Liu Mo, born in Shenyang in 1966, has a master's degree in Chinese art, a master's degree in literature and art, and a postdoctoral degree in history. He is currently a researcher at the Talent Research Center of Peking University, director of the Culture and Art Talent Research Office, and a calligraphy art researcher at Peking University. Visiting researcher of the Institute, visiting professor of the Graduate School of the Chinese Academy of Arts.
Main works include: "Chinese Art Aesthetics" (Jiangsu Education Press, 1993), "The Ideal of Life - Primitive Confucianism and Chinese Personality" (Jiangsu Education Press, 1995), "Traditional Chinese Painting Clinic" "(Jiangsu Fine Arts Publishing House, 2001), "Calligraphy and Other Arts" (Liaoning Fine Arts Publishing House, 2002), "Zen and Artistic Realm" (Hebei Education Publishing House, 2002), "Chinese Painting Theory and Chinese Aesthetics" (People's Fine Arts Press, 2003), "Shi Tao" (Hebei Education Press, 2003), "Gong Xian" (Hebei Education Press, 2003), "Bada Shanren" (Hebei Education Press, 2003), "The History of the Origin of Chinese Prose" "(Liaoning Education Press, 2006), "Ten Essays on Qianjia Academic Affairs" (Sanlian Publishing House, 2006), etc., and more than 400 papers have been published.
Currently engaged in research on Confucian classics, ancient academic history, and art history. In addition to studying, he occasionally wrote and ink to cultivate his temperament.