory and vast resources, sparsely populated, high-altitude political and military affairs: strategic planning, high spirits, and unfaithfulness. Etiquette and custom: reciprocity, reciprocity, three cardinal principles and five permanents, food, clothing, housing and transportation: stretched, ragged, hungry and cold, naked,
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Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful. People call it Weng Long (a famous Weng). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,
5. Describe idioms with beautiful calligraphy, flying and jumping.
Leon feifen w incarnation
Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
6. What are the words that describe good calligraphy? They are: the pen is full of ink, the pen is full of dragons and snakes, and the arrogance is arrogant, while the dragon and the phoenix dance, penetrating the back of the paper and penetrating the wood.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and vivid plastic arts of dragon and phoenix.
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Get to the point: Calligraphy used to be descriptive, but now it is more profound and powerful in analysis, description and discussion.