Anyone who knows something about calligraphy in the Northern Song Dynasty must have heard of Mi Fei's name. As the first calligrapher, Mi Fei has a unique style of calligraphy and painting. In Song Dynasty, people paid attention to the study and inheritance of brushwork, while Mitty paid attention to personality and interest. As the "four great calligraphers in the Northern Song Dynasty", Mi Fei was not only good at writing poems, but also good at calligraphy and painting, among which calligraphy was the most diligent, and Mi Fei's "Eight Faces Out" had a far-reaching influence on later generations.
The so-called "Eight Faces Out" refers to the calligraphy pen, which always grasps the strokes according to the straightness, Fiona Fang, strength and other changes of lines, and touches the paper with different strokes, thus achieving the effect of thousands of strokes. Mi Fei's Eight Faces Out is the most popular, especially Mi Fei's regular script is the most exquisite.
Mifei introduced.
Mi Fei began to learn calligraphy at the age of 7, and Mi Fei, who was 65,438+00 years old, was unruly by nature, and did not finalize his calligraphy works until after the age of 50. Being too unruly, Mi Fei studied calligraphy in various ways. He is good at seal script, official script, regular script, running script and cursive script, and has also learned many writing skills.
Mi Fei's calligraphy is changeable, not routine, but invariable. It is no exaggeration to call it "brushing words". When Mi Fei asked Hui Zong for advice, he claimed to be "the minister's calligraphy". It can be seen that his recognition of his fast and powerful calligraphy is a manifestation of his full enjoyment, dedication and dedication. Later generations praised Mi Fei as a "writing brush" and praised his calligraphy skills.