Allusions about Wang Xianzhi

Wang Xianzhi was a famous painter and poet in the Eastern Jin Dynasty. So is he? Book saint? The seventh son of Wang Xizhi. His achievements in calligraphy are no less than those of his father. The following is my collection of allusions about Wang Xianzhi, hoping to help you.

Wang Xianzhi's allusion: Ink turns into cattle.

On one occasion, Huan Wen asked Wang Xianzhi to write on a fan. Wang Xianzhi wrote with a brush, and suddenly the pen fell on the fan, polluting the words. Wang Xianzhi turned the ink into a dark horse, which was very beautiful.

Allusions about Wang Xianzhi: Stealing blankets.

Wang Xianzhi slept in the study all night, and a group of thieves broke into the room and stole everything in the room. Wang Xianzhi said slowly. Thief, the green felt is a relic of my ancestors. Please leave only this blanket. ? The thief ran away in panic.

Allusions about Wang Xianzhi: Peeking at a Leopard in a Tube

Wang Xianzhi, the son of Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty, was very clever when he was young. When he grew up, he became a famous calligrapher, and he was called his father? Two kings? . But for chpu(p? ) (ancient games) but not proficient. Once, he saw several people playing with cattails and said, You will lose. ? The man gave him an unhappy look and said, This child is like watching a leopard from a pipe. He only saw one spot on the leopard, but he couldn't see the whole leopard. ? Wang Xianzhi was very angry when he saw them talking about themselves like this, and said? Far ashamed of Xun, nearly ashamed of Liu Zhenchang. ? Throw away your sleeves and go.

Allusions about Wang Xianzhi: Eighteen vats.

Wang Xianzhi began to learn calligraphy when he was seven or eight years old, and studied under his father. On one occasion, when Wang Xizhi saw that Xian Zhi was practicing calligraphy attentively, he quietly walked behind him and suddenly reached out to draw the brush in Wang Xianzhi's hand. Xianzhi held the pen tightly and was not pulled out. Wang Xizhi praised him: With this son, I will be famous. "

When he was a teenager, he thought his handwriting was very good. One day, he went to ask his father: Is it good enough to practice my handwriting for another three years? Wang Xizhi just laughed and didn't answer. His mother shook her head and said, is it far? Offer a question:? So, five years? Mom's head is still shaking. I am anxious to ask: How many years does it take to practice good handwriting? Ask again:? Dad, everyone says your handwriting is good. What is the secret? Looking at his son, Wang Xizhi thought how this calligraphy could get into people's eyes without solid basic skills, so he went to the window and pointed to a row of vats in the yard and said, You, after writing those eighteen jars of water, you must have a skeleton to stand on your feet! ? Wang Xianzhi was unconvinced and secretly determined to show some skills to her parents.

So he practiced basic strokes every day according to his father's requirements and worked hard for five years. One day, he took his own? Hard work? Show the work to my father. Wang Xizhi said nothing. What did you see after reading it? Big? The word posture is tight and loose, so I started to add a little below, and it was done? Also? Words, and then return all the manuscripts provided to them. Xiaoxian felt a little bitter and showed all his calligraphy to his mother. Mother pondered it carefully, sighed for half a day and said, my son's handwriting has been written for thousands of days, and there is only one thing like it. ? Look carefully, what a fool! It turns out that this point pointed by my mother was added by Wang Xizhi under the big characters! I am ashamed and feel that my writing skills are far from perfect, so I put myself into my study and study hard every day. Clever Wang Xianzhi deeply realized that there was no shortcut to writing, only? Diligence? Words.

Appreciation of Thirteen Lines of Wang Xianzhi Luoshen Fu

Thirteen lines of Luo Shen Fu, referred to as "Luo Shen Fu Tie" or "Thirteen lines" for short, is the representative work of Wang Xianzhi, a famous calligrapher in the Eastern Jin Dynasty, and his writing paper should be hemp paper. The main content of this post is Cao Zhi's poem "Ode to Luoshen". The original post has long been lost, probably because of damage in the Tang and Song Dynasties.

What has been preserved so far should be rubbings copied from the original works in the Song Dynasty, including? Jasper edition? And then what? White jade edition? Two kinds, which copy is better? Jasper edition? Discovered in the former site of Geling Banxian Hall of West Lake in Hangzhou during the Wanli period of Ming Dynasty, it is now in the Capital Museum.

This post is elegant in posture and free and easy in brushwork. From this work, we can see that Wang Xianzhi's regular script brushwork no longer has the feeling of official script, and the font changes from horizontal to vertical. It can be said that this is a very mature regular script work. This post has vigorous calligraphy and handsome style. The strokes, strokes and other strokes in the characters are very long, but they are not frivolous and powerless, but the brushwork conveys nature and is vigorous and powerful. The font is very symmetrical and harmonious, and the combination of each part has vivid changes. The size of words is different, and the change of spacing and line spacing is also natural.