Study regular script and suggest attacking Zhiyong's "Thousand Character Essay"

To learn regular script, I suggest you attack Zhiyong’s "Thousand-Character Classic" for five reasons:

1. It is writing-friendly and practical, not rigid or artificial;

2. The words are not heavy, and they are integrated into each word, so you can pick them up easily.

3. Draw inferences from one example and be flexible to facilitate transfer to other schools.

4. Precious ink, clear strokes, excellent example.

5. The style is high and ancient, elegant and popular.

How to learn? The basic strokes sorted out below, 27 writing methods are illustrated and fully explained, making it much easier to write Zhiyong regular script!

Long horizontal stroke

Long horizontal stroke slides from thick to thin:

Long horizontal stroke slides from thin to thicker:

Short horizontal stroke

Short horizontal strokes are sharp and the strokes are flowing:

Long vertical strokes

Long vertical strokes are flowing and the starting point is round and elastic:

Short vertical strokes

Short vertical strokes are full and plump, with rich and varied starting angles:

Sketching

Oblique strokes are varied, and the strokes are round and full:

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Orchid leaves are long and elegant:

Short ones are reversed and rubbed:

Points

Short points, thick and powerful:

The long point is slightly curved to avoid being blunt:

Connect the dots to break the connection of ideas and look forward to the posture:

Hook

Straight hook, oblique hook The hook comes out (slighter than Tang Kai):

Two-stage straight hook, hundreds of years earlier than Mi Fu in the Northern Song Dynasty:

The oblique hook finally comes out, Lanting Writing techniques:

Vertical curved hook

Vertical curved hook, coming out to the right:

Right oblique hook

After hooking out, there is Notch, like Yanliu:

Sometimes the hook is not hooked out, but the hook force is required:

Horizontal curved hook

In some cases, there is a gap, and after hooking out Sometimes it turns to:

Lying hook

After hooking out, it usually turns to:

Mouth writing

Drawing downward:

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Japanese part

Japanese shape is flat:

Tianbe

Tianbe is drawn downward:

Fully surrounds the mouth

Slightly expanded outward, rounded:

Flat and flat

At the beginning of the pen, if the pen is broken and the meaning is connected, it will have more charm:

Words

The long part stretches horizontally to the left, making a bowing gesture:

The hand

The hand is drawn to the upper right, slightly higher than Tang Kai:

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Zun part

The Zun part is close, the stipples are light and the contrast is obvious:

The water part

The pen breaks the meaning and echoes the right part :

The grass part

Concentrate towards the middle, like the roots of grass:

The wood part

The wood part is withdrawn with the left hand and the right hand is pressed Shorten point:

Human part

Human part is short and goes against the trend:

Metal part

Gold part tilts upward to the right:

Lunar part

Different positions of the moon part, different writing methods, and varied appearances:

Female part

Inclined upward to the right:

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倀部

The point of 倀BU is not in the center, it is short on the left and long on the right:

First write the part on the left, and then write the character example on the right like, a few After ten times, you have learned half of it without completing it.