In his early years, Yang Xiong was famous for his famous works such as Changyang Fu, Ganquan Fu and Hunting Feather Fu, which was as famous as Sima Xiangru. Later, he gave up the style of ci and fu and turned to philosophy and linguistics. He copied the Analects of Confucius as Fa Yan and the Book of Changes as Tai Xuan, wrote Dialects and recorded dialects in various parts of the Western Han Dynasty, becoming a great writer in the Han Dynasty.
Yang Xiong studied in Mianyang, and someone in the Sui Dynasty built a Ziyun Pavilion in Fenghuangkou, Xishan. Li Bai once said in a poem: "Memories in the morning are like a stage, and dreams in the night are like a cloud pavilion", which shows that the cloud pavilion occupies a very important position in the poet's mind. There is a famous sentence "Zhuge Lu in Nanyang, Ziyun Pavilion in Xishu" in Liu Yuxi's "Humble Room Inscription", which makes Ziyun Pavilion famous for generations to come. However, Ziyun Pavilion has already decayed. Ziyun Pavilion, rebuilt on the old site in 1980s, has a height of 2 1 m, a building area of 1.300 m2 and 28 columns at the bottom. The pavilion is heavy and the cornices are towering. Because it is located at the top of the Phoenix Mouth, it rises on three sides and is very dangerous.
There are cliff carvings on your cliff in Ziyun. At the foot of Xishan Mountain, there are Jade Girl Spring, Xishan Temple and many Taoist cliff statues, which are combined into Xishan Scenic Area, and Ziyunge is its landmark building.
Yang Xiong (53 BC-AD 18) was born in Shu County, Chengdu. During the reign of Emperor Gaozu of Han Dynasty, he served as assistant minister of Huangmen, which was the official position to convey imperial edicts in the palace. Young people in Yang Xiong are dedicated, knowledgeable and versatile, and the Expo is everywhere. He once "specialized in Yi and indulged in Zhuang Zi". I am proficient in exegetics and philology, like ci and fu, admire Sima Xiangru, and feel like a adherent. In his early years, he had works such as Anti-Li Sao, Guang Sao, Shu Du Fu and Four Corners of Chengdu Ming, but in his middle age, he was called into the palace, and his works such as Ganquan Fu, Hedong Fu, School Hunting Fu and Changyang Fu became his representative works, thus "carrying forward the great fu tradition of" persuading people to satirize one "initiated by Sima Xiangru.
Yang Xiong made outstanding contributions to the philosophical study of the true meaning of life in the universe: "First, he wrote Tai Xuan, integrating Confucianism and Taoism." He also wrote The Legalist, which combines Confucianism, Taoism and law, and made his own understanding and interpretation of the classic works such as the Book of Changes and the Analects of Confucius.
"Wen Xin Diao Long" has a parallel formulation of "raising horses". He was the greatest poet after Sima Xiangru in the Western Han Dynasty. Yang Xiong's fu is a literati's fu with profound knowledge and skillful skills, but it has the feeling of "affectation". Yang Xiong's contribution to Ci Fu mainly lies in that he expanded the theme and expression of this court art, making it more prosaic than the court, chanting things and narrating, and determined to express emotion.
When Yang Xiong left home for Beijing in his forties, he stayed in Fuxian County. At present, among the sites in Guzhongyang Town, Xishan, Mianyang City and Yongxing, Fucheng District, there are two sites, namely "Yangtze Cloud Reading Platform" and "Washing Mo Chi".
According to records, there were three Ziyun pavilions in Sichuan in history. One is Ziyun Pavilion, the former residence of Yang Xiong in Chengdu, which has long since disappeared, and there are different opinions about the site. The other is Ziyun Pavilion, which was built on the outskirts of Pixian County, Yang Xiong's hometown. It was moved to Yang Xiong's tomb during the Qianlong period of the Qing Dynasty. The pavilion no longer exists, leaving only an earthen platform. What still exists today is Ziyun Pavilion in Mianyang Xishan Scenic Area. In this scenic spot, there are two pavilions, one large and one small, one new and one old, which shows that Mianyang people respect literature and art, worship sages and have a mellow public sentiment.
Ziyun Old Pavilion is located on the reading platform of Yangzi Cloud, on the left side of Phoenix Mountain, and it is a flat and hard rock. At the front of the rock, there is a relief "The True Image of the Yangtze River Cloud" and a biography of Yang Xiong, which was engraved in the Song Dynasty according to the Mianyang County Chronicle of the Republic of China. There are more than 90 large relief niches on the right side of the rock, all of which are Taoist stone carvings carved by Tang Yizong Weitong in the 12th year. Ziyun old pavilion was built on a rock, and I don't know when it was first built. According to Mianyang County Records, Ziyun Pavilion, which was rebuilt in the 6th year of the Republic of China (19 17), was a rectangular pavilion with wood structure and was destroyed in the early days of the Cultural Revolution. In 1970s, Mianyang Urban Construction Bureau rebuilt a hexagonal pavilion with brick-concrete structure on the original site, which still exists today.
1987, Mianyang Municipal People's Government built a new Ziyun Pavilion in Fengtou, Fenghuang Mountain, covering an area of 10 mu, with a building area of 1400 square meters and a height of 23 meters. It is a three-story building with platforms, pavilions and pavilions, which are elegant and majestic. Fang Binsheng, a famous calligrapher in Chengdu, inscribed "Humble Room Inscription" for Liu Yuxi here, showing the long history and far-reaching cultural influence of Ziyun Pavilion in Xishu. There is a giant granite statue of Yang Xiong in the park, and the elegant demeanor of a generation of ci fu is vividly displayed in front of tourists. In your showroom of Ziyun, Yang Xiong's philosophy and Han Fu works, such as Tai Xuan and Fa Yan, are displayed. Among the couplets on the pillars of Ziyun Pavilion, there is a long couplet inscribed by Mr. Gao and Mr. Bai, which best reflects the new look of Mianzhou and complements the scenic spots of Ziyun Pavilion, forming another famous scenic spot in West Shu:
800-mile Tian Fei Avenue, the sleeves blow clouds, the songs pass through the sword gate, and the green corridor connects the new town. Look at Qishan Bear, Guling Jun, Pagoda Show, Master Roshi and Xishu Pavilion, and you should know that Liu Lang, an unknown person, pays deep respect to her husband.
In 2000, he was a genius who spit out the phoenix. His chest was full of the universe, his aftertaste was full of water, and his desk leaned back. He thought of "Evergreen Fu", "Purple", "Poems of Shaoling", "History of Ode to Things", "Chinese Taisha" and "Zhang", but there were still pleasing introductions that made him fall behind.