The regular script "Qian Zi" was written in the third year of Chongning (1 104), that is, when Huizong was 23 years old. At the back of the "to Tong Guan" three words were added later. At this time, the posture of "thin gold (tendon) body" has been formed, with exaggerated brushwork, fine strokes and heavy pressure in horizontal and vertical directions, which particularly highlights the sense of frustration. Poem of Leaping Autumn Moon is delicate and subtle; "Xia Shi Tie" is thin, hard and beautiful, while those engraved on the volume of "Ruihetu" are arrogant, smooth, handsome and elegant.
The cursive script was written in Xuanhe Renyin (1 122)4 1 year. This piece of paper is a mud Un-yong Kim notebook, 1 1 meter long, with momentum in one go, flying brush strokes, vigorous and smooth, a bit like Huai Su's style with a little grass from time to time, so the implication changes ups and downs, the brushwork is more varied than weeds, and the composition also strives to make the interlude smooth, which is really a proud pen.