Flowing, vigorous and powerful.
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I wrote an article about China's calligraphy.
Li; There is a cloud: the top of the bed shines on the Hu bed, calling three or five times, like a cloud. "Drunk ears, dancing, and paper full of Yun Qi, earth-shattering. Zhang Xu has a nickname Zhang Dian, Zhang Dian, and he has a stroke. You saw it, and you flew away from the horse. Another example is the dragon flying in the sky. It comes from nothingness and returns to emptiness. This crazy primitive vitality impulse contains the aura of heaven and earth.
Compared with the rational spirit of western art and the fanatical source of inspiration from the human body, China's art is completely different. China's art is more emotional, and he looks for God instead of form. Artists in China always look for inspiration from heaven and earth, and their eyes wander between them. Therefore, China's art has a magnificent momentum and a magnificent mind. China's calligraphy represents the most abstract principle of the art of advice, that is, purity, integration of the beauty of heaven and earth, the image of all things and the power of life. ; China Calligraphy >; It is the pride of China people to show the beauty of calligraphy in thousands of words.
Zhang Dainian is at; There is such an evaluation of calligraphy in the library: "Jin people worship rhyme, represented by Wang Xizhi's running script." From the style of calligraphy, people can understand Jin people's poetry, prose, painting and garden style. People in the Tang Dynasty worshiped Fa, represented by Yan Zhenqing and Liu Gongquan's regular script, from which we can think of Du Fu's poems, Han Yu's essays and Wu Daozi's paintings. People in Song Dynasty admired Italy, including Su Shi, Huang Tingjian, Mi Fei and Cai. Both Dong Qichang of Xu Tie's Romantic School and Zheng Xie of the Inscription School have obvious performances, and they are closely related to the market-oriented and secularized style in traditional Chinese opera novels. " It can be seen that the ideal pursuit and even verve of China's various arts are interlinked and corresponding. The pursuit of art always permeates the rhythm of the times. Although the beauty of calligraphy can be summarized, it can never be described. Because the beauty contained in it comes from life, is the beauty of life, is the concept of life, is the philosophical pursuit of rising to the height of life, and comes from life.
From the legend of Cangjie's word-making to the writing of pen and ink, from the rules of a certain style of writing to the emergence of free creativity, there is an understanding of the beauty of life: the early Mr. Zu struggled with nature, returned to nature after his death, bathed in the wind, frost, rain and snow of nature day and night, thundered and thundered, fought with wild animals and birds, and instilled hope with flesh and blood bit by bit. Shennong travels between heaven and earth, tasting herbs and his own life. Birds, beasts, insects and fish live and die in nature. First, people use their wisdom and strength to feed and reproduce their own lives, tame wild animals and grow food to continue natural life. The legendary Cang Xie is "looking up at the arc of Kuixing, overlooking the image of turtle and bird, absorbing all the beauty and melting into the text." Most of the earliest characters in China are hieroglyphics, which are derived from natural objects and formed in pictures. As time goes on, they become complex and simple. Extract from the image. Chinese characters themselves are the essence of everything. China's writing became an art because it appealed to the medium of writing brush. Its color, shape, shade, dryness and wetness, discontinuity, thickness and concealment are all varied and colorful.
Only black and white can be seen in calligraphy works, which is unpretentious and elegant. There is a saying in calligraphy that ink is divided into five colors. In the theory of color talent, there are three primary colors: red, yellow and blue. All colors in the world come from red, yellow and blue, and they are mixed. The ternary hue is black. Optically, there are three colors: red, green and blue, and their superposition is white light. Black and white contains all colors and light. Ink is divided into five colors: thick, light, dry, wet and black. Therefore, black and white in calligraphy contains more connotations of color and light than works of art of any color. Black and white also symbolize the idea of interaction and complementarity between Yin and Yang in China's ancient philosophy. Black and white symbolize existence, interaction, mutual change and endless life. This is a dialectical philosophy of life flow.
In China, the perseverance, courage and enterprising spirit of Confucianism are integrated into calligraphy, which also implies the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to get the real taste.
With the participation of ink, there is white cloth, which is the wandering place of China's artistic charm. Tang's poems are based on verve: "Beyond the image, you get a ring" and "Without saying a word, you get romance". When artists in China draw fish, they may just draw a few tails on paper, so as to achieve the effect of "seemingly invisible water, but in fact it is full of water". China people.
The Four Treasures of the Study used in China's calligraphy also comes from nature: animal hair is used for pens, and fine bamboo is used for pen holders; There are oil smoke ink and Song Yanmo. The oil fume ink is made of tung oil, vegetable oil, sesame oil or lard, and leather gum, musk, borneol, spices and water are added. Song Yanmo is made of burning pine cigarettes, mixed with leather gum, medicinal materials, spices and other water ... As calligraphy paper, Xuan paper is the top grade, and Xuan paper is made of green sandalwood bark as the main raw material, with straw and so on. Inkstone can be made of pottery, stone, porcelain, tile, jade and brick. These articles all hide the aesthetic taste of China people.
Calligraphy, like other arts, also pays attention to images, but it is more abstract. Images in China's calligraphy come from natural beauty.
2. Four-character idioms with pictures The four-character idioms with pictures are: draw shadows and figures, draw the ground into a map, and open the sky to the sky.
The five idioms in the picture are: a drop in the ocean, a talented person, angry, fly with me and look at the moon. 1, draw shadows to depict people's images.
In ancient times, wanted fugitives were offered a reward, their faces were painted and posted everywhere to catch them. From: Ethan Zhiyuan's "The End of the Prison" is the first fold: "Isn't it Liang Shanbo's thief, black whirlwind, Shaner, Li Kui jy? Now the boss is drawing shadows and figures, lining the door, whitewashing the wall and arresting him! " For example, isn't it silly to draw pictures when building tall buildings in the desert in summer? 2. Drawing a map refers to drawing a map on the ground to explain geographical conditions such as mountains and rivers.
Describe handy and outstanding. Example: Ethiopia's mountains and rivers, local people, can rule with their palms and draw maps.
3. A sky-opening picture means a picture displayed by heaven. Example: It is called "Tiankai Painting" and is famous for its strange adventures.
4, a drop in the bucket saves a car burning firewood. Metaphor is useless, futile and can't solve the problem.
From: Seventy-four times of Lvyuan Li's "Qi Lu Deng" in Qing Dynasty: "If there is a new debt that has not been moved, except for Ding Xia's thirty-two, it will be nine Niu Yi cents." Although the property we donated is only a drop in the ocean for the people in the disaster area, it expresses our hearts.
5. More talents: more appearances. There are many talented people.
Talent: refers to a person who has both ability and political integrity or a certain specialty. There are many talented people.
Gigi: A lot of appearances. From: Li Qingruzhen's "Mirror Flower Edge" Sixty-second: The boudoir is very happy to see talents.
Example: The Academy of Sciences has a large number of doctoral and master students; Is the main researcher of various disciplines; Really talented. 6, fire emit three zhangs refers to a big fire, also described as anger to the extreme, particularly angry.
Said by: Tao Juyin's Biography of Six Gentlemen of Safety: "Zhang Taiyan ran People's Daily for many years, and once he was punished and rejected, he couldn't help but fly into a rage. Example: "Morning in Shanghai" Part I: "She made him jump out at a word and flew into a rage.
With me fly with me: fly with me. Flying in pairs.
It is a metaphor for loving, accompanying or congenial between men and women, advancing side by side in their careers and becoming partners. Said by: Zhu Mingquan's Zhuo Wenjun: It's not that my concubine is unlucky, but that Sima Tai, a magical phoenix, went to Xiao Dan and flew to Liaoliao with me.
People sincerely hope that the Cowherd and the Weaver Girl can live a happy life with me. 8. Flowers bloom and fall, and the full moon is good.
Metaphor is beautiful and complete. It is often used to congratulate people on their weddings.
From: Song Zhang Xi 'an's "Magnolia" words: "People pity the full moon, and the flowers are scattered. I am happy to go far, and the past is like a dream. "
Example: On the night of Mid-Autumn Festival, when the moon is full, my family enjoys the moon in the yard.
3. Four-character idioms in calligraphy, complete strokes of dragon and snake, Yan Gu, iron-painted silver hook, penetrating paper back, free strokes of dragon and snake, bǐ zǒu lóng shé Interpretation: Describing calligraphy as very beautiful and skillful, Yan Gu yá n j Ρ n Interpretation: Yan: calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
4. Calligraphy four-character idioms, complete works of dragons and snakes at the bottom of the pen. Describe calligraphy as vivid and imposing.
Source: Xiao Xiaosheng of Ming Lanling's "Jin Ping Mei Hua Thorn" The thirty-first chapter: "Wen Gong is knowledgeable and knowledgeable, and the dragon snake at the bottom of the pen is really talented."
A long snake described calligraphy with a brush as vivid and magnificent.
Source: Tang Libai's "Cursive Song": "Always seeing dragons and snakes, the left side is shocked."
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Source: Song Zhao's "Xuanhe Painting Spectrum Yan Zhenqing" "Only he is loyal to heaven and knows the world, so the spirit is seen in the table of calligraphy, which is unique and inclusive. ..... After the popularization of science, it is to seek the end of its shape, which is called the silkworm head dovetail, and it is just. "
Sink fast, firm and smooth, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: The law book should be recorded. Volume one quotes an ancient cloud from Yang Xin's Who's Who: "The emperor of Wu is like grass, and the world calls it joy."
Calm, happy, strong and smooth, energetic and hearty. Describe the fluency of poetry and calligraphy.
Source: Song's Cang Shi Debate: "There are probably two things, saying that you don't want to travel far, you are calm and carefree."
Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain."
Lu 'an Drifting Park: Go with the flow. Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati.
Source: Tang Hanyu's poem "Gashen Mountain": "Ke Dou's fist cover is upside down, the phoenix floats, and the tiger flies."
Phoenix dances, dragonfly describes calligraphy as powerful and flexible.
Source: "Biography of Heroes of Children" The tenth time: "Only this calligraphy can be written like this, which is really admirable."
Phoenix flies back to Hong Kong: fly high. Metaphor calligraphy strokes flying and stretching.
Source: Jin Fu on the Floating Clouds: "Luan Xiang, Hong Fei, whales catch the waves, thrush crocodiles run."
Ancient fat is barren now, which means different calligraphy styles.
Source: Tang Yuanyan's handwritten book Volume 2: "Impermanence is called ancient fat, and amethyst is called today's barren. Different from ancient times and modern times, fat and thin are the opposite. "
Crane knee and bee waist (1) This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.
Source: Wei Songqing's "Poet Jade Scrap, Poetry Disease, Poetry Disease has Eight": "Three words are called bee waist, and two words cannot be synchronized with five words ... four words are called crane knees, and the fifth word cannot be synchronized with the fifteenth word."
Zhong You and Hu: Bell in the Three Kingdoms Period: Bell in the Three Kingdoms Period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin. Describe the beauty of calligraphy.
Source: Zhang Tang Yan Yuan's "Fa Shu": "The Three Kingdoms are famous for creating running scripts, and Zhong You learns its methods. Hu Shu is fat and thin, and each has its own advantages."
A calligrapher who paints sand and ink, figuratively speaking, uses a pen.
Source: Liang Lun Shu: "Brush the sand like a cone and print the sand like mud."
Graffiti describes poor calligraphy or writing. Used as a word of modesty.
Source: Song Minglian's Time Series of Meeting Han Bo: "Grain Rain is insensitive and it is useless to teach. He responded with empty words, doodling every day and giving it every day. "