1. The two characters Guizhou are written in Qigong style. Please tell me: How to write the four characters Guizhou Maopai in Qigong style?
Most people learn calligraphy by writing "Nine Gongge" or "Jiugongge". Start with "rice grid" and put the center of gravity of the word in the center of the square. The center of gravity of Qi Gong's characters is not at the center of the traditional rice grid, but at the four corners not far from the center. He adopted a division method that is more consistent with the glyph structure, which is the "five, three, five" that he pioneered Unequally divided, this type of glyph has larger weights on the top, bottom, left and right, and smaller weights in the middle, rather than "nine equal parts" like the "Nine-Gong Grid", and the proportional relationship between them is calculated, which is in line with the so-called "golden section" "Speed", showing beautiful rhythm and profound artistic conception.
Qi Gong practiced calligraphy for a long time based on the unequal division of "five, three, five". He repeatedly studied and found that the structure of Chinese characters has the rules of "tightening first and then loosening, tightening on the left and loosening on the right, tightening on the inside and loosening on the outside". He cannot fully believe the traditional saying that Chinese characters should be "horizontal, flat and vertical". In fact, there are changes in flatness and straightness, otherwise the written words will be completely dull and dull. The difference between "similarity in form" and "similarity in spirit" is rooted in the structure of Chinese characters. If the structure of the characters is not good, no matter how clever the pen is, it will not help. The so-called "be confident" means that when writing, you should first have the "skeleton structure" of the word in your mind. When you write, you should have a solid foundation in your heart and your writing will be full of energy. Qi Gong believes that writing only needs to be structured and good-looking. You can hold the pen however you like and use the pen however you like. Even if you write a few words every day, it is hard work to write the structure of the words accurately. The unequal structure font "五三五" is his original "Qi style" calligraphy. His calligraphy and paintings are shown in the Jingxiang Auction autumn auction preview. If you are interested, you can check it out. 2. Qi Gong Style
The original font "五三五" is not equal in length. The ancients said that "calligraphy begins with the use of the pen".
Qi Gong spent a lot of time and energy on practicing his pen, thinking about it one stroke at a time, and his scores were perfect when he was writing. But the written words look okay when you put them on the screen, but they lose their meaning once you hang them up.
After repeated speculation, he found that the problem lay in the "structure" of the characters. Most people learn calligraphy by starting from writing the "Nine-Gong Grid" or the "Mi-Zi Grid", dividing the square grid into several equal parts.
Qi Gong discovered that the problem lies in this "equal portion". The reason is very simple, because the "center of gravity" of each character is not necessarily in the "center", so each character cannot be divided into "three equal parts" up, down, left, and right in the same pattern.
So he adopted a division method that was more consistent with the glyph structure, which was the "five-three-five" unequal division pioneered by him. This kind of glyph has larger weights on the top, bottom, left and right, and smaller weights in the middle, rather than "nine equal parts" like the "Nine-Gong Grid".
The "五三五" unequal structure font is his original "Qi style" calligraphy. 3. The four characters of the idiom allusion are written with a brush
1) The simplified writing method of the idiom allusion Ye Genyou’s brush calligraphy 2) The basic essentials of calligraphy To write calligraphy well, you must master the brushwork and calligraphy.
Su Dongpo said: "There is no fixed method for holding the pen, but it must be empty and wide." The five-finger holding method: use the pads of the thumb and index finger to hold the penholder (appropriate height) to ensure that the penholder does not fall off; the middle finger Put it under the index finger on the outside of the pen, which not only strengthens the power of the index finger to pinch the pen, but also plays the role of hooking the pen in; the nail flesh of the ring finger is against the inside of the pen barrel, playing the role of pushing the pen outward; the little finger is attached to Use the lower part of the ring finger to assist the ring finger in pushing the pen outward.
When holding a pen, you should do as the ancients said: "Let the palm be as empty as holding an egg", so as to facilitate the writing. When learning to write, you should often practice holding the pen, hooking it back, pushing out and rotating the pen barrel (plus the function of the wrist) to practice drawing straight lines and arcs.
The height of the writing and whether it is hanging on the wrist or elbow is determined by the size of the characters to be written. Small characters are held low and rest on the wrist; large characters are held high and hanging on the wrist; larger characters need to be hanging on the elbow. Calligraphy Calligraphy is the art of line modeling.
The so-called brushwork mainly refers to the method of using the brush to create ideal lines (stippling). Lift the pen - When the pen is pressed down to write, the strokes will be thicker, and when the pen is lifted up, the strokes will be thinner.
Just like the two feet of a person walking, one is down and the other is lifted, constantly alternating, the pen is constantly lifting and pressing during the writing process. Only in this way can lines of completely different thicknesses be produced.
Every time you write a stroke, there are three processes: starting the stroke, extending the stroke, and finishing the stroke. There is the "exposed edge" method of entering the brush strokes, which makes the beginning of the strokes pointed or square; there is the "hidden edge method" of entering the brush strokes against the front edge. When drawing horizontally, you want to draw right first, and when drawing vertically, you want to go down first, so that the edge of the stroke is Hidden within the strokes, the beginnings of the strokes are basically circular.
When writing, you must learn to "use the pen in the center" so that the tip of the pen always runs between dots and dashes. In order to make the strokes powerful, you must also learn to use the brush with a tight stroke, stay in the middle of the line, stay in the middle of the line, and avoid being flashy.
There is "exposed edge" (the pen tip is gradually lifted out of the paper, and the painting is pointed, such as hanging needle vertically, skimming, pressing, and hooking), and there is "hiding edge" (the pen tip is withdrawn into the painting, If the dew is hanging vertically, the end of the stroke is rounded). The word "Jie" is also called "Jie" or "Jie".
Mr. Qi Gong once pointed out that when writing calligraphy, one must grasp the structure of the frame, and the other is to practice the characteristics of the strokes. The frame structure is more important than the stipple characteristics.
If the characters are well spaced, the characteristics of the strokes are not outstanding and they are pleasing to the eye; the opposite is not true. Therefore, it is very important to carefully study and grasp the structure rules of characters.
As the saying goes, "beginners learn distribution, but strive for fairness." . 4. Which four-character banner calligraphy works are suitable for hanging in the living room
The four-character calligraphy works suitable for the living room include "The room is elegant orchid fragrance", "The wind is gentle and smooth", "Purple air comes from the east", "The sea embraces all rivers", "Be generous with virtue", "The best is like water", "Indifferent and bright", "Tranquil and far-reaching", "Heaven rewards hard work", "Continuous self-improvement", "Peace of mind", "Success is imminent", "Smooth sailing", "Dragon horse spirit", "Longevity, longevity and health", "far-sightedness", "self-success is the frontier", "not surprised by favor or disgrace", "spring and autumn are real", "empty and quiet", "active and vigorous" and so on.
These contents are all classic terms extracted from the vast Chinese literature, and they are concise and comprehensive. The four-character banner calligraphy of Hui Feng He Chang and Shi Ya Lan Xiang, signed by Yicong.com, a calligrapher named Mr. Guan Shan, is very popular. You can take a look at the classic hanging calligraphy in the living room.