Appreciation of Gu Zhongan's Excellent Calligraphy Works
Pictures of Gu Zhongan's Excellent Calligraphy Works 1
Gu Zhongan's Excellent Calligraphy Works Appreciation Picture 2
Gu Zhongan's Excellent Calligraphy Works Appreciation Picture 3
Gu Zhongan's Excellent Calligraphy Works Appreciation Picture 4
Brief introduction of Mr. Gu Zhongan
Mr. Gu Zhongan, born in 1956, is an associate professor at Shanghai TV University. I have been studying brush calligraphy with my grandfather since I was five years old. I have been working hard for more than 30 years and won praises from many experts. His pen calligraphy is full of the spirit of brush calligraphy, bookish, delicious, convenient, neat, heavy, fastidious about statutes, and not deliberately artificial; The structure of Chinese characters is broad, steady and natural, especially regular script and running script.
Comrade Gu Zhongan has accumulated many years of learning calligraphy skills, starting from the early Tang Dynasty, on this basis, through wisdom and courage, up to the second king, and then condescending, covering Su, Huang, Mi, Cai and Zhao Mengfu. The most commendable thing is that he skillfully transplanted the charm of brush calligraphy into pen words; Looking closely at his calligraphy, we can see the traces of famous artists in the past dynasties in the Wang Zi system, and we have invested a long and arduous effort in inheriting the calligraphy tradition. In the aspect of exploration and innovation, he worked hard to develop brushwork and beautiful font style, which made calligraphy cadence and make this copybook enterprising and suitable for readers who just started to use pen calligraphy.
Gu Zhongan's pen calligraphy is both traditional and contemporary. It has a rigorous font structure and is good at stippling and the charm of brush calligraphy. Its regular script is solemn and elegant, quiet and generous; Running script is smooth and natural, so it is vigorous and beautiful; The cursive script is elegant, majestic and natural. His solid foundation and years of hard work have made his calligraphy deeply loved by readers.
Mr. Gu Zhongan won the highest prize in the National Hard Pen Calligraphy Competition for four consecutive times. His works have been published in China Pen Calligraphy, Wen Wei Po, Xinmin Evening News and other newspapers for many times, and he has served as a judge of various calligraphy competitions in China for dozens of times. At the invitation of China Calligraphy Association and Shanghai Radio and TV University, I have served as a lecture teacher and filmed hard-pen calligraphy, hard-pen calligraphy and other TV educational films. * * * Published more than 40 kinds of copybooks and monographs. The pen copybook written by Mr Gu Zhongan is one of the most popular copybook templates for readers.
He won the highest prize in 1982 and 1984 National Hard Pen Calligraphy Competition, the first national excellent paper award, and 1988 the first pen calligraphy elite.
He won the gold medal in the competition and awarded the 30th prize of TV lecture on hard pen calligraphy. Published more than 0/00 kinds of copybooks and monographs, such as Common Idioms and Copywriting Idioms.
The inherent potential of calligraphy
So-called? Internal potential? That is, the invisible turn. Its disk is trapped in emptiness, and there is no trace to be found. This method is often used to write letters. The internal situation is broken. Is the stippling communication office available? Degree? Method, the so-called? Degree? Who's that? When a painting is finished, that is, two paintings fly through the air, don't stop gesturing. The so-called shape is before painting, and God flows after painting? . What is that? Take advantage of the pen and use it in the air? There's a good way to sneak in. This method comes from regular script, which means to break, and the potential is from the inside out, a little bit of strokes, and the tendons and veins are connected; Painting without stippling, pulse flowing, regular script making it invisible, cursive script making it visible, real book making it turn, cursive script making it wired. Wen Zhiming said? The real book is fluent, and if it is released, it will be cursive; There must be a way to move the grass. It's all in block letters. What you can write should be consistent. ? Because in the communication place of stippling, a pen moves excessively in the extremely low air on the paper, and it looks as if the pen has never left the paper. So, one stroke at a time, one stroke at a time, is naturally a concentration, just like Feng Fang's Book Tactics said:? Keep writing, stick to the paper, turn it gently and press it again, like running water, which will last forever for business. ?
If it can be transported in the middle, the momentum will flow from the inside, then the painting will be coherent, and the pen will be calmly released from the big place, and the pen will be calmly collected from the big place. Although the tension wire is not exposed, it is discontinuous but breathable, and it is not suitable for straight edges regardless of size or length. This is an advanced ventilation method. Jin people write running script with incoherent form and coherent spirit. If it is broken, we can try Wang Xizhi's Lanting to get its purpose.
Desire comes from the heart, and it is difficult to be good at using a pen. The point is where he sends and receives pens. He can inherit the pen when he sends it, and open it when he receives it, or reverse it or hide it, or close it or shrink it. Naturally, he was exhausted. Chen Yi once said in The Essence of Hanlin:? The power of the word, the center is also hidden, and the fault is measured together. Tibetans are also squatting and robbing. Degree, empty, fit and write. To understand the word "hiding degree", there is no dead pen, but living in muscle. ?
Invisible turn, also called in calligraphy terminology? Tendon? Method, tendons are hidden in meat, tendons are connected, and qi and blood are naturally interlinked, as He Jiang's original calligraphy says: Those promising love and blood flow, like gossamer, keep circling, with paintings, no stippling, faint coherence, overlap and involvement, and there is no dull and sloppy disease in the meantime. ?
In short, it is more important that the spirit is not exposed, and Jin people are cursive, and there are few figures that are confusing. Please look at Jin's "Yuan Bo Post", which has smooth brushwork and beautiful reflection. Every word is full of gestures and ups and downs. Although the text is incoherent, the whole layout has a sense of unity.