Detailed comments: Knowing life and death is a fake birthday [life and death: regarding death and life as one thing], Zhuang Zide Chongfu: "regarding life and death as one" and Zhuangzi's great master: "Who knows that life and death are one, I am friends with them." ], Peng Qi's funeral is an illusion [Peng Qi's funeral: about Peng Zu's long life and short life.
Wang Xizhi felt that "the relationship between wife and life lasts forever." Facing the short life, "pain" came from it, and he gave a "sad" sigh that "knowing that a dead life was a false birth and Peng Qi's mourning was wrong". This is precisely his fear of wasting time, his desire to help the people and save the country, his yearning for making achievements, and his helplessness to "everyone is drunk and I wake up alone"
In the social environment at that time, as a member of the gentry class, Wang Xizhi not only had deep-rooted Confucian thoughts of actively using the world, but also had passive thoughts of seclusion, and also accepted the influence of some Buddhist thoughts. His denial of Lao Zi and Zhuang Zi's "life and death" and "Peng Qi's sadness" shows Wang Xizhi's persistent resistance to the illusion of life. In Wang Xizhi's Gone with the Wind, in a sense, Jiao Ruo Jinglong's natural and unrestrained charm and ingenious calligraphy art can be regarded as the result of such efforts, because he knows that the only effective way to resist the illusion of life is to create as much value as possible within the given life limit.