The person whose date of birth and death is unknown is a calligrapher in the early Tang Dynasty, Wu (now Suzhou, Jiangsu). When he was young, he studied calligraphy with his uncle Yu Shinan, and then copied Ou Yangxun. Specializing in two kings in his later years. His books are as famous as Ou Yangxun and Chu Suiliang. At that time, Yu, Europe, Chu and Lu were called "four gentlemen". Zhang Huaiguan's Biography of Medicinal Stone said: "In the past, there were many good books for civil and military emperors, such as Yu Shinan, Ou Yangxun, Chu Suiliang and Lu Jianzhi. Or they are arrogant and gentle, gentle and elegant, they are just four sons. " Lu Jianzhi's calligraphy was handed down by Yu Shinan. Yu Shubi's pen brings harmony, escape and dispersion to Xiao, which is the inheritance of Wang Yimai and has a deep influence on Lu Ji. Lu Jianzhi inherited the tradition since Wei and Jin Dynasties, and learned from others' strengths, with beautiful fonts, smooth brushwork, soft outside and rigid inside. Lu Jianzhi's books "Toutuo Temple Monument", "Jizhang", "Longhua Temple Forehead" and "Wuqiu Dongshan Monument" were all famous for a while, but unfortunately they were all lost. Only Lu Ji's "Wen Fu" has been handed down from generation to generation.
Winning by rhyme is a prominent feature, and it is also the biggest feature of Jin calligraphy. Look at this post, showing a harmonious vitality of moderate strokes, clear positive and negative, natural transformation, smooth strokes, coherent movements and rich changes. There is no strong emotional catharsis and soul-stirring sensory stimulation throughout, but Wen Ya's demure, such as lotus flowers shining on the water and pine shadows shaking the window, giving people a quiet and indifferent aesthetic feeling.