Du Wu was born in Heqing, Dali, Yunnan in November 1969. He is a member of the Chinese Calligraphy Association, a member of the Yunnan Calligraphers Association, the vice chairman and secretary-general of the Dali Prefecture Calligraphers Association, and a senior calligrapher at Dali Normal School. lecturer. He is a famous calligrapher in Dali, my country. Below is the calligraphy of the famous Dali calligrapher Du Wu that I compiled for you. I hope it will be useful to you!
Appreciation of the calligraphy of the famous Dali calligrapher Du Wu
Dali Famous calligrapher Du Wu’s calligraphy pictures 1
Dali’s famous calligrapher Du Wu’s calligraphy pictures 2
Dali’s famous calligrapher Du Wu calligraphy picture 3
Du Wu’s calligraphy picture 4, a famous calligrapher in Dali
Du Wu’s calligraphy introduction
Du Wu’s Bai nationality in 1969 Born in November in Heqing, Dali, Yunnan, he is a member of the Chinese Calligraphy Association, a member of the Yunnan Calligraphers Association, the vice chairman and secretary-general of the Dali Prefecture Calligraphers Association, and a senior lecturer of calligraphy at Dali Normal School. His calligraphy is mainly based on the cursive calligraphy of Er Wang, Mi, Zhao, and Dong Yiyi, and his aesthetic orientation is to find the matching point between the South Tie and the North Stele; his works were selected for the 7th National Calligraphy Exhibition, and his artistic achievements won the 3rd and 4th Yunnan Provincial Literature and Art Awards. Creative Calligraphy Award. In 2008, he entered the first Yunnan Province Calligraphy Nomination Exhibition. His works are scattered in "Chinese Calligraphy", "The Art of Calligraphy and Painting", "Calligraphy Herald", etc.
In calligraphy, characters are formed by dots.
Since we do not emphasize the shape of the glyphs, how can we write complete characters instead of a patchwork of dots?
The answer is this: Only by not emphasizing the glyphs can you write complete characters, otherwise it will become a stiff patchwork of stippling.
Although this is true, how to do it specifically requires specific skills to assist.
The first step in accumulating dots to form calligraphy is to understand dots as actions rather than forms. Yesterday I went to the Plum Blossom Dojo, and Mr. Dianshui gave a lecture: The so-called dots are like falling rocks from a peak, which does not mean that the dots are written sideways, but that the action of writing the dots moves quickly and ends decisively. This understanding is already relatively subtle, and we only need to grasp the basic principles of action. Looking back at "The Rules of One Point to Make One Character", calligraphy point painting is derived from two basic movements: horizontal and vertical swings, plus the intersection of horizontal and vertical swings. (Refer to "Various Vertical Pendulums", "How to Get Started", "How to Write Cross"). Therefore, basic movement exercises must be carried out before each writing. This is a never-ending exercise.
The second step is to break down the words into a bunch of actions. This disassembly is a bit tricky, and not every word is easy to disassemble. Generally speaking, it is more convenient to start dismantling movements in cursive script. However, the movements in formal script are too obscure and the movements in cursive script are too simple, so they are not suitable for beginners. Please note that various calligraphy styles have their own official script and cursive script, such as seal script with official script and official script with cursive script. The correctness of the disassembly action must be verified by writing. If the writing is not smooth, it is often a wrong guess. Of course, it may be that you are not proficient in the basic movements, so go back to the first step and practice the basic movements.
The third step is to assemble the disassembled action components. For the assembly process to be smooth, the prerequisite is that the disassembly is done properly. Another is that you need to write more, and write it separately from the original post. I remember that during military training, we were trained to blindly disassemble and assemble firearms. We also had to use blind writing to test whether we were proficient in the assembly movements. Of course, we will miss many parts during the initial assembly, which means that many details of the original work will be lost. It doesn't matter, a clock that has lost a gear is no longer a clock, but a tree that has lost a leaf is still a tree.
Finally, let me talk about the key points of assembly: the position of the wrist should be kept relatively fixed, and do not move the arm easily, otherwise the word will not be easy to align. Because when the projection point of our wrist is fixed relative to the paper, our writing movements are various arcs around the center of a circle like a cabbage. And if the wrist moves when writing a single character, the character will have multiple center points, and it will naturally not be aligned. If it can be "rectified", then the character will basically stand up, which means that the problem of the character's knotting will be basically solved.
Even if it is written crookedly, it still gives people a sense of visual stability. On the contrary, if you put together stipples to form words, even if it is stable in a geometric sense, it will not give people the corresponding stable feeling.