China's national dance is a vivid expression of the feelings of the Chinese nation. Under the background of global economic integration, how to protect and develop China national dance and realize its own prosperity is an unavoidable problem for all dancers. Below, I searched and sorted out the communication strategies about folk dance culture. Welcome to read, I hope it will help you! For more information, please continue to pay attention to our fresh graduates training network!
First, the cultural connotation of China national dance
Culture refers to the sum of material wealth and spiritual wealth created by people. As a complex system, culture includes objects, knowledge, beliefs, art, morality, laws and customs. As a branch of art, dance art has its unique aesthetic cultural connotation. So, what is the' cultural connotation' of national dance? The essence of dance is actually the reflection of national culture and economic activities, and the embodiment and accumulation of a nation's unique and long historical road and real life. Argentine writer ernesto? Sabato once said this about tango:? The sincere emotion in tango conquered the world with its invincible power. Whether we like it or not, Europe knows us from this. Just as bullfighting once represented Spain, tango was once synonymous with Argentina, because tango reflected the original appearance of the country: the disorder of life caused by the sudden increase of population, the homesickness of a large number of immigrants, the dissatisfaction and resentment of the lower class against bad luck and a series of other problems. ? This exposition quite pertinently summarizes the cultural essence of dance as art from one side.
Second, the communication strategy of national dance culture
1, based on the nation, based on the modern, explore the cultural connotation. In the above, the author has repeatedly stressed that the connotation of national dance is national culture. If we want to truly prosper and go global, we must play the national card. Only the national is the world. In the process of cultural communication, national things are often the most popular. Spanish bullfighting, African samba and China's ink paintings are world-renowned for their strong national colors.
2. Inherit tradition and strengthen integration. In the long history of thousands of years, China national dance has formed a relatively standardized, mature and fixed core movement, style rhythm, rhythm situation, spatial pattern and so on. For any dance creator, insight into the history of national dance, familiarity with the cultural connotation of national dance and innovative melting of this wealth in his own works are the solid cornerstones of innovation and development. Without inheritance, there must be no development.
3, learn from foreign countries, open development. National dance should form its own unique national style and characteristics in the exchange and collision with the world dance. In the world communication of music art? China 12 women's group? The reason for their great success in marching into Japan lies in their successful combination of China's traditional national instrumental music and fashionable modern musical elements, so that their works not only retain the rich color of China's national music, but also have the fashionable and popular world music style. This may give a beneficial enlightenment to the national dance to the world.
The reference door of national dance should also be open to other arts, such as opera, sports, calligraphy, music and so on. In fact, in a sense, the art of dance itself cannot be separated from other arts, especially music.
4, make full use of mass cultural media, multi-channel communication. Mass media has incomparable advantages in modern cultural communication. In the mass media, national dance should be spread by means of TV media. The aesthetic effect of TV pictures can bring strong visual impact to the audience, and it is undoubtedly the most suitable mass media for national dance.
Ethnic dance should also strengthen the use of some traditional communication channels, such as stage performance and dance education. Without the stage, there would be no dance, and without the popularization of dance education, national dance would only be Chun Xue in the ivory tower of a small number of people, and it would not have long-term vitality.
5. Call for the active intervention and promotion of the government or non-governmental organizations. The government's attention to the cause of dance should be implemented in concrete measures, not in general terms.
All the arts in the world will be modernized through communication and collision, and China folk dance is no exception. In this process, dancers in China need to work hard. I hope the author's shallow opinions can play a certain role in discussing the exchange of national dance.
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