From the Qing Dynasty to the early years of the Republic of China, there were several temple fairs in some market towns and temples in China, commonly known as going out to meet the gods. According to the regulations, the dates of the temple fair are Guanyin Bodhisattva on February 19, Guandi Bodhisattva on May 13, Bodhisattva on 10 or 1 5, and there are also valiant soldiers and mothers.
Mom will wait. There will be temple fairs in some market towns in the north of the county every year or two, such as Dutianhui, Marshal's Club and Guanyin Club, among which Dutianhui is the largest. The temple fair is very grand. First, the bodhisattva enshrined in the temple was carried out of the sedan chair and greeted by various honor guards. There are umbrellas, shields, lanterns, stepping on high, scratching, dancing with teachers and students, crowds, gongs and drums, and firecrackers. On the way, some people put incense tables and bowed down, and the onlookers were crowded. Many kind men and women, dressed in red and green, are full of joy and excitement. This kind of temple fair gradually decreased after 1940s, and basically stopped in 1950s.
love song
Sang Cai, Mu Cai, Hong Ling Cai, Qing Mei Cai, Hua Meng, Cry Lang, Four Seasons Song, Embroidered Lang Clothes, Five Watching Tunes, Dressing Table, Lang Si, Song of Picking Water, Folk Songs of Thinking Songs, Sunset in the Western Hills, Romance, Folk Songs, West Lake Rails, Couples Folk Songs, New Waterwheel, Embroidered Chinese-style Belly, Qujiang, Distant.
Cross song
Ten tables, ten worries, ten sachets, ten pairs of slippers, ten daughters-in-law, ten girls, ten fans, ten dating lovers, ten elder sisters seeing Lang, ten pairs of embroidered shoes, ten fine copper, ten handkerchiefs, ten Li Ting persuasion Lang, ten peerless talents, ten months, ten speaking Lang, December flower name, twelve glasses of wine, and December flower name.
Haimen folk songs were introduced to Wu Ge by immigrants from the south of the Yangtze River after the middle of Qing Dynasty. They were orally sung by Haimen working people from generation to generation, constantly polished and created, and developed into popular folk songs in the late Qing Dynasty and early Ming Dynasty.
Haimen folk songs widely circulated in China. There are two kinds of folk songs, one is impromptu folk songs, which are mostly created casually after working in the fields or after work. The lyrics are four, six and eight sentences. The other is narrative folk songs, with dozens, dozens or even hundreds of lyrics. In the 24th year of the Republic of China (1935), Haimen folk songs collected by Guan Jiange and Ding Zhongguo were compiled into "Jiangkou Love Song", which was published in Journal of Shanghai University and later compiled into an album. The following year, the long narrative folk song "Matchmaker" collected by Guan Jiange was published in Wuhan "Heaven and Earth Man" magazine. 1954, Haimen folk songs were put on the stage. In 1950s and 1960s, a folk song script was published in a national drama journal. In 1980s, many papers on folk songs and folk songs were published in journals above the provincial level. 1984, Haimen Folk Song Research Association was established. 1In August, 985, the county held the first Haimen folk song concert, and more than 50 singers sang more than 40 folk songs, which were reported by Guangming Daily and Xinhua Daily successively. 1In July, 1986, Song sang Haimen folk song "Miss Sister takes a fancy to the boatman" and went to Beijing to perform with Nantong Folk Art Troupe. From 65438 to 0987, Selected Songs of Haimen Mountain was published by China Folk Literature and Art Publishing House, which included more than 250 songs of Haimen Mountain. 1995, Haimen folk song "Qinglong Jiao" performed in Beijing. The Popular Catalogue of Folk Songs includes long narrative folk songs such as rocking a boat, pulling out garlic seedlings, selling peaches, picking up young aunt, Zhang Erniang, Yangko, Jiuguniang, Maihua Street, embroidered clothes, embroidered sweat towels, meeting in Antang, and love Shiliting.
Tong dong Hao zi
People in Tongdong area follow their labor; The rhythm of labor composes and sings to form oral music. All collective labor, such as carrying water, beating wheat, picking mud, pulling pedicels, tamping, carrying sticks, carpentry, pulling boats, picking iron pots, etc. , has its own chant.
Tongdong chants are generally duet chants that echo each other, and there are also some longer narrative chants; Each paragraph has a dozen or even dozens of sentences, such as Shu Yanghe's songs.
Tongdong chant has various modes and forms, some of which are lyrical and free in rhythm, such as Cheshui chant; Some are vigorous and open, loud and powerful, such as picking mud songs; Some ups and downs are gentle, and festivals are regular, such as pulling boats; Some festivals are regular and free, such as picking dung songs.
After the founding of the People's Republic of China, there was a special person to excavate and sort out the Tongdong chant. 1May, 979, Haimen folk songs included 2 1 song, among which songs such as Pulling Boat, Pulling Anchor and Picking Dung were selected into China Folk Songs Integration and Jiangsu Volume. 1984, the singer's solo "New Sister-in-law Got the One-Child Certificate" was broadcast on Shanghai TV Station.
Poetry and prose
There are ancient poems scattered in the old local records of the county. His works include Dong Zhou Ji by Cui Jitong in Ming Dynasty, Shuang Wei Garden Ji by Ding Youyu in Qing Dynasty, the sequel to Shuang Wei Garden, and Qiu Ji. But they were all destroyed in the literary inquisition during the Qianlong period, and few survived. During the Republic of China, there were influential essays by film critic Wang and patriotic poems by Gong Tinghuai, such as Su Xun, Wasteland and Shanghai Collection. In 1950s and 1960s, the creation of traditional operas in this county was very prosperous, among which Taomi Ji, Picking Peaches, Gatekeeper and Yin Hua Girl were the most influential ones. 1976, people's literature published Xu Naiping's children's literature "Golden Wings", and People's Daily published Han Biao's prose "Red Flag as Fire Reflects Journey". In the 1980s, 67 literary works were published in newspapers and periodicals at or above the provincial level, of which 28 were awarded national and provincial awards.
dance
Haimen folk dance originated from offering sacrifices to gods. In the Ming dynasty, there was a custom of offering sacrifices to gods for entertainment on holidays. Since the mid-Qing Dynasty, with the prosperity of religious ceremonies and temple fairs, Haimen folk dances have been developing continuously, including dancing the god of wealth, running five squares, adjusting lions, dancing dragon lanterns, boating on the lake, refining mussels, walking on stilts, carrying flowers, beating lotus, waist-inspiring, lantern dancing, swinging table and red fan dancing. Most of them appear in religious ceremonies, such as Taoist ceremonies. Some are popular among the people after being decomposed by religious ceremonies, such as jumping the god of wealth; Some of them are imported from other places, such as playing lotus incense and encouraging the waist. Before 1949, some folk dances were lost. In 1950s, the county sent a special person to take charge of the excavation and arrangement of folk dances, and dragon lantern dance, lion dance, sending vegetable heads, picking flowers, playing lotus flowers, Hunan and waist drum dance were put on the stage one after another. There are a certain number of folk dances in the cultural performances held in the county. 65438-0983, the county literature and art department conducted a general survey of folk dances. Dance the folk dance and jump into wealth.
God was included in China Folk Dance Integration Jiangsu Volume.
Before 1949, some folk dances were lost. In 1950s, the county sent a special person to take charge of the excavation and arrangement of folk dances, and dragon lantern dance, lion dance, sending vegetable heads, picking flowers, playing lotus flowers, Hunan and waist drum dance were put on the stage one after another. There are a certain number of folk dances in the cultural performances held in the county. 65438-0983, the county literature and art department conducted a general survey of folk dances. After finishing the folk dance, the God of Wealth was included in China Folk Dance Integration Jiangsu Volume.
There were two great calligraphers in Ming Dynasty, Zhang Cheng and Cui Tong. Nantong Museum has a long scroll of his calligraphy, which is his masterpiece. The works of calligraphers such as Cui Siwei, Li Wei and Li are also well-known at home and abroad. Cheng Hongling, a calligrapher in the Qing Dynasty, is known as the sage of grass. Inside and outside Li Mingyang County, the county cultural relics management committee keeps her original regular script. In the Qing Dynasty, there were calligraphers Xu Shiguan, Li Rulin, Li Laihan, Li Lianxiu, CoCo Lee and Zhang Jian. During the Republic of China, calligrapher Huang Zuqian was proficient in official script, while Chen Jiagan studied inkstone and Han Wei, making him famous in the north and south of the country. His brother Chen is imitating his brother's body; His daughter Chen Shuzhen is the only female surname among county calligraphers and celebrities. When the calligrapher was in Yao Yingchun, there was a saying that Yao was not in the county. Sha is famous both inside and outside the county, and the inscription of Suzhou Xuanmiao Temple came from him. Chen Ba's calligraphy was once admired by Liang Qichao. Wang Ge, a modern artist, loves calligraphy, and uses the stone drum brushwork to write cursive scripts. Especially good at inscriptions, stone drums, rich in stone. 1984, the county Federation of Literary and Art Circles established the Calligraphy Association with 22 members. 1990 increased to 55 people.
draw
Ming Dynasty painters Cheng Yuan and Zhang Guangjian. Ding Youyu, a painter in Qing Dynasty, was good at painting flowers in ink, especially flowers, birds and bamboo worms.
Photography1984 65438+February, the county photography association was established with 2 members1person. In May, 1989, Xiang Li's photographic work Caiwenha participated in Nantong Photography Exhibition. 1990 The photographic work "Country Field" participated in the National Beauty of Life Competition and won the Excellence Award. In September, Beijing Health Consulting magazine published Xiang Li's photographic work Zen. That year, the county photography association had 24 members.
folk story
The northeast of the county is close to the Yellow Sea, and local residents have frequent exchanges. Therefore, they often use natural phenomena, sea dragon king and other illusory and vivid stories to reflect their understanding of the world and their yearning for beauty, such as the legend of the wooden stake port. The sandy land in the south and west has convenient transportation and dense population, which has produced many interesting stories reflecting people's life and labor and embodying the folk customs of the sandy land. Among them, the story of the foolish husband is shared by local women and children.
Got it. The stories of two witty characters, Cao Xiuzhen and Yang, spread in the north and south respectively. Cao Xiuzhen originated from Cao's thin face circulating in the eastern region; Yang was introduced to Haimen from Chongming. There are legends and folk allusions about place names, which record the historical changes and customs of Haimen.