.lt;lt;Reading on a Winter Night to Show Ziyu" indicates: to... see the legacy: to retain the strength, to end: to finally know, to truly understand and grasp, to practice: to practice it personally 2. "Guanshu" Reflection: mirror wandering: moving back and forth clear as promised: so clear living water: flowing water
1. In this poem, the poet emphasizes the need to persevere and work hard early in learning. In order to avoid "the young man does not work hard, the old man will be sad", nothing will be achieved in the future, and there will be regrets. On the other hand, special emphasis is placed on "where" the effort in learning should be put. This is also the secret of learning, that is, one cannot be satisfied with literal understanding, but must practice it and deepen understanding in practice. Only in this way can you turn the knowledge in books into your own practical skills. 2. This poem is inspiring and timeless. The half-acre pond is like a mirror, reflecting the flashing skylight and cloud shadows. I wonder why this pond is so clear? It turns out that there is living water constantly flowing from the source! The meaning of the poem is very profound. It uses the source of living water as a metaphor for learning. Only by constantly absorbing new knowledge can we make rapid progress. 1. The ancients spared no effort in learning. (The ancients spared no effort in their knowledge)
2. The hard work spent in youth often cannot be achieved until old age. (Kung Fu will only mature when you are young)
3. The knowledge obtained from books is imperfect. (What you learn on paper is ultimately shallow)
4. To deeply understand knowledge, you must practice it yourself. (Aware of this matter and must act accordingly)
lt; Reading on a winter night shows Zi Lv.
Suggests: teaching,
Ziyu (yù): Lu You’s Younger son.
Learning: refers to reading and learning, which means doing knowledge.
Spare no effort: Use all your strength, no reservations, no effort left.
Start: start.
Paper: book.
End: In the end, after all.
Jue: It means degree, extreme, and the most.
Shallow: superficial, shallow.
Knowledge: deep; thorough understanding.
Gōng: Practice it yourself.
[Edit this paragraph] Poetry
The ancients spared no effort in learning. Struggle for life, often starting from a young age, only to achieve success in old age.
The knowledge obtained from books is ultimately shallow and fails to understand the true meaning of knowledge. To truly understand the profound principles in the book, you must practice and experience it yourself.
[Edit this paragraph]Explanation
This is a very famous poem. In this poem, the poet emphasizes on the one hand the need to persevere in learning and to work hard early, so as not to "if young people do not work hard, old people will be sad", and will achieve nothing in the future and regret it. On the other hand, special emphasis is placed on "where" the effort in learning
should be focused. This is also the secret to learning, which is not to be satisfied with literal understanding, but to practice it. In practice
Deepen your understanding. Only in this way can you turn the knowledge in books into your own practical skills.
The poet emphasizes the importance of practice in the relationship between books and practice, which is in line with the perspective of materialist epistemology. The author's opinion is not only valuable experience for people in feudal society to learn and seek knowledge, but it is also very enlightening for people today.
Very valuable insights. Notes 1. Fangtang: A square pond, also known as half-acre pond, located in the Zheng Yizhai Hall (later Nanxi Academy) in the south of Youxi City, Fujian Province. Zhu Xi's father had a good relationship with Zheng, so there is a poem in "Die Lian Hua· Drunken Stay in Zheng's Villa" that goes: "A mirror opens in the square pond at dawn. The catkins are falling like flying, and they are willing to stand in the spring breeze."
②.Qu: it. Refers to the water in the square pond.
③. Clear as promised: So clear.
④. Because: because. 2. This sentence means that the light of the sky and the shadow of the clouds are reflected in the pond water, constantly changing, just like people wandering.
③Qu: pronoun, here refers to Fangtang
⑤Jian: Mirror
People have always believed that the erudite Zhu Xi was expressing the idea of ??reading and learning in these two poems. Principle, it can be said to be an example of misunderstanding and misunderstanding through the ages. It's very simple. The so-called "book" refers to "calligraphy" rather than "book". And ‘Guanshu’ means ‘watching and reading calligraphy’. Zhu Xi loved calligraphy and was quite accomplished. The two poems "Feelings after Observing Calligraphy" describe his vivid feelings about observing and appreciating calligraphy works.
Translation of the poem "Looking at the Book and Feelings" (Part 1):
Calligraphy Square
Explanation:
Half an acre The square pond is opened like a mirror (: a metaphor for the unfolding of a calligraphy work),
The brilliance of the sky and the shadow of the floating clouds are reflected in the pond, shaking constantly (: a metaphor for the blank space and calligraphy on the paper) The lines complement each other and become interesting, flying and vivid).
Ask how the water in that square pond can be so clear (: why is this literary work so fresh and timeless)?
Because there is water that never dries up and continuously flows from the source, it becomes living water (: that is the continuous injection of artistic inspiration from the writer’s heart)!
Comment: The meaning of the poem is very profound. The source of living water is used to metaphorically describe the rich inspiration of calligraphy art, which is the real inexhaustible source of calligraphy art works. It clarifies the author's unique reading experience, which is very consistent with the creation of calligraphy art. The characteristics also reflect the essence of general artistic creation.
Translation of the verses of "Looking at the Book and Feelings" (Part 2):
Riding on the Spring Tide
Last night there was a spring tide on the riverside.
The giant ship is as light as a feather.
Driving has always required a lot of pushing and pulling effort, but today I can float freely in the middle of the river.
Comment: From the metaphor of "huge ship", it may be that Zhu Xi was criticizing the creation of large characters in the list. The meaning of this poem is also very profound. If the tide rises, the boat will be able to travel freely. It is a metaphor for the calligraphy art creation. Once the inspiration is strong, the writing can suddenly become smooth and free. This is not only an essential process of the art of calligraphy, but also the general art. The important nature of creation. Of course, the poem can also be understood from another perspective, that is, Zhu Xi saw the refined, vivid and smooth skills of calligraphy works, and appreciated the artistic principle that practice makes perfect.
Attachment: Zhu Xi’s calligraphy works
Zhu Xi’s calligraphy
[Edit this paragraph] Appreciation and extension
(Part 1) This is a A very artistic and philosophical poem. When people appreciate calligraphy works, they often have a spirited artistic feeling. Poems use symbolic techniques to transform this inner feeling into concrete images that can be felt and depicted, allowing readers to appreciate the mystery on their own. The so-called "living water from the source" should refer to the inexhaustible artistic inspiration in the writer's heart.
(2) This is also a poem that uses images to reason. It takes boating as an example to allow readers to experience the principles related to the art of calligraphy. The poem says that in the past, the boat was large and the water was shallow, and everyone tried hard to push the boat, but it was in vain. But when the spring water surged, it floated freely in the current. The poem highlights the importance of a night of spring water, which is intended to emphasize the flourishing of artistic inspiration, which is enough to make artistic creation smooth and free. It can also be understood that creating art requires mastering the basic skills, then practice makes perfect and you can control it freely.
The principles contained in the two poems "Looking at the Book and Feelings" belong to the category of aesthetic principles. The reasoning angle of one is to appreciate beauty, and the reasoning angle of the second poem is to create beauty. This aesthetic principle is with There is a certain degree of universality. For example: If we put aside the descriptive object of the poem itself, we can completely extend this principle. For example, if "book" is understood as "book", and the content of the book does not generally include medical books, philosophy books, history books, science and technology books, etc., but only literary content such as poetry, music, prose, etc. that embodies literature and art In terms of beauty, then, it can also be considered that "source of living water" expresses "inexhaustible literary thoughts", while "a night of spring tide" expresses "blooming literary thoughts" and so on.
[Edit this paragraph] My feelings after reading "Seeing the Book"
I am an amateur calligrapher, and I also like to compose ancient poems.
Occasionally, I saw children's enlightenment books in the supermarket. I flipped through them out of boredom and found this poem among them. They also introduced that this is a principle for educating people to read and study. I couldn't help but be shocked: Where is this? Book'ah, it's clearly 'calligraphy'! Later, I decided to investigate specifically and found that these two poems by Zhu Xi have been widely misunderstood and misunderstood. I really don't know how the old man would feel if he knew about this situation secretly.
Zhu Xi has profound attainments in calligraphy and exquisite workmanship. These two poems reflect that the author is not only good at writing and creating, but also good at appreciating and criticizing, and has a high level of calligraphy theory. This fully shows that it is difficult for a good artist to reach a state of perfection without a profound theoretical foundation and aesthetic skills.
So, sometimes, a small mistake can make everyone wrong, and EMI will not correct it. And there are more than one or two mistakes like this in today's society! And people actually continue to teach wrong things to the next generation of children with complacency. Thinking about it, it is really a bit sad.