It was made by Xu Xi, a painter in the early years of the Northern Song Dynasty in the Five Dynasties. The painter cut out the landscape of the nursery fence and wrote a frame of bean flower, observing the subtlety, using a pen to simplify it, rendering it in light ink and then coloring it. It's natural and natural, so it's touching, fascinating and wild.
Although the scale is not large, the interest is aloof. The dragonfly takes off with its wings tilted, its body droops, its image is vivid, its branches are close-up, and it is written in light ink and thick brush to prepare pastels. The colors are vivid, the fragrance is overflowing, the new colors are all over the garden, the green leaves are hanging down, and the pods are upside down, as if there is a breeze blowing. The wind blows the hedge to add scenery, and the morning dew and autumn makeup are fresh all night. Comment on the Famous Paintings of the Holy Dynasty: "Do more gardens for the situation, and plant the stems and seedlings of vegetables, and write them in pictures". The history of painting records: "Xu Xi's pen does not take merit for the faint color." Author Song Huizong Zhao Ji, silk edition, colored, 26.9 cm in length and 27.2 cm in width.
The picture shows the ripe loquat fruit in the south of the Yangtze River in May, which is particularly attractive under the summer light. An embroidered eye perched on a loquat branch and was about to peck at the fruit, but when she found an ant on it, she looked back at it intently and looked very lively and interesting. Loquat branches seem to vibrate up and down with the imbalance of the center of gravity of embroidery eyes, and the picture is quiet and dynamic, which is full of fun. Feathers with embroidered eyes are first smudged with color and ink, and then painted with fine but not dull strokes, showing the different textures of birds' back feathers, dense and smooth, and their belly hair fluffy and soft. Loquat fruit is outlined with khaki lines, then filled with golden yellow, and finally painted with ochre, and three different warm colors blend together, thus showing the fullness and sweetness of loquat fruit at maturity. Eriobotrya japonica leaves are neatly and delicately represented by heavy color method, which not only faithfully depicts all kinds of natural shapes of the leaves reversed to the back, but also traces the damage caused by insect bites, which fully reflects the artistic level of realistic flower-and-bird painting in Song Dynasty. Qing dynasty, Yu Zhiding painting, paper book, colored, 16.7cm in length and 5cm in width. It is now in the Palace Museum.
Painting Heart Department: "Early morning pictures, Doumenke window paintings, Guangling Yu Zhiding." Zhu Wenchang's oval seal of Zhong's Ding Shen Zhai.
The picture shows the scene of dawn: the palace is heavy, the morning smoke is not calm, and the palace street is long. An official dressed in royal clothes, led by servants carrying lights, goes to the early dynasty. Although it is difficult to express the delicate expression conveyed by the characters' eyebrows on the small-scale fan, Yu Zhiding vividly depicts the sleepy and tired expression through the characters' forms, showing the author's superb realistic skills. Ming, Chou Ying painted, gold lettering, turquoise color, 21.5cm in length and 31.2cm in width. It is now in the Palace Museum.
There is no Chou Ying seal on this painting. According to the painting style and painting heart, the two-sided seal of Xiang Yuanbian in the upper right corner is classified as Qiu's work. The picture depicts Wang Xizhi watching geese and enjoying cranes in Lanting Shuige with meticulous brushwork. The composition between the scales is dense, and the pen and ink are exquisite. Among them, the rock spring turns, the pine weeping willows and the spring flowers and bamboos dot the garden. The characters are elegant, the scarf is elegant, the servants in the courtyard carry the piano, or brew tea, and their actions set off the master's lofty spiritual world and life interest. There are two examples of Xiang Yuanbian's "Linwang Xizhi" written by Feng Fang, a calligrapher of Ming Dynasty, in Jiajing Jiazi (1564).