Dough was founded in Fan Kuan and Guo in the Northern Song Dynasty and matured in. Ma Yuan's Trekking is a typical axe chop. Generally speaking, the facial expression is Fang Fengyan, and the pen is mainly sideways. The familiar propaganda pen can be slow, and the raw propaganda pen must be fast.
Axe chopping: the pen is decisive and sharp, with a strong sense of brushwork and bold style of painting. It is most suitable to show the steep rocks and dangerous peaks standing in Wan Ren, majestic and solid. Chop with a big axe or a small axe. Those who "fork" with their fingers are called hatchets. Those who need to "fork" with their wrists or elbows are called axe chopping. They have no shape, no nails, wide heads and sharp heads, and write on the side. Axe chopping is a painting method of the Northern School, which is characterized by less moss on the mountain, tenacity and thickness, and no water stains. The main coloring materials are ochre, cinnabar, cinnabar and rouge. Axe chop and fold belt are often combined. Strictly speaking, fold belt is a line, which mainly shows the texture lines of the northern rock wall and can also show the dark part on the other side of the mound. The folding belt can be folded once, twice or cross-folded, but the center can vary greatly. Fold zone is widely used in rock mass and rock, so it is more common in Mianbian.
It is difficult for me to write that kind of strong and sharp feeling when I first entered the folding belt. The cross-shaped folding belt feels as small as a children's puzzle in my painting, which may be caused by too many short lines. Maybe adding some long lines can unify the picture effect? I practice dyeing this painting. After several smudges, the picture feels moist and fresh after the rain. As mentioned in the teacher's comments, the Chu color on the main mountain in the middle is somewhat isolated and needs to be echoed more. In fact, I want to take a faint turquoise as the main body, and then add some flowers to this slightly larger Chu color to see how the effect is. But I'm still a little worried that it will reduce the brightness of the bright part. The teacher praised the second half of the painting, and thought that the combination of Fiona Fang, noodle line and ink painting had the flavor of Chinese painting. Why don't I know? It seems that we need to improve our taste.
Note: Wang Yi loved painting since childhood, inherited his family's studies, and studied with Wang Shimin and Wang Jian. On the basis of Wang Shimin and Wang Jian's development of the Southern School of Painting, he also borrowed some techniques from the Northern School, comprehensively combed the tradition of landscape painting and formed a set of comprehensive general rules. Wang Yi perfectly combined the brushwork of Huang and Wang Meng with the composition of Fan Kuan, creating a magnificent landscape painting style. Therefore, the small scenes he painted in the south of the Yangtze River are often interesting, quiet and smart. Wang Yi likes to use both dry pen and wet pen in painting, and often rubs with fine pen, so the picture effect is stronger. Someone once said, "It is a great achievement to convey the mountains and valleys of Song people with the pen and ink of Yuan people and the charm of Tang people." In his early days, his painting style was beautiful and beautiful, but in his later years, it tended to be broad and vigorous. The composition is rich and varied, and the ink and light crimson are well rendered. Some critics also pointed out that Wang Yi's pen is too mature, but some of his paintings are exposed, his ink method rarely changes, and his composition is a little congested. Wang Yi, Wang Shimin, Wang Jian and Wang He are called "Four Kings", while Wu Li and Yun He are called "Six Kings in the Early Qing Dynasty" or "Four Kings Wu Yun". His painting skills are profound, and he is good at imitating ancient methods, which can confuse the audience, but he can't be confused by the law. Some of his works are full of interest in sketch, with changeable composition, good sketch and rendering, and distinctive style. It is more prominent among the four heavenly kings. His paintings were very famous in the Qing Dynasty. In the thirtieth year of Kangxi (169 1), he was asked to draw a picture of Kangxi's southern tour, which took three years to complete, and was named "the landscape is clear and bright" by Emperor Kangxi. He is regarded as an original and has a large following. Because he is from Changshu, Changshu has Yushan, so later people call him Yushan School. There are Kangxi's southern tour map (in cooperation with others), Qiushan Temple, Yushan Fenglin, nocturnal map and maps handed down from generation to generation (in Changshu Museum). The author of the afterword of Qinghui's painting.
In the Qing Dynasty, the structure of Wang Village was sparse and wide, and the clouds shuttled between mountains, rocks, cliffs and valleys, which had an ethereal and secluded interest. Stones are wiped with Yuan people's dry pen and chopped with Song people's axe, which means vigorous and beautiful, changeable ink and full of interest. I know that "high rocks are fun and quiet, and I study in the building during the day." The milky way has fallen to a thousand peaks, and the autumn is long and loose. Stone black Wang Yi inscribed painting ". According to records, Tang Yin once had a "Rock-dwelling Gao Shi Tu", and this painting by Wang Yi was changed from Tang Yin's painting style, which was integrated into the pen and ink of Yuan people. Painted stones were wiped with Yuan people's dry pen, and Tang Yinfu imitated the "courtyard body" of the Southern Song Dynasty, showing vitality in beauty and embellishment. The ink color is also wet and changeable, which reflects its creative purpose of "transporting the mountains and rivers of Song people with pen and ink of Yuan people and achieving great success with the charm of Tang people".
Teacher Fan Yuan drew: