The practice of respecting regular script in Tang Dynasty reached its acme in Liu Gongquan, didn't it?

Calligraphy is one of the essences of traditional culture in China, which contains the traditional spirit of China, and it is also the most classic national symbol in the development of traditional culture and art in China for 5,000 years. Below I bring you the calligraphy method of regular script, I hope you like it. Appreciation of regular script statutes: regular script statutes 1 regular script statutes 2 and regular script statutes 3 complete works: Liu Gongquan is the last peak of legalists in the Tang Dynasty, and it is also a sign that this calligraphy style tends to be rigid. His dribs and drabs paintings are extremely capable of adjusting the front and writing, but they are sharp. Learners should attach importance to it, seek its charm, and don't exaggerate those details. It's a bit too much for Mi to call it "ugly", but we should be good at learning from Liu. The Tang dynasty completely improved the statutes of regular script, and naturally lost some naive interest. Just as people mature in middle age, they are no longer as lively and energetic as they were when they were young. The same is true of regular script. It should be noted that this is the inevitable law of the development of things, and it is impossible to be "forever young". If this is the reason, it is too extreme to describe Tang Kai as "structure-oriented, multi-operator" and "continue with the crane". The monuments of Europe, Chu, Yan and Liu stood there, just like "Li and Zai" were commented by later generations, and their light could not be hidden.