Function: You can move horses in sparse places, but airtight in dense places.
Ai Mu Yu’s explanation:
This originally originated from calligraphy and painting. In fact, bonsai and calligraphy and painting are the same, and both pay attention to layout. Chinese calligraphy and painting emphasize the mutual dependence of virtuality and reality, and the same applies to bonsai. Calligraphy pays attention to gathering and dispersion, white space in Chinese painting is horizontal, and sparse branches in bonsai are also basic skills. By leaving space for the branches, the bonsai will have room to breathe, and it will naturally live. The density of branches is also a must. Only with branches and leaves can there be weight. Needless to say, this goes without saying. ? Therefore, bonsais must be willing to cut back, especially the piles. In the early stage, they must be pruned again to maintain branches and leaves. Only by pruning in place can the branches be grown faster later. Otherwise, if you wait for a year or two to raise it and realize that it has grown longer, your time will be in vain. The density of the branches is determined from the moment the stakes are laid.
Calligraphy and painting have the same origin. Let’s take a look at the layout of the famous calligraphy "Sangluan Calligraphy":
? The spatial treatment of "Sangluan Calligraphy": ? Sparse places can be moved around, and dense places are airtight
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Judging from the word processing of "Sangluan Tie", there is a strong contrast in the spatial division. It should be said that among the small posts of Youjun, it is the most outstanding. The dense places are extremely dense, and the sparse places are extremely sparse. The words "the sparse places are very dense, and the air is airtight" is the most appropriate way to describe it. Denseness is caused by the closeness and emphasis of the strokes, while sparseness is caused by the distance between the strokes and the lighter strokes. Find some words and analyze them below.
The word "xi" squeezes the strokes on the top and left together, leaving only one stroke in the lower right corner, which looks extremely generous;
The "page" on the right of "dun" "The horizontal and horizontal lines below are squeezed together to free up the rest of the space;
The two small horizontal lines in the middle under the "head" are closely combined, making the regional space appear very sparse.
The upper two mouths of the word "mourning" are turned into dots, which are combined with the lower horizontal lines very closely, while the lower part is left open.
There are many similar treatments. Here are some word examples so that viewers can try to get a feel for it:
Where are the crowded people?
Where is the Empty One?
It is still very clear to experience it this way.
Furthermore, crowded places and open spaces are not fixed, and there is no way to find his handling habits. He can go up, down, left, right, or in the middle, just like a martial arts master. , there are no fixed tricks, even if there are methods, it is amazing!