Wang Xizhi: "Preface to Orchid Pavilion", "Quick Snow and Clear Tie", "Early Moon Tie", "Feng Ju Tie", "Frequent Sadness Tie", etc., as well as the calligraphy works of later generations that seem to be famous. There are ten kinds of "Huairen Collection of Wang Xizhi's Preface to the Holy Religion", "Xingfu Temple Broken Stele", "Diamond Sutra", etc. For details, you can see "Wang Xizhi's Calligraphy Collection" published by Xiling Publishing House, there are ten volumes. Now almost all of Wang Xizhi's authentic works are No, they are all copies.
Wang Xianzhi: "Mid-Autumn Tie", "Yatou Wan Tie", "Geese Tie", "Geese Return Tie", "Pear Sending Tie", etc. For details, please refer to "The Complete Works of Wang Xianzhi's Calligraphy" published by Tianjin Ancient Books Publishing House. , or other versions, this one is the most complete I have collected, but many of it are copied works by others, and the binding is not exquisite.
Zhiyong's "Thousand-Character Essay on Zhencao"
Ouyang Xun's "Inscription on Jiucheng Palace Liquan", "Huangfu's Birthday Stele", "Stele on Huadu Temple", "Thousand-Character Essay on Running Script" ""Meng Dian Tie" and "Zhang Han Tie".
Yu Shinan's "Confucius Temple Monument" and "On Destroying Evil" are copies of "Princess Runan's Epitaph", but the last post has only been seen online, and I don't have a photocopy.
I don’t like Chu Suiliang’s calligraphy very much.
Zhang Xu's "Four Ancient Poems" (according to research it is a forgery), "Lang Guan Shi Ji"
Yan Zhenqing's "Ode to the Portrait of Dongfang Shuo", "Manuscript of Memorial to Nephew", "Duobao Pagoda Stele" , "The Story of Magu Immortal Altar", "The Stele of Yan Qin's Ceremony", "The Stele of the Yan Family Temple", "The Fight for a Seat", "The Letter of Self-address", "The Stele of General Pei"
Liu Gongquan's "The Tang Dynasty" Huiyuan Temple Bell Tower Inscription", "Diamond Sutra Engraved Stone", "Mysterious Tower Stele", and "Shence Army Stele". The ink inscriptions include "Mengzhao Tie", "Wang Xianzhi's Pear Sending Postscript", etc.
Li Yong's "Duanzhou Stone Chamber", "Lushan Temple Stele", "Fahua Temple Stele", "Yunhui General Li Sixun's Stele"
Yang Ningshi's "Leek Flower Tie" and "Shenxian" "Daily Living" and "Xiare Tie"
Li Jianzhong's "Tong Nian Tie", "Baozhai Tie", "Tumu Tie", etc.
Su Shi's "Dark Clouds in the Sky Tie", "Dongting Spring Ode" , "Zhongshan Song Fen Fu", "Huangzhou Cold Food Post" and "Chibi Fu"
Cai Xiang's "Jiao Burnt Post", "Meng Hui Post", "Tao Sheng Post" and several more posts, I forgot their names
Mi Fu's "On Book Calligraphy", "Duojinglou Poetry Album", "Coral Calligraphy", "Yanshan Inscription Calligraphy" (large characters, highly recommended), "Hanguang Calligraphy", "Shuhui Calligraphy", "Li Taishi's Calligraphy", "Zhang Jiming's Calligraphy" "Tie" etc.
I don't like Zhao Ji's calligraphy very much and don't know much about it. "Thousand-Character Essay in Cursive Script"
Zhao Mengfu has many calligraphy works, such as "Thousand-Character Essay", "Luo Shen Fu" ", "The Biography of Ji An", "The Stele of Danba", "Come Back and Come Back", "The Thirteen Postscripts of Orchid Pavilion", "Chibi Fu", "Tao Te Ching", "Qiu E's Tombstone Inscription", "Wuxing Fu", etc.
The calligraphy of the Yuan and Ming Dynasties is not highly praised. Let me list a few.
Tang Yin's "Album of Falling Flower Poems", Wen Zhengming's "The Drunkard's Story", "The Fisherman's Ci", "Li Sao", "Beishan Yiwen", etc.
Zhu Zhishan's "Back and Back Chibi Fu Volumes", etc.
Dong Qichang and Wang Duo are the calligraphers I admire most in the Ming and Qing Dynasties
Dong Qichang's "Bai Juyi Pipa Xing", "Cursive Poetry Album", "Smoke River Overlapping Peaks Picture and Postscript", "Ni Kuan Zan", "Red Cliff Fu Volumes Before and After", etc.
Wang Duo's "Linge Post Scroll", "Cursive Script Lin Chunhua Pavilion Post Scroll", "Running Script Scroll", etc.
Fu Shan's "Lin Pavilion Post Scroll" "Danfeng Pavilion"