His calligraphy imitated Yu Shinan and Wang Xianzhi at first, but later he expressed his ideas. His running script and cursive script are all against the unrestrained style of Ming Dynasty, with slow brushwork, paying more attention to the gains and losses of painting, and writing calmly with calm brushwork, forming an ancient and elegant style, which is ingenious, elegant and easy to escape.
There is a quiet Shen Feng, which is unique to the Ming Dynasty.
Influenced by Zhong You, Wang Xianzhi and others, the lower case letters are round and honest, and the overlapping of strokes is avoided as far as possible in structure, so they are simple and ethereal.
His regular script is the beginner of Yu Shinan and Zhi Yong, and the calligrapher of Fa Wang Xianzhi. In his later years, he formed his own style, self-defeating, elegant and elegant.
What Wang Chong pursues is an elegant verve, which writes clumsiness with rhyme, and "sees beauty in clumsiness" and "sees elegance in clumsiness". Among them, Wang Chong is most famous for his calligraphy. He can do all kinds of things, especially on small letters, lines and grass. He studied Wei and Jin Dynasties, immersed in Zhong and Wang, and his calligraphy style tended to be dignified and quaint. Among Wu philosophers, his calligraphy is particularly eye-catching.