What are the representative calligraphy works widely circulated in Zhao Ji?

Evonne (1082 ~ 1 135), namely Song Huizong, was a painter and calligrapher in the Song Dynasty. Evonne's regular script is vigorous and elegant, and he learned regular script from Xue Qi and Xue Yao of Chu School in Tang Dynasty. The so-called thin gold book means praising his calligraphy as expensive as gold, rich and righteous, and praising his strength, which is the same as Li Yu's own praise of his calligraphy as "Jin Cuodao". Among Evonne's calligraphy works handed down from generation to generation, "Kai Shu Qian Zi Mo" and "Daguan Bei" belong to Kai Shu; Cai Xing's ink and Chongzhen Palace Huizong's ink are both running scripts. The cursive script of Wan Fan Mo and the cursive script of Qian Zi are both cursive scripts.

The regular script "Qian Zi" was written in the third year of Chongning (1 104), that is, when Huizong was 23 years old. At the back of the "to Tong Guan" three words were added later. At this time, the posture of "thin gold (tendon) body" has been formed, with exaggerated brushwork, fine strokes and heavy pressure in horizontal and vertical directions, which particularly highlights the sense of frustration. Poem of Leaping Autumn Moon is delicate and subtle; "Xia Shi Tie" is thin, hard and beautiful, while those engraved on the volume of "Ruihetu" are arrogant, smooth, handsome and elegant.

The cursive script was written in Xuanhe Renyin (1 122)4 1 year. This piece of paper is a mud Un-yong Kim notebook, 1 1 meter long, with momentum in one go, flying brush strokes, vigorous and smooth, a bit like Huai Su's style with a little grass from time to time, so the implication changes ups and downs, the brushwork is more varied than weeds, and the composition also strives to make the interlude smooth, which is really a proud pen.