There were two kings in ancient times: Wang Xizhi and Wang Xianzhi. There are two kings today: Wang and Wang. Wang and Mr. Wang Shuming are also called the two cont
There were two kings in ancient times: Wang Xizhi and Wang Xianzhi. There are two kings today: Wang and Wang. Wang and Mr. Wang Shuming are also called the two contemporary kings, which shows that their calligraphy attainments are really high. The following is what I arranged for you, I hope it will be useful to you!
appreciate
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Contemporary Erwang calligraphy
There were two kings in ancient times: Wang Xizhi and Wang Xianzhi. There are two kings today: Wang and Wang.
Mr. Shang Zhifa, a famous writer, screenwriter and historian, who is famous for TV series Li Jue's Being an Official 2, Yang Case, Wang Anshi's Reform, Datang and Founding the People's Republic of China, once wrote an article "Lanting Entering Lanting" for Mr. Wang, which was published in People's Daily and Xinhuanet.
Drinking and singing by the Songnen River, under the sky is the hometown of Zhaoyuan County, Heilongjiang Province. My hometown used to be the territory of Huanglongfu in Liao Dynasty, and it was also the place of "Zhao Ji Wang Ji" in Daikin Kingdom. Millennium ancient rhyme, desolate and vast. In the past hundred years, Mongolians and China people have lived together, and their cultures are in double streams, grasslands and post stations, and farming and fishing and hunting are in harmony. The light of its literature and history is enough to make people sigh. The calligrapher Wang rose here.
Literature veteran has been interacting with Wang Xizhi's father and son since childhood, and studied under Chu Suiliang, Sun Zi and others. For more than 80 years, I got carried away and went to the swimming pool. In his later years, he advocated the book style of Jin and Tang Dynasties, and his big sleeves were magnificent and famous. A collection of Wang's calligraphy works, which integrates Oracle Bone Inscriptions, Fujian, North and South Monuments, Jin and Tang Dynasties, has sprung up everywhere. Among them, Preface to Lanting Collection is a wonderful work. Anyone lucky enough to see it was shocked. The Preface to Lanting has been introduced for more than 65,438+0,700 years, and thousands of people have participated in the Preface to Lanting. Today's top grades are nothing more than Tang Yu, Ou, Feng and Chu. Although there were many great calligraphers in the Song, Yuan, Ming and Qing Dynasties, no one could compare with the four schools of Tang Dynasty. Modern calligraphers also have their own traces, but the efforts in the Jin and Tang Dynasties are far from verve. It can be said that since the four schools of Tang Dynasty, the only person who came to Preface to Lanting won the charm in 1400 years, only Mr. Literature! "The Charm of Lanting" is a drag-and-drop work, beautifully cut, smoky, even if it is broken; Phoenix, like a dragon, is inclined and straight. You don't feel tired when you play, and you don't know its ending when you watch it. The heart is chasing the hand, and this person is. "* * *" Biography of Wang Xizhi in the Book of Jin "* * The book written by Mr. Guan is exquisite in brush and ink, ingenious in structure, refreshing in spirit, beautiful in charm and natural. It is also difficult to distinguish Mr. Wang from his roommate, Tang Jiasi.
Today's book industry is diversified in aesthetics. However, in any case, the mainstream is still traditional classic calligraphy. Calligraphy in Jin and Tang Dynasties is the essence of China's calligraphy. Represents the spirit of China's calligraphy. Since the Jin and Tang Dynasties, people who have studied the Preface to Lanting have made a lot of noise, among which the theory of "Preface to Lanting" can quite represent the voices of some people. The so-called "going out of Lanting" means advocating "going in and out of Lanting" and "writing your own Lanting". This statement is euphemistic and thoughtful, but it can't stand the test of calligraphy history: "Who entered Lanting?" There are very few people who claim to be "out of Lanting" in the cabinet. The so-called "going out of Lanting" is just an excuse for some people to retreat knowing the difficulties. Mr. Wen's Preface to Lanting Collection, Seventeen Posts and Sun's Book Score are all good documents, which can be described as wonderful works in Jin and Tang Dynasties. Mr. Literature can indeed be called "those who enter Lanting and those who leave Lanting". In Mr. Wen's works, the flowing beauty conveys the simple quality, elegance reveals the strength of character, and it is the sublimation of the book style in Jin and Tang Dynasties. This sublimation is reflected in his creative works, which have been selected into the running script of this episode: Song of Xia Sai by Li Bai, Experience by Zhang Jiuling, Tune the Song with Water by Su Dongpo, Nostalgia on Red Cliff, Reading on a Winter Night by Lu You. The list of books, such as Life for the Benevolent, Boundless Learning, Yu Zhen Jin Sheng, Wild Crane in the Cloud, and the Chinese characters "Dragon", "Tiger", "Blessing" and "Longevity" are all excellent works.
The calligraphy of "painting for the heart" is the work of the mind. Calligraphers of all ages, regardless of their achievements, describe their own spirit and print out the background of life and society. Mr. Literature is sincere, modest, gentle and kind. At the beginning of the rise of New China, when Zhaoyuan was in ruins, he was the leader of only a few intellectuals in the city. Understand education, general literature, like calligraphy, diligent writing. When the country and people look forward to a new culture and a new life, the sages stand at the forefront and make waves for the times. This old man in literature has been in charge of cultural education for many years, and created a far-reaching cultural cause in difficulties. White hands, white edges, splitting hazelnuts for the first time. Zhaoyuan Town has a senior middle school. For the first time, there are cinemas, bookstores, libraries, cultural centers, art clubs, art troupes, theaters, radio stations, projection teams and so on. More and more Zhaoyuan people have a culture and a cultural life.
It is this small town that produced college students, professors, writers, poets, Quyi artists, calligraphers and painters in Zhaoyuan a few years later. Some people go out of town, some go to the whole country, and some go to the world. It can be said that Wang Laoren is a well-deserved founder of Zhaoyuan's modern cultural education. After decades of complicated and meticulous career as a public servant, "Bitter Cold" was sung in the border town. Once freedom is liberated, the breath runs through, and there is no self between the point and the line.
Since the new century, Mr. Wen's calligraphy has attracted the attention of calligraphers and the world. His works are not only collected by China, but also by Japanese, German and other Tibetan communities. * * * Shang Zhifa * * *
Wang Shumin, Hall 1. He can write more than a dozen books with one hand, and many of his works have been collected by leaders of many countries, friends from all walks of life and collectors, and he has won the title of "home" and "master" in the field of culture and art, but the honest people in Zhaoyuan, Heilongjiang Province have proved that lightning, rainbow and auspicious clouds have never been seen before.
Wang Shumin looks "orthodox", wears elegant glasses, is unsmiling, and has a modest and reserved scholar temperament. His father, Mr. Literature, has calligraphy attainments comparable to those of the four Tang schools, such as Yu, Ou, and. However, he remained uncorrupted and penniless all his life. A rich legacy is the DNA of an excellent family.
Wang Shumin, a junior, became an educated youth after leaving school. He should have held the hand of his ancestral brush in his early years, but he raised his hoe in the vast countryside and received re-education from the working people. Later, I worked as an apprentice in a factory, and later I worked in China Institute of Aerodynamics of Aviation Industry.
In the two years before 2009, he lost his parents in succession. People with great filial piety feel that their father's virtue is shining and grateful for the sacredness of maternal love. The sentimental calligraphy world is mixed, and all beings are impetuous and pursue fame and fortune. Therefore, I vowed to pass on the family calligraphy art from generation to generation, and carry forward the treasures of China's traditional art, his practice and understanding of calligraphy art, meditation and concentration. After diligent study and hard practice, he can write more than ten kinds of fonts such as Oracle Bone Inscriptions,, Han bamboo slips, Lishu, Kai, Xing and Cao, which can be described as flexible and ingenious, and his works can be described as the history of calligraphy art development. The world marvels at wizards!
Wang Shumin has held several posts: Deputy Secretary-General of Beijing Heilongjiang Chamber of Commerce, Deputy Secretary-General of Sunshine Foundation of China Guanghua Science and Technology Foundation, Consultant of China Hairstyle Calligraphers Association, Expert of China Painting and Calligraphy Auction, Vice Chairman of China Cultural Artists Association, Honorary Vice President of China Calligraphy Masters Association, Vice President of Painting and Calligraphy Art College of All-China Federation, and distinguished professor of Qingdao Huanghai College.
What is a wizard? So dig deeper.
One is strange, strange behavior! Don't take the usual path: Generally, calligraphy practitioners start with regular script, and generally only practice one or two fonts. However, Wang Shumin began to practice calligraphy in Oracle Bone Inscriptions, where the characters originally evolved and wrote various styles of characters. He thinks that regular script is just a tool word, while Oracle Bone Inscriptions, bronze inscriptions and seal script are difficult to write, so it is necessary to master the central pen. The key to writing well is to control the pen. It is much easier to write other scripts as long as you are good at controlling pens. His posting style is also extremely unique. He didn't draw red and double hooks, but copied them one by one. His unique way is to write purposefully. As long as he carefully observes those famous tablets and posts, he can deeply understand the true meaning with the help of "magic" and everything will be ready when he writes. When you are a beginner, ink is hung on the wall, which shows that practice is also work, and work is also practiced.
Second, the idea is strange! Don't want to find commonness: practicing calligraphy is the same as doing things. What everyone fears most is "superior", and what he emphasizes most is "superior". High standards are high, and it will pass without entering the eyes. The target is the famous historical sites and outposts before Jin and Tang Dynasties. I can't help but be surprised that the words he chose to practice when he was a beginner are strikingly similar to the choices of calligraphy textbooks for higher education. Low is low, do your best, and be a low-key person. His formula for success is: innate talent+inner cultivation+acquired experience. In Wang Shumin's mind, success or failure lies in the word "Fa". He believes that a good inscription is Dharma, that is, removing weeds and preserving essence, accumulating naturally and coming naturally. Law is the beginning, it is the beginning. When Buddhism is good, it is connected with the ancients, overlapping and merging, and you have me. He admits that most artists pursue individuality, but what he pursues is sameness and * * *, sameness means vulgarization, and vulgarization means abandoning individuality and getting carried away. Everyone is born with personality, and what traditional art needs most is maintenance. The secret of learning traditional art lies in seeking common ground rather than reserving differences. Transcendence and innovation, not reaching a certain height, are simply nonsense. You didn't see the monument of calligraphy in Jin and Tang dynasties standing tall, and modern calligraphers can only look up, not sell themselves short! Only when you forget me first will you finally have your true self. Of course, not all calligraphy pursuers will have a true self if they forget me. Wang Shumin's most ardent wish is to reach the back of his father's literature as soon as possible-to walk into Lanting and walk out of Lanting.
The third is strange, strange! Not ordinary people! It's not an ordinary dream! Wang Shumin is not an ordinary person. He was born in a scholarly family for generations, and he has been a literate person for generations. His grandfather was a famous scholar and private school teacher in Songhua River East, and his father was a cross-century calligrapher. The original painting is now hidden in the Collection of Wang's Calligraphy Works, which is really priceless. Anyone who is lucky enough to see the preface to the Lanting Pavilion is amazed at its extraordinary character and beautiful charm! It is said that after Wang's death, many rich people and businessmen's dreams of collecting at high prices were shattered. His mother has been teaching for more than 40 years in her life. She is virtuous and virtuous, accompanying her father to copy everyone's original works, and she is almost obsessed with the pursuit of calligraphy art. The characters in the book are solid and full of charm. Wang Shumin stubbornly and completely preserved the original calligraphy of his parents. He wants to defend not only artistic dignity and family honor, but also the deep affection between father and son.
To be fair, compared with his parents and some calligraphers, Wang Shumin spent very little time practicing calligraphy by himself! But he learned to write with his parents since he was a child, witnessed his parents' writing for nearly 60 years, and enjoyed decades of famous monuments and posts, which can be described as two-thirds of his life! The true story of his parents and other people's experiences have long been profound! Becoming a wizard is no accident.
Wang Shumin didn't have an ordinary dream: despite his innate genetic quality and the subtle blessing of environmental education, he was never arrogant and vain. Judging from the calluses about 0.3 cm thick on his index finger and middle finger, his efforts were considerable. He was deeply ashamed that his work could not enter the room with his father's work. He feels sad and anxious about the sacred calligraphy art being eroded by commercial civilization, and this kind of sadness and anxiety continues. Therefore, "one small step forward every day" is his motto. He walks, synchronizes and transcends with tenacious will, and is determined to carry out the paranoid artistic spirit to the end.
If you want to ask about Wang Shumin's calligraphy, some experts and scholars have marveled that there were two kings in ancient times-Wang Xizhi and Wang Xianzhi. Now there are two kings-Wang and Wang. Because my level is really limited, I dare not judge at will. Please enjoy it yourself. I believe that the aesthetic taste and taste of the public are similar. Even people who don't know calligraphy will be as refreshed as I am when they see Wang Shumin's handwriting!
Wang Shumin, a talented calligrapher, was successful, but he had an unusual dream. He believes that the peak of traditional calligraphy art is endless, so he still strives to pursue and continue to climb to the top on the long road of calligraphy art. Let's pay tribute to talented calligraphy artists and all calligraphy artists with a high sense of social responsibility!