His calligraphy is far away from the Han and Wei Dynasties and close to the Song and Ming Dynasties. He was the most diligent in Zhong Xian and Su Huang Mi Cai, and later influenced by Kang Youwei and Wu Changshuo's theory of stele study. Especially in the Northern Wei Dynasty, he was able to make the past serve the present and achieve the highest level of perfection and ease of use. It is a monument to the study of steles in the Northern Wei Dynasty in the 20th century. Mr. Wang learned hundreds of kinds of calligraphy at the same time, and he was versatile in seal script, official script, regular script and cursive script, forming his own unique calligraphy style. The list of books written is impressive, vigorous, magnificent and magnificent. Chinese painting bluegrass and Mr. Wang's calligraphy go hand in hand, and the painting style tends to be Banqiao, just like white stone, and it looks like a prosperous time. In the 1970s, it became famous at home and abroad with a picture of bluestone, which shook the book world and contained dangerous rocks. Liao and Liao wrote a few strokes to get a glimpse of the whole leopard. The dense blue bushes set each other off and the flowers were painted with light ink. Jiao Mo touches the core, fresh and elegant, fragrant, and the blue bushes in the painting room start from the left.
Mr. Wang is young and successful, with both talent and looks. At the age of 20, he was famous for writing, walking and cursive in Qingfu County. He was hired as a clerk of the puppet government in Qingfu County and followed the county magistrate. 1936 2 1 joined the national party member, 1937 joined the gerontology society. Later, he served as the secretary of the Commissioner of the Syrian government and the deputy director of the tax bureau of Junlian County. After liberation, he was beaten into a counter-revolutionary in history and was imprisoned many times. He was sentenced to three years in prison from 65438 to 0958. After serving a sentence, it is handed over to the masses for long-term control. He was tortured in prison and was deaf in both ears. During the Cultural Revolution, he was put on a rightist hat and sent to Longteng Township to dig coal, mine stones, live in a cowshed and sleep in caves. Suffering from hunger and heavy physical strength, when I concentrated on my haircut, I saw myself skinny and white-haired in the broken mirror. I couldn't help feeling sad, so I carved it in stone in the cave: double shadow in the mirror, with silver on my head. It's already a dragon bell state, and I can't help crying. Past events are like smoke, but calligraphy is wrong in this life. Afraid of becoming a ghost in other places, can you be a free man? It was not until 1987 that Mr. Wang was nearly 80 years old that he was confirmed by many witnesses. The Gaoxian Court re-examined and confirmed that although Mr. Wang is a national of party member, he is honest and innocent, and has not participated in acts endangering the country and the people. Gao Fazi 1987 Judgment No.37 revoked the wrong judgment of Fan Jingyuan 1958.
During the Cultural Revolution, Mr. Wang lost his freedom of speech and works, so he secretly wrote and painted books when copying posters on Sunday, and participated in several domestic and foreign painting and calligraphy exhibitions under the name of relatives or aliases. His works "Lan Shi Tu" and "Preface to Lanting" were also presented by the Ministry of Foreign Affairs to the Japanese Prime Minister and the President of the United States. But due to political struggle, it was not made public. Therefore, China people seldom know Fan Jingyu's name, while the names of the United States, Japan and Han Jingyu are famous in the book world. Bing Xin, a writer, joked that flowers inside the wall are fragrant outside.
In the 1990s, the spring breeze of reform and opening up has spread all over China, but 80-year-old Fan Lao is full of youth. He has participated in the China-Japan-Korea Painting and Calligraphy Exhibition, the World China Painting and Calligraphy Exhibition, the Hong Kong and Macao Painting and Calligraphy Exhibition, the Los Angeles International China Painting and Calligraphy Exhibition, the Singapore International China Painting and Calligraphy Exhibition, the 50th anniversary of the founding of the People's Republic of China and the Hong Kong and Macao Reunification Exhibition for 32 times, and won the first prize for 9 times and the second prize 1 1 times. He was invited to Peking University, Japan Art and Calligraphy Institute, San Francisco State University,
Mr. Wang is well-read and has a deep research on the theory of Chinese studies and poetry. Published dozens of theoretical studies and poems on Chinese studies in national newspapers such as Wen Wei Po and People's Daily. I have a soft spot for the famous work A Dream of Red Mansions. I can recite hundreds of poems in A Dream of Red Mansions, one by one according to the appearance order of more than 400 words in the book. I can also tell which chapter, page and line the key figures and poems are in. Fan Lao's super memory can be said to have to be admired. In 1980s, Mr. Zhou's Dream of Red Mansions was highly praised by everyone in Dream of Red Mansions.
Mr. Wang is indifferent to fame and fortune, quiet and far-reaching. After dismantling the Rightists, they entered the 1990s and began to receive attention at home and abroad. Mr. Wang's paintings and calligraphy works are collected by museums in Japan, America, South Korea and Singapore. He was also invited to serve as the advisory editorial board of more than ten large-scale international and domestic publications. Mr. Wang's works and Mr. Wang's name have been successively included in the Korean Forest of Steles, the Japanese International Dictionary of Painting and Calligraphy, the American Los Angeles International Dictionary of Painting and Calligraphy, the American Los Angeles International Dictionary of Celebrity, the Japanese Modern International Dictionary of Celebrity, and more than ten celebrity dictionaries in China. But Mr. Wang has always been indifferent to fame and fortune and is not trapped by fame and fortune.
Mr. Wang once served as an official of the Kuomintang government because of his participation in the Kuomintang organization. From 1949 to 1987, he was always the object of dictatorship, and his freedom of life, personal speech, painting and calligraphy were strictly restricted.
Occasionally, it is not allowed to participate in art exhibitions in the name or pseudonym of relatives and friends. There were two sons and a daughter first, but also because of the landlord's composition and his father's political problems, he was forbidden to read and write. Life is often a family that eats the last meal without the next meal. Not allowed to open a shop in the street, Mr. Wang had to secretly write screens and plaques for guests at home and make a living by writing birthday couplets. Never tell anyone about the money. Let the guests support their families with 30 cents and 50 cents. Mr. Wang's skill in regular script writing is profound, vigorous and dignified.
The locals all ask Mr. Wang to write a tombstone, and the salary is often a vegetarian meal and a bottle of soju. When I was almost 90 years old, I lamented that I didn't have a few hundred dollars to make a tombstone for myself: the ghost dance graffiti calligraphy field made everyone's dishes fragrant. There are thousands of monuments to marriage, but one is missing from my grave.
In 2004, 90-year-old Fan Lao realized that his time was running out and he would die soon. On his deathbed, Mr. Fan wrote a desperate sentence: Myanmar is ashamed of its old age in 1989 and its failure to make any achievements to comfort its life. Although he can write a little calligraphy, he has won high praise and admiration from everyone.
From June 5438 to October 9, 2004, Mr. 65438 died of illness and died peacefully at home at the age of 90. Leave the last ink mark before the sickbed: the game is a world of mortals in the autumn of 1989, and life is ups and downs. There is only calligraphy left in the world, and I am really with Qiu.
The leaders of the local government and the Chinese People's Political Consultative Conference saw that Mr. Wang's family of seven still lived in two dilapidated houses of less than 40 square meters, full of holes, dark and damp, and they all shed tears. This is indeed a generation of famous painters and calligraphers who use a door panel to write and draw during the day and sleep on it at night in this humble room of less than 10 square meter. It is under such difficult conditions that one painting and calligraphy treasure after another has been created. It is the great calligrapher-Fan Jingyu who adds luster to China's calligraphy and painting art.