Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
2. Idioms about calligraphy: dragon and snake at the bottom of the pen, fine brushwork, dragon and snake with a pen, silkworm swallowing its tail, hiding its head and protecting its tail, sinking and being happy, being flat and happy, doodling for beginners, rising and falling, Ding Zhenkai grass, Ding Zhenyong grass, flying with the phoenix with infinite strength, dancing with the dragonfly and returning with the phoenix, ancient and fat today. Eager to rush to spring, eager to be angry with horses, eager to rush to spring with deer, eager to learn from the back of paper, study in the pool, stick one's bones and tendons, fly and dance, fly like dragons and phoenixes, fly like dragons and snakes, stretch and bend like dragons, jump and lie like tigers, change like Rowen Hu Zhen, Rowen Hu Zhen and leopard. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
3. Four-word idioms about calligraphy describe that calligraphy is vivid and magnificent.
The source of Li Bai's cursive music in Tang Dynasty: "Always seeing dragons and snakes, the left side is shocked." Wang Bin Jr., a scholar of use cases, has a brilliant mind.
(Ming Ling Mengchu's "Surprised at the First Moment" (Volume 20) Dragon and phoenix dance is free and unrestrained. At first, it described the grandeur of mountains, and later it also described the grandeur and agility of calligraphy. The source is the stone "Observing the Monument of Loyalty and Righteousness": "The mountain of Mother Tianmu, flowers in the water, dragon and phoenix dances, collected from Lin 'an. "
The use case looked up and saw four big screens hanging on the north wall, cursive script, amazing. (Qing Liu E's Travel Notes of Lao Can, the ninth time) Use meaning freely, with ease, and the heart and hand correspond to antonyms and stretch out. Interpretation: swing; Wine: Sprinkle ink.
Describe painting, writing, composition, and using a pen. The source of Tang's "Gift to Zhang Xu" is: "Xing Lai Wall, pen like a meteor."
A pen full of ink was sent from home. Juezhai picked up a pen and wrote more than 100 words on the paper.
(Zeng Qingpu's "Evil Sea Flower" is back to the 25th) The back of the paper is close to the meaning, the brushwork is as big as a rafter, and the antonym is understated. The commentary describes that calligraphy is vigorous and powerful, and the pen almost penetrates the back of the paper. It also describes poetry as profound in conception and concise in words.
The source is Tang Yan Zhenqing's Notes on the Twelve Meanings of Zhang Changshi: "When using the front, I often want to make it pass through the back of the paper, which is very successful." Use cases are intended to be written first.
(Yi "Ou Bei Shi Hua" Volume 6).
4. Seek idioms to describe calligraphy: pen and ink can be used freely and vividly. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon
5. What idioms are there to describe calligraphy, such as the dragon snake at the bottom of the pen, Mo Miao with a good pen, the dragon snake with a good pen, the swallow-tailed silkworm head, hiding the head and protecting the tail, being happy while sinking, learning to draw graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, floating phoenixes and flying dragonflies, and the ancient people are eager to rush to spring and share their anger with horses. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "toot toot" or "letter toot toot" to describe poor or scrawled pen and ink writing, with blunt and dangerous brushwork, full brushwork, spring insects and autumn snakes, thin and Mo Miao pens, long and snake pens, spring breeze at the bottom of the pen, sweeping a thousand troops, old and vivid pens, clear words, Ding Zhenkai grass, Ding Zhenyong grass, and wood three points. The middle is magnificent, vivid and fluent, beautiful in style and changeable in charm, floating in the phoenix, dancing in the phoenix, flying in the dragonfly, flying in the phoenix, peaceful and fluent, taught by foreign teachers, better than nature, dancing in the dragon and phoenix, dancing in the dragon and snake, dancing in the dragon and snake. Stiff and powerful, combining rigidity with softness, stiff and clumsy, vigorous and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, restrained and concise, smart and beautiful, gorgeous and natural, smart and beautiful, Wang Yang is arrogant, Wang Yang is arrogant and vigorous. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm. Luan Piao storm, Luan Jing, Luan Xiang Feng Zhen, beautiful women like flowers, falling cigarettes, iron-wrapped cotton, ink-debt mountains, angry rocks, thirsty horses rushing to the spring, angry thirsty horses, flying high, floating like clouds, playing in the sea, spitting jade and silver, Yan Gu, Yan Gu Liu Jin, Yan Gu, Yu Chu, to achieve implication, crane knees and bees waist, hide the head and protect the tail, thick and plump. Compact structure, beautiful structure, steep trend, smooth air, free style, hearty, pleasing to the eye, elegant and charming, fresh and frank, attractive and vigorous, meaningful and handsome, delicate and rich, falling from the peak, bold and unrestrained, simple and vigorous, simple and elegant, simple and peaceful, generous and graceful.
6. What are the words that describe good calligraphy? They are: the pen is full of ink, the pen is full of dragons and snakes, and the arrogance is arrogant, while the dragon and the phoenix dance, penetrating the back of the paper and penetrating the wood.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy.
Also for the conductor. The sword was drawn from its sheath and the bow was opened.
Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent.
Nowadays, calligraphy is described as a lively, flexible and vivid plastic arts of dragons and phoenixes. Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.