Many grapes are biased.
"Ink Grape Map" is a representative work of high-level freehand brushwork flowers in Ming Dynasty, and also represents the style and personality of Xu Wei's freehand brushwork flowers. The ink-wash grape is116.4cm long and 64.3cm wide. Paper and ink pens are used as materials for this painting. Now, this painting is in the Palace Museum in Beijing.
When Xu Wei painted the ink grape map, he had tasted the ups and downs and no longer had any expectations for everything in the world. Knowing that he was incompetent, he vented his anger with poetry and calligraphy. The ink grape map also contains his depressed mood and sense of loss in his later years. The poem in the ink grape picture: "Half-life has become an old man, and self-study is whistling in the evening breeze; The pearls at the bottom of the pen have nowhere to sell, but they are thrown into wild vines. " Tianchi "expressed Xu Wei's feelings to the extreme."
In the ink grape picture, on a hanging vine, the fruit is covered with branches, which makes people drool. Thick rattan leaves are formed by large ink spots. I feel that the painter just walks freely on the paper and does whatever he wants. Although every stroke of the painting looks so free and easy, it is just right, which not only shows the extremely high artistic effect of the painting, but also makes people feel sad.
Xu Wei combined painting with poetry and had a strong collision, pinning his anguish on ink grape painting. The high artistic value of the ink-and-wash grape picture makes the world sigh that there are many paintings handed down by Xu Wei, and the ink-and-wash grape picture is one of the representative works of Xu Wei's handed down paintings.
The picture of Xu Wei's Huang Jia is the picture of Xu Wei's Huang Jia in Ming Dynasty. In the picture, the wide lotus leaf has begun to wither slowly, and there is a crab crawling slowly under the lotus leaf. In the picture, a blank is used to represent the lake in autumn.
Xuweihuang rabbit Tujia nationality
Xu Wei's Huang Jiatu is 1 14.6 cm long and 29.7 cm wide, which is the axis of paper and ink pen. Huang Jiatu by Xu Wei in Ming Dynasty was originally collected in the Forbidden City, but now it is collected in the National Palace Museum in Taipei for some historical reasons.
Because painting with ink is easy to cause infiltration and smudge, Xu Wei added a proper amount of glue to the ink when painting this painting to prevent the ink from infiltration and smudge. Adding glue to ink painting is an interesting idea, which also makes the painting more distinctive. In Huang Jia's painting, Xu Wei painted the lotus leaf vividly. Although crabs are only superficial strokes, they use many kinds of brushwork to make them more vivid. The withering of lotus leaves and the lifelike crawling posture of crabs show the breath of autumn.
Xu Wei also wrote a poem in Huang Jia Tu: "Wu Ran is rich in gas, and Mo Wen has pearls in recent years." If you raise it, you will be stupid. When you come to Huang Jia, you will pass it alone. "This poem expresses inner feelings with humorous words.
Many of Xu Wei's paintings contain his feelings and his resentment. Huang Jiatu's paintings are no exception, from which we can see the feelings that Xu Wei wants to express. Xu Wei painted this yellow armor to satirize Jinshi Jiake. In people's eyes, crabs mean bullying and being afraid of hard work, so Xu Wei uses crabs to satirize those people who are ignorant and have no ink in their chests, but can rely on the money and power behind them to achieveno. 1.
Xu Wei's paintings In the colorful history of China painting, Xu Wei's paintings in the Ming Dynasty are unique, and his unique painting skills are amazing. Xu Wei likes to write a poem on your painting. The combination of painting and poetry shows the emotion and artistry of painting incisively and vividly.
Xu Wei's narcissus map
One of the characteristics of Xu Wei's paintings is to express emotion by borrowing things. Xu Wei's paintings, poems and calligraphy are all in one go, with interesting stories, isolated artistic conception and great boldness of vision. Another major feature of Xu Wei's painting is that he dares to innovate and is unique. In the Ming dynasty, many factions were divided due to the influence of different people. Influenced by Chen Boyang, Xu Wei innovated many painting techniques with his own talent and founded the Ivy School of freehand brushwork in ink and wash.
Each of Wei Xu's paintings seems simple and not serious, but in fact, each of his works is a microcosm of his life, which was completed with his blood and sweat. For example, Xu Wei's "Ink Grapes" looks like an ordinary and simple painting, and there is nothing special about it, but if you look closely at the poems written by Xu Wei, you can see the clues and the feelings that his paintings want to express.
In painting, Xu Wei gives full play to the role of paper, water and ink, which makes his ink freehand brushwork varied and colorful. Every painting by Xu Wei gives people a feeling of freedom and unrestrained, and the momentum is not lost to any other painting. Xu Wei pushed ink freehand brushwork away from another door in the field of painting and created a new era of ink freehand brushwork. The influence of Xu Wei's paintings on later generations is also extremely far-reaching. In the history of art, Xu Wei and Chen Daofu are even called "green vines and white sunshine", which shows Xu Wei's achievements in painting.
Xu Wei's painting and calligraphy Xu Wei was born in Yinshan, Ming Dynasty, and now in Shaoxing, Zhejiang Province. His ancestral home is Tianchi Mountain. The Ming Dynasty was a very important and crucial period for the development of calligraphy and painting, and various cultures collided with each other. So there were many factions in the Ming Dynasty, and Xu Wei belonged to the Ivy League. At that time, Xu Wei, Jie Jin and Yang Shen were also called the three great talents of Ming Dynasty.
Xu Wei peony map part
With his own talent, Xu Wei constantly optimized his painting and calligraphy skills and became the most accomplished master of ink and wash freehand brushwork in Ming Dynasty. Compared with others, Xu Wei's ink freehand brushwork is unique and creates a new style of ink freehand brushwork. Xu Wei's freehand brushwork in ink and wash is not rigid, and everything in the painting is vividly displayed. Xu Wei's freehand brushwork in ink painting is not only about appearances, but also about the painter's inner feelings. It is precisely because Xu Wei pursues not only the surface, but the inside that Xu Wei can become the pioneer of * * *.
For Xu Wei, his freehand brushwork in ink and wash is not his favorite, and his own pride belongs to his words. There were not only many painters but also many calligraphers in the Ming Dynasty. Calligraphy in the Ming Dynasty has made new development on the basis of the original calligraphy. There will be outstanding figures in all kinds of fonts, but cursive script has made greater achievements in the Ming Dynasty. The font that Xu Wei is good at writing is wild grass. Most people can't understand what he wrote. Although others don't understand, he enjoys it himself. In each of Xu Wei's own paintings, he will write a poem for it to show his talent and calligraphy skills.
Xu Wei's calligraphy and painting have spread to this day, and everyone who has seen it sighs. In the present market, every calligraphy and painting by Xu Wei can fetch a high price.
We all know Xu Wei's calligraphy. Xu Wei claimed that "calligraphy is the first, poetry is the second, writing is the third and painting is the fourth". Xu Wei's cursive script is magnificent, however, it is difficult for people to accept it, and it is difficult for ordinary people to see what words Xu Wei wrote. Xu Wei is extremely confident in his calligraphy and likes it very much. It can be said that he has reached the realm of conceit.
Wei Xu's Calligraphy Works
Xu Wei's calligraphy is particularly prominent in the dull literary world of Ming Dynasty. Xu Wei, a native of Shaoxing, Rainbow Xizhi, especially admired Wang Xizhi's calligraphy. Therefore, Xu Wei and Xi Zhi are good at cursive writing. But the greatest influence on Xu Wei's calligraphy was not Wang Xizhi, but Mi Fei, a poet in the Song Dynasty. Xu Wei has a good knowledge of Mi Fei's calligraphy and has his own unique views on Mi Fei's calligraphy.
Xu Wei's calligraphy has been innovated on the basis of inheriting predecessors and formed his own style, which made the calligraphy of Ming Dynasty reach another peak. As we all know, Dong Qichang destroyed the brushwork of calligraphy, so Xu Wei destroyed the brushwork of calligraphy. Xu Wei destroyed the brushwork of painting and calligraphy. It can be said that Xu Wei's research on brushwork of calligraphy and painting is extremely thorough. This also made Xu Wei's great achievements in art and calligraphy.
Xu Wei handed down only calligraphy works, not as many as paintings. The representative works of Xu Wei's calligraphy works are: Dai Ying's Handwritten Cursive Axes and Dai Ying's Handwritten Cursive Axes. But on the picture scroll, we can also appreciate Xu Wei's calligraphy. Because Xu Wei generally likes to write a poem on his own scroll to express his feelings at a deeper level and show his calligraphy talent.