China Academy of Art Calligraphy Major

The enrollment content of the calligraphy and seal cutting major of China Academy of Art: calligraphy, seal cutting, ancient Chinese, etc.

Starting from this year, the calligraphy professional examination will be reduced from the previous four subjects of calligraphy, seal cutting, ancient Chinese, and basic traditional Chinese painting to three subjects, and the examination of basic traditional Chinese painting will be removed.

For calligraphy, the most important ones are regular script, seal script, and running script. Official script is more variable. For regular script, it is best to use Ouyang Xun and Chu Suiliang, such as "Jiucheng Palace Stele", "Yanta Sacred Preface", "Ni Kuan Zan" and other stele inscriptions. Seal script is generally based on clear seal script, such as Deng Shiru , Wu Xiangzhi's artistic style, as a basic requirement, Qin seal script such as Li Si's Yishan stone carvings will also be examined, and the selection will be based on the circumstances of each examinee; the running script will focus on the "two kings" style, and basically The above two chapters are "Lanting Preface" and "Holy Teaching Preface". If candidates master these two posts well, there will generally be no problems. Therefore, you must have a certain ability to confront or carry things from your back.

For seal cutting, it is generally an examination of Baiwenyin and Zhuwenyin. Baiwenyin is generally a test of Han and Manchu Baiwen, and Zhuwen is generally a Yuanzhuwen or a style such as Xiling Bajia Yiyi. For Han and Manchu white inscriptions, attention should be paid to the shaping of their vigorous and simple carving artistic style. For the lines of Zhu Wenyin, attention should be paid to their rhythm and richness, and must not be thin and flashy. It is best to carve in depth within a limited time for seal engraving.

The paper used for the calligraphy test is usually half-cooked four-foot rice paper. The common size is four-foot vertically split. The text content is usually twenty or thirty characters of Tang poetry and Song lyrics. The main goals of the calligraphy inspection are the use of pens and structure. The use of pens requires thick, concise strokes and a center stroke. Pay attention to the rhythm of writing and try to avoid the emergence of writing habits. In terms of structure, the basic requirements are a well-proportioned structure, neat organization, and a strong sense of wholeness. Stone materials for the seal carving examination are distributed uniformly, but candidates must bring their own tools such as knives and ink pads. Time is often tight during seal cutting exams, so you should pay attention to adjustments. The exams are generally based on creation, and you need to master the technique of sealing on stone.

Another thing to note is that with the improvement of one's overall quality and cultivation, the current examination process sometimes involves more than just operations. Even in calligraphy and seal cutting examinations, there is often an additional question. The form of additional questions tests the candidates' knowledge of calligraphy and seal cutting, as well as their preliminary understanding of calligraphy theory, because the school wants to cultivate not only a person who can write, but also an artist.

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