Written on 1959, this scroll "Lotus Pond Qingqu" is a mature work of Xie's art, with lotus flowers, butterflies and waterfowl sketching and coloring, neat brushwork and elegant and clean colors. Lotus leaf is full of freehand brushwork in meticulous brushwork, and thick ink is impregnated layer by layer, showing the gentle and charming posture of lotus leaf stretching freely. The whole painting is light and moist, dyed with flowers and green water, which is conducive to increasing brightness.
Summary: Mao Ying, my brother is right. Thanks for the summer.
After going to China from 65438 to 0949, Zhang Daqian traveled to Japan, Europe, America, Hongkong, Taiwan Province Province, Brazil and Argentina, and he never forgot his dream of his native land. This is very common in his paintings at that time. For example, he wrote a poem in "Nanpu Red Lotus" written by Shinohara Tsuchi Kanwa in Ueno Park, Japan: "It is not Ye Fang who stays behind, so the mountain is a dream and homeless."
Zhang Daqian's Lotus Pond
This song 1959 "Lotus Pond Qingqu" is actually the same as this one, expressing homesickness, so the inscription says: "I can't bear to remember the lotus blossom on the pond and sigh for it."
It seems to be the only painting in Zhang Daqian's works, which uses Yang Fei as a metaphor for lotus flowers and Yang Fei's love tragedy as a metaphor for things changing and returning home.
Inscription: "The wine faint slightly eliminates the pink sweat, and the warm soup is delivered at the beginning. Yun Lan is not allowed to cage her charming face and feel sad and lonely beside the liquid of new year's goods. I'm looking forward to June, but I can't bear to go to the swimming pool. Lotus is in full bloom, and the pen is for this. "
Hate, sorrow, sorrow and love can be described as mixed feelings; As shown in the picture, flowers are often covered and leaves dance wildly. Among them, weeds are overgrown, and Jiao Mo is doing it, which increases anxiety, boredom and distress, enough to make people feel sad.
Wang Xuetao (1903- 1982), born in Cheng 'an, Hebei Province, was originally named Tingjun, whose real name was Xiaofeng and whose real name was Chi Yuan. He is a famous modern small freehand brushwork flower-and-bird painter in China. 1922 was admitted to the western painting department of Beiping Institute of Art, and then transferred to the Chinese painting department. Learn from,,, Wang, and other predecessors, especially Wang. 1924 studied under qi Baishi, and changed its name to Xue Tao under the instruction of the teacher.
Wang Xuetao's "Clear Water in the Lotus Pond"
This "Lotus Pond" is full of composition, bold and unconstrained, and elegant in color. The author's arrangement of lotus and dragonfly is just right, and his control of pen and ink is also brought to the extreme. The temperature of the ink in the picture is moist, the color is elegant, the brushwork is casual, the stippling is vivid and free, and the charm is full. Lotus leaves are thick and light, and they roll and fly; Lotus is graceful, graceful and holy; Buds in bud are even more shy and timid, graceful and charming. In particular, the depiction of dragonflies flying in the sky adds agility to the whole picture, making the whole picture full of vitality and infinite wild interest.
Lotus is plain at first glance, but after studying for a long time, it feels gorgeous, which is similar to its calligraphy. Its lotus does not pay attention to the description of appearance, but focuses on its wandering posture and quiet affection, and a dreamy color is scattered in the lotus pond.
Qigong "the lotus pond is clear and interesting"
The composition is quite unique, the next lotus pond, the last poem. Lotus and lotus leaves are not abundant, and the two lotus leaves on the lower right show boneless ink and wash, with large strokes, clear brushwork and moist dripping, which opens the space distance from the shade of ink and wash, but the irregular lotus leaves present an eclectic light beauty; A lotus flower in the center of the picture is written with a fine pen. The soft and elegant lines tick off layers of petals and dye it light blue. A red bud next to it becomes the only bright color in the picture. Finally, draw weeds with a sense of calligraphy, disorderly and dancing with the wind.
Regardless of color or form, the whole picture does not pay attention to realism, but creates an atmosphere.
The poem above is ingenious in composition, beautiful in structure, slender in shape, natural and elegant, and natural and unrestrained. Judging from the artistic conception and modeling structure of the poem, it is consistent with the next picture.
Inscription: fine dust is not sludge, but also scattered smoke and rotten clothes. Being able to read the whole book without drawing makes people laugh at Lianxi. /kloc-in the spring of 0/990, I was in the same paradise, taking advantage of the sunny window.
Pu Ru's "Clear Water in the Lotus Pond"
Caption: Who is in Wuling? The waves cross the surface. Empty products are not machine elements. Like * * * Weaver Week, autumn night bitter frost dew. The paintings of Xinhua News Agency are synthetic.
Pu Ru's flowers and flower-and-bird paintings are highly accomplished, some are meticulous and some are freehand. His paintings often show the artistic style of appealing to both refined and popular tastes, elegance and elegance. Xie commented that Xinyu Pu is the only one who has three unique poems and paintings after Wang Wei, Su Dongpo, Wen Zhiming and Zheng Banqiao.
Qi Baishi's Lotus Pond
In this "Lotus Pond Map", the old man Baishi painted lotus leaves in stone green, mixed gamboge and ink color, and spread a brush to make the ink color form a natural and harmonious block in dry and wet, virtual and real, and shades; Then tick out the veins of the leaves to form green leaves like shadows.
The pen and ink are thick and light, and the virtual and the real are born together, with rich levels. Between the two leaves, lotus and gamboge draw lotus roots in magenta. Between the lotus leaves in the field, the bud has a feeling of "a little red among the evergreen trees". The stems of several vines vary in thickness and length and cross each other. The lotus leaf in the painting is drawn with heavy blocks, and the horizontal lines below are undulating, giving people a feeling that the breeze blows and the water ripples.
Coloring is hearty and full of vitality; The lotus leaf is round, and the moment when the dragonfly landed on the lotus was also captured, which brought the whole lotus to life.
Inscription: Yin Shan Pavilion owner Qi Huang wrote it in the ancient capital.