Morphological changes of calligraphy strokes

Fourth, the most verve strokes in the font are thick and tortuous, with rich changes in lifting, pressing, speed and rotation. Light and heavy is one of the main characteristics of Liu Shu's pen. Liu Ti's paintings are thick, in sharp contrast to those without a brush. It has strong brushwork, heavy strokes and little change in thickness. It is the difficulty and key to writing a good painting. Before stepping out, you should draw a row to gain momentum, then step out and gradually lift your foot a little faster. The feet are square, and the direction of stepping out of the feet is roughly flat or slightly inclined to the right. The dovetail is obvious, and the front is strong and beautiful.

Morphological changes of silicon;

1. Pingsi: Pingsi Ghost has twists and turns. Hide the front to the left, then fold the front to the lower right, then lift the pen slightly at the upper right, then turn the front to the lower right and gradually press the pen until the bottom of the middle waist is slightly folded, and then lift the pen slightly flat after closing the pen. The body posture is low left and right, and the body is slightly longer, like a boat riding the wind and waves. Such as "loyalty and expressiveness".

2. Oblique strokes: The strokes enter against the front, and the strokes are slightly thicker. The folding center gradually presses down, from fast to slow, slightly curved, and slightly flat after meals. Leaning is like taking a big step, with the strength of walking. Such as "enter, big".

3. Back pressure: Back pressure is like an elongated oblique tip. You can enter the pen along the front, gradually press the pen, and then collect it and hide it. Reverse strokes are mainly used to avoid repetition, increase changes, prevent stroke conflicts and highlight the needs of main strokes. Such as "easy, safe".