Liu Yong wrote in the sketch of Li Yanchun, a young calligrapher in calligraphy net, China, that Yan Chun was not good at words. But when it comes to the art of calligraphy, he can count a few treasures. We often talk about calligraphy and art together. Yan Chun said: Simply practicing calligraphy, you only need to look at a certain family to impress everyone. Calligraphy art is a gift; Second, we should read more, write more and have high taste; Third, you must know a lot about bodies before you can name them. Just like the prescription of traditional Chinese medicine, "the assistant of monarch and minister" should be treated dialectically, and it must be stewed slowly, so as to have a strong flavor and high efficiency. Otherwise, "the law is not allowed, the years are wasted, and the hard work is in vain" (Zhu Luzhen's language). Let's discuss Wang Xizhi's Preface to the Lanting Pavilion, comment on Zhang Xu and Huai Su's Weeds, talk about the primitive, mysterious and magical characters of Shang Dynasty, analyze the different styles of today's famous calligraphers, and talk about the joint relationship between brush calligraphy and hard pen calligraphy. From time to time, I deeply feel Yan Chun's fascination with calligraphy. ...
Yan Chun's running script is full of momentum. Both thick and open, coupled with the change of pen and ink, Gu Zhuo's style of writing is quite elegant on the whole. He is also good at seal script, especially Oracle Bone Inscriptions. His writing is very atmospheric, very dense, and there is no lack of bright and clever pen. Throughout Yan Chun's calligraphy works, it is more about self-cultivation, morality, interest and Zen, so his taste is more elegant than vulgar. ...