September 20 13 —— His work won the first China TV Calligraphy Competition of Agricultural Bank Cup.
20 1 1 year 1 1 month-his work won the Excellence Award of China Rizhao Farmers Painting and Calligraphy Art Festival.
June, 5438+February, 2003-His work won the gold medal in the "Golden Cup Award" contest by the famous people's daily.
In 2005, his works won the first prize in the joint exhibition of calligraphy and painting commemorating the 60th anniversary of War of Resistance against Japanese Aggression's victory.
201165438+February —— The work won the second prize of "Sun Yirang Cup" National oracle calligraphy Competition.
August, 2005-His works won the Excellence Award of China Film Centennial Painting and Calligraphy Exhibition.
20 1 1 year —— His works won the Excellence Award in the "Shun Tak Cup" national calligraphy exhibition for private enterprises (sponsored by China Calligraphy Association) celebrating the 90th anniversary of the founding of the Party.
20 1 1 year-the work won the first exhibition for the elderly in Gansu province.
20 12 —— The work won the excellent prize of "Bidirectional Cup" National Calligraphy Competition held by Calligraphy Herald.
July 20 13-His works won the National Calligrapher's Excellent Works Award in the exhibition "Eight Poems of Du Fuqiu" held by Calligraphy Guide.
20 12 —— The work won the calligraphy audition of Calligraphy Newspaper, and the annual masterpiece (competition) won the bronze prize.
Exhibition of works (part)
April 20 13 —— The works participated in the second national seal script exhibition.
April 38, 2065+February 2003-His works participated in the 3rd China Western Calligraphy and Seal Cutting Exhibition.
August 20 12 —— The works entered the exhibition "The Hundred Years of Xiling Hanmo Spring and Autumn", and the poetry, calligraphy and painting exhibition of Xiling Yinshe.
20 13 June-His works entered the first exhibition of contemporary calligraphy masters in China.
20 13 June —— Exhibition of contemporary masters of calligraphy and painting in China on the 30th anniversary of the founding of the Chinese People's Political Consultative Conference.
May 20 13 —— Works of "Red Plum Fragrance, Cultural Tourism" in Chinese and Korean celebrity painting and calligraphy exhibition.
201110-The works entered the "Guhezhou" National Calligraphy Competition.
August 2009 —— His works participated in the 3rd Gansu Calligraphy Zhang Zhi Award.
2012 —— The works participated in the "Tianqing Cup" National Calligraphy Competition.
201365438+1October-The work entered the first Cai Wenji Prize National Calligraphy and Painting Competition.
2012 —— The work participated in the first "Cai Yong Prize" National Calligraphy Grand Prix of Jincheng Real Estate Cup.
20 12 —— Works participated in the 4th Guanyin Mountain Cup National Calligraphy Art Exhibition.
Two exhibitions were held in China Book Association Training Center and two exhibitions of outstanding works of teaching achievements.
June, 5438+February, 2009-His works entered the first exhibition of 100 young and middle-aged calligraphy works in Gansu.
one
Mr. Zhang Jun is strong-willed and calm. Mr. Wang's works are lofty in style, fresh in face and unique in style, revealing his confidence and agility everywhere, and his unique understanding and grasp of calligraphy everywhere. Calligraphy won him a reputation and enriched his life.
Mr. Zhang Jun started from Tang Kai, then attacked the two kings, covering Zhang Xu, Huai Su, Mi Fei and Wang Duo. In recent years, I have worked hard in Oracle Bone Inscriptions and Jinwen Dazhuan, basically solid, and have a profound traditional foundation. His creation is mainly based on seal script and cursive script, with skillful techniques, calm and simple, and natural. The works are elegant, simple and meaningful, magnificent and enduring, and are widely praised in the book industry.
Zhang Jun pays attention to the use and control skills of the pen tip. No matter how dry the stippling is, he tries to keep the center pen, thus ensuring the fullness and thickness of stippling. Even if he writes a dry pen, he can make the dots orderly and explain clearly. Structurally, most of his words come from the works of the ancients, but the overall posture and posture have always maintained a clear inheritance relationship with traditional classics. However, it is not conservative and outdated, nor is it a simple imitation or "collection of ancient Chinese characters". His works exude a strong flavor of the times, making it difficult to associate him with an old calligrapher. The ups and downs of stippling, the positive combination of glyphs, the change of ink color and the patchwork of composition are all fully displayed in his works.
Zhang Jianwei
Secondly,
Qi Tianle —— Thoughts on Visiting Zhang Jun Painting and Calligraphy Exhibition
I am amazed that the mountains are condensed into flowers, and I am extremely nervous about embroidering my wrists. The grass is beautiful, the printing is different, and the wall of the hall is bright. Li Fang is very charming. The Oracle bones flashed and fans gathered. The couplets are wonderful, and the screen banners are blooming.
Shadows begin and end with clarity. Around 10: 00, fly Flowing, full of forging and tempering, both rigid and flexible. Creativity and new beauty. Learn from hundreds of parents and integrate. Unique, unique charm
-Li Yingkui
third
Oracle calligraphy, Mr. Zhang Jun, uses a variety of pens. Although he wrote in Zhu Mo, he didn't lose the beauty of silence. He has both the meaning of the knife and the meaning of the pen, and reasonably grasps the "degree" of Oracle Bone Inscriptions's line modeling, so that the lines throughout are thin, hard, clean, smooth, elegant and subtle. In terms of composition, unevenness reflects different changes in style and meaning. Running grass with two kings and one vein is quite elegant and very popular. -Liu Hongyang