Zhang Yong's artistic achievements.

Looking closely at Mr. Zhang Yong's works, we can see that the colors are simple without losing the modern decorative effect, and the pen and ink language is easy to control incisively and vividly, which conforms to the aesthetic taste of contemporary people. In his works, some high-quality works, moving scenes to connect objects, seem unrealistic, but they coincide with the quality of China literati. He condensed a school of Chinese, expressed his unique feelings and realized the freedom of expression in his works. Another part of Zhang Yong's painting is the tiger he often paints. Throughout the ages, there are many people who draw tigers, some with tiger power, and some with tiger gods. However, they pay more attention to the tiger's noumenon, but a closer look at the tigers in Zhang Yong is different. Be good at raising things with scenery and building tigers with scenery. Because he is good at landscape flowers and birds, he will appreciate tigers in his heart. The mighty tiger stands on the top of the iceberg cliff; The tiger licking calves is in the bright moon field, and the scenery blends in. It's not so much about painting a tiger to create a tiger's territory, the scenery is lined with a tiger god, and the tiger holds a prestige and is fascinating. All kinds of personality tigers between pen and ink will be vividly portrayed.

Interestingly, Mr. Wang studied calligraphy and seal cutting with Xu in his early years. Both former teachers were good at writing, but in the future they shaped a young man with a vigorous style of painting. This, of course, is related to the fact that he studied under two painters, Liu Lingcang and Shuang Hu. The painter's profound skill, skillful technique and rich cultural background make his landscaping mentality colorful and become an inexhaustible source of his painting. Being good at thinking makes his works more abstract and keeps a distance from the secularity and unchangeable independence on the screen. A real painter should be harmonious, alternate and complementary, and fully combine subjectivity and objectivity, so as not to rely too much on the real scene and make his works dry up. With the feeling of life, Mr. Zhang Yong's "mind-made landscape" is becoming more and more exquisite, which is the true soul of all his paintings.