Pictures of Cong Wenjun's Excellent Calligraphy Works Calligraphy in Han Dynasty can be divided into two forms: one is the mainstream system of China stone carving; One is tile seal, and the other is bamboo and silk alliance calligraphy and ink. ? Since the later Han Dynasty, where are the stone tablets in Yun Qi? It is a sign of Han Li's maturity. Among the cliff stone carvings (words carved on cliffs), Ode to Shimen is the most famous, which calligraphers regard it as? God product? . At the same time, Cai Yong's "Shi Ping Jing" has reached the requirements of restoring ancient ways and creating interesting tires. Inscriptions are the most important art forms that reflect the times and rhythms, among which Feng Longshan, The West Chamber, Kong Zhou, Yi 'e, Chen Shi, Zhang Qian and Cao Quan are especially admired and imitated by later generations. It can be said that each monument is unique and has no similarities. The northern book is beautiful, and the southern book is simple. What does it reflect? Scholar? 、? Hey? Different aesthetic pursuits of social classes. As for the tile seal and the simple silk script, it embodies the combination of artistry and practicality.
Cong Wenjun's calligraphy works flourished in the Eastern Han Dynasty. Calligraphy theory's works appeared in the Eastern Han Dynasty, and the earliest calligraphy theory author was Yang Xiong at the turn of the Han Dynasty. The first calligraphy theory monograph was a cursive script written by Cui Yuan in the Eastern Han Dynasty.
Calligraphy in the Three Kingdoms Period