Appreciation of Wang Xianzhi Cao Jin's Mid-Autumn Post
Text/Wang Demin
"Mid-Autumn Festival stickers", also known as "December stickers", have no money. When Jin Dynasty was introduced, it was suspected that Song and Mi Fei entered the book. These are 22 words. The original text "The Mid-Autumn Festival is not returned, that is, how the army of He Qing and others wins."
Emperor Gaozong of the Qing Dynasty combined this post with Yuan Bo's post and Quick Snow Post, and named it "Sanxi Hall". Original post
From the Qing palace, into Hong Kong. It was recovered at a heavy price on 195 1 and kept in the Palace Museum in Beijing.
Wang Xianzhi (AD 344 1386), whose real name was Amethyst, was the seventh son of Wang Xizhi. Officially called "Wang Daling", he inherited his family's studies when he was young. Later, like his father, he was named "Two Kings".
Mid-Autumn Festival Sticker is the representative work of Wang Xianzhi's "One Book". Its brushwork is like fire, drawing gray, continuous and unrestrained, and fascinating.
Yunmaichao, 14,000 miles, embodies the majestic, heroic and unrestrained style. Close to Shen Meizuo, "Ri Hai Lou Za Cong" said, "The big order changes its style and is proud of escape. Since the Six Dynasties, calligraphy in the Northern and Southern Dynasties, whether it is real grass or Chinese characters, has been inherited from generation to generation, but great orders can be born from writing. Ming Dong Qichang postscripts cloud "big order this post, m old thought the world first".
Mid-Autumn Post is an outstanding representative of this cursive script. It is not only a purple pen, but also a link between words. The pen before the word is combined, and the pen after the word is connected as a whole. For example, the words "Mid-Autumn Festival has to stop" and "How" look back, and the pulse is continuous and seamless, giving people a bold and unrestrained gesture. In the use of the pen, the center is mainly used to pick up the pen, and the pen is written at the same time. For example, at the turning point of the words "De", "He" and "Wei", the pen is concise and round, the lines are round and flexible, and there is great tension. This round-to-round pen-to-pen way saves a lot of complicated locks for lifting and pressing pens, and the book vein is very clear. No matter how the words "what" and "degree" are intertwined, the context of brushwork can be distinguished one by one. From beginning to end, it looks like a waterfall in Lushan Mountain and a sea of clouds in Huang Yue. "lead the guide to the spring, and the mountain is urgent." In terms of body posture, there are great changes. The writing of "Pingjun" and "Gui" is exactly the same as some words in Wang Xizhi's funeral post and quick snow post. Can be said to be handy, natural, full of wonderful ecstasy of the ancients admired Wang Xizhi, but had different views on Wang Xianzhi. For example, Emperor Taizong and Li Shimin ridiculed Wang Daling as "the hunger of the Yan family". However, the author believes that although Wang Xianzhi inherited the family style, he did not blindly stick to the family law.
Step by step, what is more commendable is that he can find another way in the superb book style of his talented father and create a beautiful book style. From the Mid-Autumn Festival posts, we can find that Wang Xianzhi's words are more open than his father's. Its dotted line is like continuous autumn rain, incisively and vividly, reaching an extraordinary artistic realm. In "Shu Duan", Zhang Huaiguan accurately revealed the beauty of older calligraphy: "There is no book to follow, but it is very natural. Simple, emotional, vertical and fluent in words. It is temporary, appropriate, popular, rainy, open and polished, and the brushwork is the most romantic. " Mid-Autumn Festival Post is the same as Gu Kaizhi's painting in Jin Dynasty.
The wonderful mood is also faithfully reproduced in the Mid-Autumn Post.
Calligraphy appreciation 1996.4