1. What is the meaning of preliminaries in Buddhism?
Regarding the three knots of body view, doubt, and abstinence, the knot of body view is the preamble, which is "self-view".
On page 8 of the fifty-first volume of the Mahavipasha Lun, it is said: Among the three knots, there are two sentences: the knot of body and view, and the knot of seeing and moving forward. Either it is broken by seeing it, or it is broken by seeing it repaired.
Question: What does it mean to move forward? Answer: Establish righteousness first, answer righteousness first, and practice righteousness first. One who establishes the meaning first is the one who carries out the righteousness first: first he establishes the severed sentence, and then he establishes the infinitive sentence.
To answer first is to follow the righteousness first: first answer with the sentence that has been seen and then answer with the infinitive sentence. On page 14 of volume 51 of Mahavipashastra it is said: There are three types of forward movement.
First, move forward without mercy, second, move forward eventually, and third, move forward finally. Those who do not follow the path ahead: such as three knots, etc.
After all, those who have gone before: such as the three unwholesome roots, etc. Those who are the first to move forward: If there are leaks, no obvious leaks, etc.
If all the troubles are connected to the three realms, they can only be broken by seeing; that seeing is the way forward. There are two sentences.
Such as three knots, etc. If all the troubles are related to the realm of desire, they are connected to the five parts; then they can move forward through cultivation.
There are two sentences. Such as the three unwholesome roots and so on.
If all the troubles are connected to the three realms, they are also connected to the five branches. This is the way forward. There are three sentences.
If there is a leak, there is no obvious leak, etc. This means that this place is slightly Biposha. 2. What does it mean to move forward with motivation?
It means: to move forward with determination.
Inspirational move forward is a phrase composed of two words: inspirational and forward. Inspirational means: to work hard and concentrate on a certain aspect. Qianxian means: to move forward and cooperate. To get up means: to move forward with determination.
1. Inspirational [ lì zhì ]
Explanation: To work hard and concentrate on a certain aspect.
2. Forward [ qián xíng ]
Explanation: Walk forward.
Quotation: Lu Xun's "New Story: Fei Gong": "As he walked on the street, he saw nothing strange except poverty and weakness."
Extended information
1. Inspiring synonyms: work hard [ fèn fā ]
Explanation: be in high spirits and be in high spirits.
Quote: *** "Speech at the National Congress of the Communist Party of China": "I hope that all provincial party secretaries, municipal party committee secretaries, prefectural party committee secretaries, and responsible comrades from various central departments, We must all work hard.”
2. Synonyms of moving forward: moving forward [ qián jìn ]
Explanation: To move forward or develop.
Quotation: Lu Xun's "Lace Literature·Water Nature": "There are many things that cannot be made by blindly closing your eyes and making rhetoric just to please progressive critics." 3. What does progress mean?
qián jìn ㄑㄧㄢˊ ㄐㄧㄣˋ
Forward
(1). Go forward; move forward.
"Historical Records·Zhang Shizhi's Biography of Feng Tang": "Shi Qianjin said: 'If there is something desirable in it, even though Nanshan is imprisoned, there are still horses; if there is nothing desirable in it, even though there is no stone "What's wrong with the coffin?" Volume 3 of "Fengtian Lu" by Zhao Yuanyi of the Tang Dynasty: "At that time, Tian Yue was serious about the barriers, but Ma Gong failed to advance." Song Zhang Qixian's "Old News of Luoyang's Gentlemen·Xiang Zhongling Yiyi" said: "Xiang Xuzhi. , but returned to Zhiguan. Guo Xun was surprised and said that he did not dare to advance. "The prisoner Qin Qiong was not acclimated to the conditions on the road and suffered from prison plague." Tian Han's "March of the Volunteers": "Brave the enemy's fire, advance! Advance! Advance! Advance!"
(2). To move forward; to progress.
Li Zhi of the Ming Dynasty, "Fu Yang Ding Jian": "Today, we should only be confident and cherish ourselves, become stronger and stronger, and strive to get home before we finish. We must move forward quickly and then quickly. This is a man with ambition."
"Lu Xun's "Lace Literature·Water Nature": "There are many things that cannot be made by blindly closing one's eyes and making rhetoric just to please progressive critics. "Chapter 11 of Liu Qing's "Copper Wall and Iron Wall": "The carpenter also pushed forward, and he was very brave. ” 4. What is classical Chinese?
“Classical Chinese” is relative to “vernacular Chinese”.
The first "文" means a written article. "Yan" means to write, express, record, etc. "Classical Chinese" refers to written language. "Classical Chinese" is relative to "oral language", and "oral language" is also called "vernacular". The last "wen" means works, articles, etc., indicating the type of literature.
"Classical Chinese" means "articles written in written language". "Vernacular" means: "articles written in commonly used straightforward spoken language."
Vernacular Chinese
In ancient my country, to express the same thing in spoken language and in written language, there were two differences. For example, if you wanted to ask someone if he had eaten, you would use spoken language. The verbal expression is "Have you eaten?", while the written language is "Have you eaten yet?" "Fanfou" is classical Chinese. In ancient my country, all articles were written in written language. Therefore, now we generally refer to ancient Chinese as "classical Chinese"
Classical Chinese is the treasure of Chinese culture, and the ancients left us a large number of classical Chinese. In China, the study of classical Chinese plays a large role in middle school Chinese courses.
Of course, ancient people from other countries also left a large number of classical Chinese texts.
What is classical Chinese? What is the meaning of classical Chinese?
1. Classical Chinese is wonderful. There is no doubt about it. The main body of traditional Chinese culture is classical Chinese. It can be seen that the history of China's modern civilization is still very short, and it is still necessary to deconstruct or interpret traditional culture for modernization, because the inheritance of traditional wisdom is based on the correct interpretation of classical Chinese.
2. Classical Chinese is knowledge. Yes, because classical Chinese is no longer a language, it is purely text. But classical Chinese is knowledge, and oracle bone inscriptions are also knowledge. Why not learn oracle bone inscriptions? By the way, it is precisely because oracle bone inscriptions are more primitive writing, so classical Chinese is the basis for further learning about oracle bone inscriptions and other traditional advanced writing (study).
3. Classical Chinese is also a skill. Chinese expressions, descriptions, combinations, transformations, metaphors, metaphors, deductions... fully embody the style of Chinese civilization in the expression of ideas. Master the physical structure of classical Chinese and have a deeper understanding of modern Chinese, and you will have "laws" to follow for the construction of new Chinese.
4. "Classical Chinese" is the opposite of "vernacular Chinese". The structure of the word is this: classical Chinese-文. The first "wen" is "writing" and "yan" is language. "Classical Chinese" refers to "written language". It illustrates two meanings: first, it indicates that the classical Chinese text is a kind of language; second, this language was later literalized. "Literalized" language also has two meanings: first, a culture that can have language but no writing, for example, most ethnic minorities only have language but no writing; second, the language function withdraws from life and becomes history in the form of writing.
The literal meaning of "classical Chinese" should be: a style of language that has been written down. The "wen" at the back refers to the style of writing.
So apart from archaeological research, does classical Chinese have any "future"? In other words, what other application value does it have in life? I think there is. When the traditional form of life fades into modern society, it is only that people ignore the social life in some marginal areas, which causes modern applications to doubt or ignore classical Chinese. For example, in religious construction, some inscriptions are still written in classical Chinese, written in calligraphy, and engraved using tools. This is also the case for most applications of seal script.
Looking further, classical poetry belongs to the category of "classical Chinese", and they have not left us in life. It's just that in terms of language form, Zhihu has also left the spoken word. After it became written, it obviously has definite normative requirements for the refinement of techniques and the expansion of meaning.
Its "prospect" lies in its application and its ability to awaken ambiguous etymology and allusions. It can be said that the future is promising.
The term "classical Chinese" can also encompass the cultural and historical relationship between language and writing. In a certain form, once a certain language - including dialects - is "wen" or literalized, that is, written, the charm of its language is suddenly reduced, while the function of writing is doubled. Because language is usually passed down orally and is closely related to life, language has not yet entered a cultural state. It is a preservation of life experience and does not have the extended performance of words.
In the process of reading classical Chinese, we will inevitably have an illusion: Did people in ancient times also say this? I think this can be "feeled" by the difference in expression between written language and spoken language in the present tense. There is no big difference in structure and rules between them. It can also be speculated that the ancient people's speech was just more casual and popular than classical Chinese. The "three words and two beats" can also be used as a reference. As for when we read classical Chinese today, of course it does not mean that we are repeating what the ancients said, but that we are reciting or silently reading a literary style.
When reading classical Chinese, you feel a very clear line of thought, just like occasionally reading the works of Western philosophers, which has the solemnity it deserves.