2. When learning, the size of the word should be close to the size of the original post. Feng Fang in the Ming Dynasty clearly told us that learning running script is small first and then big. If we study the ancient books carefully, it is not difficult to find that the works copied by Chu Suiliang, Zhao Mengfu and Dong Qichang are as big as the original posts. In ancient times, calligraphy was mainly played by literati. Therefore, their handwriting is relatively small, and rich brushwork is accomplished through a few subtle movements of the wrist. In the Ming and Qing dynasties, calligraphy works began to hang in the classroom, and the words were written in a big way. The original rich brushwork turned into several simple and obvious actions. Therefore, the visual impact and rendering effect are enhanced by strengthening knots, composition and ink. When we are beginners, the first thing we have to solve is brushwork. We must never abandon richness and learn simplicity.
3. Read the posts carefully and try to find something regular. The strokes of running script are mainly turning and folding. Because the preface to the sacred teachings of Huai Ren Ji Wang Xizhi is a stone tablet, writing and folding pens in various ways has a strong sense of strength. Therefore, when copying, we should use the folding pen method more, in order to reflect the spirit of combining rigidity with softness. While creating a "new style", Wang Xizhi also created a "top-down" brushwork, which has been almost always used in horizontal and vertical painting in the preface to the sermon of Huai Ren Ji Wang Xizhi. The edge of the knot is variable, so that the left side is the right side. All of the above require us to be good at research and discovery in temporary study.
4. The preface to the sacred teachings of Huairen Ji Wang Xizhi is a stone carving, and its meaning is difficult to grasp. Because of this, Miffy said: Stone carving can't be learned. Combining Wang Xizhi's Preface to Lanting can deepen our understanding of Huai Wangxizhi's Preface to Saint Education. You can also refer to the running scripts of Chu Suiliang, Zhao Mengfu and Dong Qichang. They have a profound understanding of Wang Xizhi. With the help of the ladder they built, they can comprehensively practice brushwork, knot words, composition and ink painting, which is not only conducive to copying, but also conducive to future creation.
5. The Preamble to the Sermon of Huai Ren Ji Wang Xizhi is a collection of characters. Wang Zi's original works don't exist, so Wang Shizhen said, "The calligraphy of the Prelude to the Hadith is a model for hundreds of generations. The patient first said that its structure has no other structure, and it is too much to borrow, so it is necessary to cover the collection. " Therefore, on the one hand, we should appreciate Huairen's originality in dealing with the consistency of qi, the choice of font size and the inheritance of strokes. On the other hand, we should connect the incoherent to make it coherent.
6. Dong Qichang said: Golden rhyme. How to understand rhyme? Literally, we can't fully understand its profound connotation, which requires us to understand the history, thoughts and life of Jin people. Understand Jin people's attitude of advocating individual freedom, attaching importance to individuality and human value, and paying attention to chic, pride and birthday. Understanding these is of great significance to our copying and creation.