Second, the density is symmetrical. Chinese characters are simple and complicated, with many strokes, ranging from ten to twenty paintings to two or three strokes. When writing, you should arrange the blanks between points so that the distance between each stroke is reasonable and equal. Words with more strokes are arranged evenly, compactly and not crowded, and words with fewer strokes are loose and not thin. Third, echo coherence. Although each stroke of regular script has its own beginning and end, the latter stroke should be written naturally along the stroke of the previous stroke when it is collected, so that the strokes are broken.
The methods of lifting, hooking, inserting and avoiding are adopted between the radicals, so that the strokes echo, look around, and be vivid and integrated. Fourth, the changes are uneven. If there are two or more identical strokes in a word, there must be changes in length, weight, skew, pitch and retraction. If there are two or more words with the same composition, we should distinguish between primary and secondary words, and make some changes in size, strength and retraction to avoid similarity and achieve uneven levels.
Five, because the shape of words
Chinese characters themselves are not all squares, but have their own natural forms. Song Jiangkui pointed out in Continued Book Spectrum: "The length, size, skew and density of words?" Therefore, writing should not be forced, but should be shaped by words. Only in this way can the words be written beautifully and neatly with different expressions.