Zhong Yexing, Mao De, Master Yun, 1957, born in Suixian County, Henan Province, member of China Calligraphy Association, member of Henan Calligraphy Art Association, director of Shangqiu Calligraphy Association, deputy secretary-general of Suixian Calligraphers, and vice president of Shangqiu Hanlin College.
His works won many awards in the National Calligraphy Competition, and won the National Song and Hebei Excellence Awards, the National Calligraphy Hundred-Person Art Award, the second prize of the Governor Xiabei Calligraphy Competition, and the personal calligraphy exhibition was held in Xiamen on 20/0/0.
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Zhong Yexing's works convey an elegant and rigorous charm.
Zhong Yexing made an in-depth study and research on the history and theory of calligraphy. Because of his own talent and persistent pursuit, he subconsciously integrated into innovative thinking. He combined what he learned in the past with what he learned now, and his understanding and brushwork in the calligraphy creation center have been greatly improved. He combines many people's strengths with his own methods and styles and blends them into his own characteristics.
If you carefully appreciate the charm of Shiyang calligraphy, you will have a profound beauty. I can feel stability and delicacy from it. Its shape is slender and even, the brushwork is vigorous and straight, the statutes are rigorous, the pen is in place, the lines are white and harmonious, the pen and ink are graceful, quiet and simple, and the ink is full of bones and occasionally flying white, so its spirit is exposed; The word potential is strong, the ending is steady and generous, the composition is open and closed, and it is changeable. Adhering to the principle of "Round to Smooth", it shows the harmonious and gentle tension of Gu Zhuo.
The whole work is neatly arranged, and interpretation, inscription and printing have their own characteristics. The overall look and feel is steady and dignified, exquisite and beautiful. In the imposing manner of combining rigidity with softness, form and content complement each other, which makes the work full of aftershock vitality in the natural rhythm.