Praise: decisive and pleasing to the eye, kind and heroic, generous and unyielding.
Derogatory term: arbitrary, insidious, presumptuous, opinionated, careless, daring, and rhetoric.
The person in front is wrong, pleasing to the eye should be a compliment.
The second question:
First, it refers to the innocence and noble sentiment of lime. Second, it means that lime has been hammered and excavated countless times, and it is not afraid of strength and indomitable. Express their noble sentiments of being strong and unyielding, honest and clean, and their thoughts and feelings of fighting evil forces to the end.
The stones collected from the deep mountains have been hammered for thousands of times, and the blazing fire burns as usual. Even if it is broken, what are you afraid of? Leave white lime on the earth.
The third question:
The author points out that to change this gloomy and decadent view, we must rely on the great power like a storm. For example, China must undergo magnificent social changes in order to be full of vitality. The author believes that such strength comes from talents, and what the court should do is to recommend talents in an exceptional way. Only in this way can there be hope for China.
The fourth question:
I always write dozens of words when I work, so I go to the yard to have a look, water the tree, move the pot, then write a little more when I go back to the house, and then go out. This cycle combines mental work with physical work, which is beneficial to body and mind and better than taking medicine.
The fifth question:
The author's happiness through labor reflects his thoughts and feelings of loving life and labor.
The sixth question:
Totem is the symbol and symbol of primitive relatives, ancestors and protectors, and it is the earliest cultural phenomenon in human history.
Why did our ancestors use dragons as totems?
Because dragon worship is a special phenomenon that has lasted for thousands of years in the history of China. In the eyes of China people, dragons have extraordinary abilities. It has scales and horns, teeth and claws. It can dive into the water and hibernate. He has natural forces, can make clouds and rain, and can thunder and lightning.
Question 7:
"Prison" refers to the scum hole in the Sino-US Cooperation Center set up by Kuomintang reactionaries under Geleshan in the suburb of Chongqing on the eve of liberation. The text is about the party held by revolutionaries in the enemy's prison on the first day of the New Year (1949). At that time, the Kuomintang reactionaries were defeated like a mountain, and they had to play the trick of "armistice" to get a break, so as to accumulate strength and fight back. In this context, the agents in Zhazidong also made a little relaxed attitude towards the imprisoned revolutionaries on the surface. Our revolutionary predecessors took this opportunity to hold a special New Year's party to celebrate the victory of the national revolution and to examine the revolutionary forces in prisons. At that time, every revolutionary was faced with the test of life and death and could be killed by the enemy at any time. It is in this special environment that the novel fully shows the producer's lofty revolutionary dedication and revolutionary optimism.
Question 8:
In the Prison Gala, another person smiled, "That's interesting, you can sing and dance here. There will be a party, and someone will mount a machine gun to defend our safety! "
From this passage, I realized the lofty spirit of showing contempt for the enemy and putting life and death at risk, which fully demonstrated the lofty revolutionary dedication and revolutionary optimism of the producers of * * *.
Question 9:
Text: A number of famous monuments. Q: If you are asked to be the narrator of the forest of steles, how are you going to introduce the calligraphers' calligraphy works? You can choose a calligrapher to introduce yourself according to your practice of copying calligraphy.
I will introduce calligraphers and calligraphy works according to the date of birth, including their calligraphy style, the difficulty of copying, the existing original works besides the forest of steles, and the relationship with other historical figures and anecdotes.
Introduce Yan Zhenqing:
Yan Zhenqing is a descendant of Langya family with profound family background. Yan Shigu, the fifth ancestor, was a famous scholar in the Northern Qi Dynasty, who once wrote family instructions for Yan. When Yan Zhenqing was young, his family was poor and lacked paper and pens, so he used a pen to brush loess water to practice calligraphy on the wall. Chu Suiliang was a beginner, and later learned Zhang Xu's brushwork. He also absorbed the characteristics of the four schools in the early Tang Dynasty and accepted the brushwork of Zhuanli and the Northern Wei Dynasty. He completed the vigorous and broad creation of colorful regular script, which set a model for regular script in Tang Dynasty. Su Shi Ceng Yun: "As for poetry, as for literature, as for Han's retreat, as for painting Wu Daozi, as for books, as for beauty, the changes of ancient and modern times can do everything in the world."
There are many books handed down from ancient times, such as Yan Liqin Monument, Yuan Cishan Monument, Yan Jia Temple Monument and Ma Guxian Tan Ji. Handed down from ancient times, there are Manuscripts for Sacrificing a Nephew, Liu Zhongshi's Post, and Self-written Confession Post.
I copied Yan Zhenqing's copybook, which is much more difficult than ordinary regular script, because his handwriting is not very "standard", and some other calligraphy styles are difficult to master, such as running script, seal script and official script, but they are vigorous and powerful. Alas, no wonder not everyone can become a great calligrapher.
Hehe, the answer came first, so it's a little late here.