2. Iron-painted silver hook: describe the softness of calligraphy. Painting: strokes; Hook: hook.
3. Yan: That is to say, both calligraphy are very powerful, but their styles are different. Also known as excellent calligraphy. Yan: Yan Zhenqing, a calligrapher in the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
4. Flowing clouds and flowing water: It is a metaphor for the layout and development of articles, which is as natural as the movement of clouds and the flow of water without carving. Su Shichuan, the History of Song Dynasty: "Taste means that a composition is like running water, with no definite quality at first, but always does what it should do and stops at what it should do."
5, three points into the wood: Legend has it that Wang Xizhi's brushwork is vigorous and written on the board. When the carpenter carved words, he found that the handwriting penetrated into the board three points deep. See Zhang Huaiguan's book Broken Wang Xizhi in the Tang Dynasty. Later used to describe the strong brushwork of calligraphy. It is also used to describe a profound analysis of problems.
6. Long Ruojing: It is often used to describe the vigorous brushwork or graceful dancing of calligraphy. Correction: vigorous.
7, through the paper back: describe the vigorous and powerful calligraphy.
8. When the dragon and phoenix dance: describe the momentum. Song Sushi's "Watching the Loyalty Monument": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected in Lin' an." Later, he described calligraphy as powerful and vivid.
9, the pen walks the dragon snake: describe the vigorous and lively calligraphy.