Qigong Shu Hang Calligraphy Appreciation Qigong Shu Hang Calligraphy Appreciation Picture 1
Qigong Shu Hang Calligraphy Appreciation Picture 2
Qigong Shu Hang Calligraphy Appreciation Picture 3
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Qigong Shu Hang Calligraphy Appreciation Picture 5
How to distinguish the authenticity of qigong calligraphy
Mr. Qi Gong is a famous calligrapher with the most fakes. Mr. Qi Gong not only made outstanding achievements in Chinese studies, calligraphy and painting, but also set a moral model for cultural scholars. His elegant and handsome calligraphy is well-known at home and abroad and is deeply loved by everyone. Love belongs to love, but the courage to really buy Mr. Qi Gong's calligraphy works is getting smaller and smaller, and fakes are emerging one after another, which makes everyone a little arrogant.
Qigong calligraphy? Solemn and exquisite royal pavilion
Does Mr. Qi Gong's calligraphy advocate aestheticism in general style? Rational? The style of calligraphy focuses on the shape and structure of calligraphy, emphasizing the static architectural beauty. In other words, his calligraphy belongs to the category of beautiful writing, which I believe is the most intuitive feeling for most people after seeing his calligraphy.
So how did ancient calligraphers sum up the law of this style of calligraphy? Yu Shinan said? Close your eyes and turn your back, never worrying about concentration, righteousness and harmony? . What I am talking about is that when Mr. Qi Gong creates beautiful calligraphy, his heart is very quiet, his mind is very clear and his expression is very serious. He will never show his teeth like some so-called calligraphers today, and secretly brew his feelings. Ou Yangxun said? Stitch and mix well, evenly up and down? . It means that after a calligraphy work is completed, we look very symmetrical in shape and structure, and the combination of strokes is very beautiful.
The ancient palaces in China have strict symmetry, clear priorities, strict structure and neat layout. We say that Mr. Qi Gong's calligraphy has static architectural beauty. What do you mean? Like the Forbidden City, I don't know if it's right, but at least it's like a dignified and exquisite royal pavilion.
Corresponding to the rational calligraphy style is the perceptual school of Wang Duo, a calligrapher in Ming Dynasty? Lyrics style? , ups and downs, swaying and turbulent. We say that Wang Duo's calligraphy has a strong sense of rhythm, which means that Wang Duo's calligraphy pays attention to imposing manner, with dynamic musical beauty and ups and downs. This is essentially different from some people's wild ghost calligraphy today.
? Imitate Zhao Dong first, then Ouyang, and then truly love you. Even if I look at the nail wall, others say I look like a king. . This poem by Mr. Qi Gong tells the direction and method of his early study of calligraphy. Ou Yangxun, Zhao Mengfu, Dong Qichang, Liu Gongquan and other calligraphy works. What he learned is basically aestheticism, but Dong Qichang's calligraphy has a more relaxed side of Taoism, which is why he is better than Zhao Mengfu.
When writing calligraphy, a very rational person controls the operation of lines with the degree of use and his calligraphy modeling rules. The difference and change of mood will only affect the quality of calligraphy works, and will not be expressed through lines. In other words, we only seek the beauty of painting, not the ups and downs of emotions. From the three calligraphies written by Mr. Qi Gong in the morning, afternoon and evening respectively, we can't see any change in his mood that day.
This aesthetic and rational style of writing will inevitably exclude the ups and downs in works of art, just as Dong Qichang criticized Zhao Mengfu? Too familiar? Because it is too familiar, only the sensitivity of the wrist, lack of inner participation. Therefore, we will find that Mr. Qi Gong wrote calligraphy works with the same content at the same time, and the changes during this period are very small. As shown in the picture (1), China Guardian LotNo. 1006 in the spring of 2009. In the picture (2), Mr. Qi Gong presented a collection of paintings and calligraphy to a friend and wrote at the same time (1980, 1). The structure of these two works is almost the same. But both of them are authentic, and there is no relationship between eggs and chickens.
Many calligraphy works of the same size and content written by Mr. Qi Gong on the same day, if put together, should be almost identical. But this is different from some painters and calligraphers who practice a painting and a word, then copy dozens or hundreds of them as manuscripts (each with a similarity of more than 90%) and then sell them. They are making money at the speed of printing money, while Mr. Qi Gong is saving more time for study.
However, the excessive similarity in this kind of works also provides convenience for counterfeiters to copy and copy in a popular way, and provides reasonable reasons for selling fakes. You have a calligraphy work by Mr. Qi Gong, and I have one exactly like yours. This is normal, isn't it possible? Who can say that the same as you is fake?
Hands-on brushwork? Flat tai chi
The brushwork is simply the method of using a pen. In professional language, brushwork is the movement form of the pen tip, and it also refers to all kinds of movements carried out by the pyramid of the pen when writing.
When Mr. Qi Gong talked about using a pen in An Introduction to Calligraphy, he said? Using a pen undoubtedly refers to the writing method of each stroke, that is, the effect of a brush on paper. Of course, the writing effect will certainly not be good if the brush hairs are not gathered together, or if the brush is not smooth when writing. Or write a smooth rag, which is wiped out by putting the pen flat on the paper. The fluency of strokes on both sides is the minimum condition for writing. To make the strokes smooth on both sides, it is necessary to have a straight pen and smooth strokes. People used to say that? Center? It's not mysterious, just straight and slippery. ?
In the central stroke of Mr. Qi Gong's calligraphy, each stippling is parallel to the pen tip in the process of marching. What are the traces of running, that is, the characteristics of lines? Suppose there are only three pens in this pen. The traces left on the paper in the middle of these three operations are three parallel lines without any crossing, but in the end, they cross and stick together with the different directions of pen collection. This trajectory is particularly clear when the pen is dry or flying white.
Mr. Qi Gong, what did you talk about here? Is the pen straight? what's up Center? It is also the center pen he has been using. What are his own habits and characteristics?