Write a poem about blood mountains and water.

1. Poems or words about mountains and waters

When Wang Wei lived in seclusion in Wangchuan, he wrote a number of exquisite landscape poems.

He wrote "Collection of Wangchuan" by himself, including 2 five-character quatrains that he and his friend Pei Di sang to each other. The main content is to describe the scenery near Wangchuan's other businesses and express the interest of seclusion. First look at Xinyiwu: hibiscus flowers with minced wood and red calyx in the mountains.

there are no people in the stream, and they all open and fall. In the silent mountain stream, the magnolia flower blooms and falls on its own, surviving and dying. It's not fake, it's nothing to do with the world, and no one knows it.

This is a world far away from the hubbub, and it is also the unique artistic conception of the poet Wang Wei's integration of subjectivity and objectivity, which is simply the symbolic realm of the Buddhist concept of emptiness and silence. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work of "entering Zen". "I have forgotten my life experience and all my thoughts are silent."

(Volume 6 in Poems) The artistic conception created by Wang Wei here is born outside the image, which is a combination of poetic and Zen, and it has great implication and artistic appeal. Can achieve this artistic achievement, can't help but say that it is beneficial to his study of Buddhism and the edification of Buddhist way of thinking.

Wang Wei was called "Shi Fo" by later generations. He believed in Buddhism in his early years.

Mother Cui Shi has been practicing meditation for more than 3 years. Wang Wei and his younger brother, Wang Jin, "all worship Buddhism and live in vegetables, so it is better to eat meat and blood" (Biography of Wang Wei in Old Tang Dynasty).

when Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in one room, and his screen was extremely tired, and he had "no children" ("Responsibility Bow Recommend Brother Table"). He also wrote many poems about Buddhism, and he has high attainments in Buddhism.

among the schools of Buddhism in the Tang dynasty, Wang Wei believed in Zen, and mainly believed in Nanzong Zen. Nanzong Zen is the product of the combination of Buddhism and Confucianism and Taoism in China, and its life philosophy of fate has provided the latest and most complete way for China literati.

Some practice methods of Nanzong Zen are similar to China's poetry creation. Yan Yu, a literary critic in the Song Dynasty, said: "Generally speaking, Zen is only in wonderful understanding, and poetry is also in wonderful understanding" (Cang Lang Shi Hua).

Miao Wu is an insight into Zen, and it can also be expressed as a feeling for art. Both poetry and Zen need keen inner experience, both emphasize revelation and metaphor, and both pursue implication.

when talking about "epiphany", Nanzong Zen often uses image expression to convey the law, with special emphasis on the role of intuition, suggestion, induction and association in understanding. Wang Wei learned from Zen meditation, and naturally he has a deep understanding of this method of grasping the world.

He integrated his understanding of Buddhism into his outlook on life, turned religious feelings into poetic thoughts, and created a poetic mood of "emptiness", "silence" and "leisure". Zen advocates the style of beautiful scenery in mountains and forests, and it also plays a guiding and enlightening role for Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.

Wang Wei described his inner experience in the poem Zhuliguan as follows: leaning alone in the close bamboos, I am playing my lute and humming a song. Too softly for anyone to hear, except my comrade, the bright moon.

The poet sat alone in the deep bamboo forest, playing the piano and whistling. No one knew his existence, only the bright moon accompanied him. Nature knows his inner loneliness best, and the brightness of the bright moon brings him a quiet happiness.

Things and I are one, but things and I forget each other. Zen and poetry are in perfect harmony. The same is true of Luchai: there seems to be no one on the empty mountain, and yet I think I hear a voice.

where sunlight, entering a grove, shines back to me from the green moss. There was no one in the empty mountain, only heard intermittent voices floating in the deep forest, and a ray of sunset was transmitted on the moss deep in the forest, which was so trance-like and sad.

this is the kind of empty realm that Wang Wei pursues, which is far away from the hubbub. Although lonely, it is also meaningful. Wang Yuyang in the Qing Dynasty said that Wang Wei's poems were "Zen-like" and "subtle words, no different from the Buddha's flowers and Jia Ye's smile" (The sequel to Silkworm Tail).

that is to say, this kind of landscape poems by Wang Wei are full of Zen interest, Zen joy and Zen flavor, and convey the meaning of Zen. Naturally, it fully shows the poet's unique taste in the beautiful scenery of mountains and rivers.

Wang Wei doesn't necessarily just go to lonely places to seek Zen. He also looks at the vast world and the lively peasant life: the new sunny Yuan Ye is vast, and there is no atmosphere. The Gatehouse of the outer city abuts on the ferry pier, and the trees at the edge of the village connect the stream to the mouth of the river.

outside the white water field, behind the Bifeng mountain. It is during the busy farming season that there are no idle people, and the farmers are all busy with the fields.

-"New Sunny Wild Hope" A spring rain washed away the dirt and made a new scene. Farming is busy, people and scenery are bathed in fresh air.

The phrase "white water" combines the close-range view and the distant view into a layered picture. The water is bright, the mountains are green, and the contrast between light and color is very harmonious. On the surface, we can't see the Zen meaning of this poem.

In fact, that spring rain was like holy water poured from a Buddhist net bottle, which washed everything clean and ethereal. It's just that everything blends Zen and poetry wonderfully, and he doesn't let Zen overwhelm poetry.

Of course, what we pay attention to is the kind of praise for farm life, and we appreciate the beauty of the mountains and rivers, without having to pursue Zen. Wang Wei is a versatile cultural giant who is good at poetry, music, painting and calligraphy.

Su Dongpo, a great writer in the Song Dynasty, said: "Wei Mo (Wang Wei)' s poems contain pictures; Watch the painting, there are poems in the painting. " ("Shu Mo Lan Tian Yan Yu Tu") His words are incisive and to the point.

Wang Wei was an accomplished landscape painter in the Tang Dynasty. He painted with Xiao Shu's simple ink brushwork, created an ink landscape, and became a family of his own, and was called the founder of the Southern Sect of Landscape Painting by later generations.

His paintings emphasize freehand brushwork, pursue spirit likeness and express subjective feelings. Therefore, "When painting things, you often paint a scene with peaches, apricots, hibiscus and lotus flowers", and "it is difficult to ask for shapes and objects." (Shen Kuo quoted Zhang Yanyuan in Dream Stream) Therefore, Wang Wei is also known as the ancestor of China literati's freehand brushwork.

painting can be likened to spirit, so it has the charm and interest of poetry, that is, there is poetry in painting. Using this painting idea to stare at the natural landscape, it is a sigh, and it is bound to have the charm of painting in the poem.

Wang Wei's profound artistic attainments in painting, music and calligraphy enable him to feel and capture the beautiful scenery, magical acoustics and ever-changing nature more accurately and meticulously than ordinary poets in his poetry creation, and appeal to the pen. I will also use words to set colors and pay attention to the harmony of poetry tones.

There are artistic conception of painting, fluency of music and changes of calligraphy in poetry. In this way, his unique poetic artistic style of "painting in poetry" and "hundreds of warblers, repeated performances by palace merchants" was formed invisibly.

When we appreciate his landscape poems, we should firmly grasp this feature. Wang Wei is good at generalizing. 2. Poems about mountains and water (three sentences each)

. a hundred mountains and no bird, a thousand paths without a footprint. (Liu Zongyuan: Jiang Xue)

2. mountains cover the white sun, and oceans drain the golden river. (Wang Zhihuan: at heron lodge)

3. once climbing to the top of the peek, one would see, the other mountains all appear dwarfs under the sky.. (Du Fu: Looking at Yue)

4. though a country be sundered, hills and rivers endure, and spring comes green again to trees and grasses. (Du Fu: A Dream of Spring)

5. there seems to be no one on the empty mountain, and yet I think I hear a voice. (Wang Wei: Luchai)

6. the bright moon lifts from the Mountain of Heaven, in an infinite haze of cloud and sea. (Li Bai: "Guan Shanyue")

7. Never tire of seeing each other, only Jingting Mountain. (Li Bai: "Sitting alone in Jingting Mountain")

8. Planting beans at the foot of Nanshan Mountain, the grass is full of bean seedlings. (Tao Yuanming: "Returning to the Garden")

9. Castle peak can't be covered, after all, it flows eastward. (Xin Qiji: "Bodhisattva Man? Book Jiangxi builds a mouth wall)

1. I don't know the true face of Lushan Mountain, but I am only in this mountain. (Su Shi: Title of Xilin Wall)

Water in the poem

1. The so-called Iraqi people are on the water side. (The Book of Songs? "Jia Jian")

2. Where is the water, there are mountains and islands. (Cao Cao: & lt； Watching the sea ")

3. White hair floats green water, and the red palm clears the waves. (Luo Binwang: Ode to Goose)

4. Tianmen interrupted the opening of the Chu River, and the clear water flowed eastward to this time. (Li Bai: "Looking at Tianmen Mountain")

5. There is no way to recover from the mountains and heavy waters, and there is another village. (Lu You: A Tour of Shanxi Village)

6. Peach Blossom Pond is deeper than thousands of feet, which is not as good as Wang Lun's. (Li Bai: A Gift to Wang Lun)

7. Yangliuqing Jiang Shuiping, I heard the singing on Langjiang River. (Liu Yuxi: "Zhuzhi Ci")

8. At sunrise, the flowers in the river are better than the fire, and in spring, the river is as green as blue. (Bai Juyi: "Recalling Jiangnan")

9. The spring eyes are silent and cherish the trickle, and the shade of the tree shines on the water and loves sunny and soft. (Yang Wanli: "Little Pool")

1. Peach blossoms outside the bamboo are three or two, and the duck prophet in the spring water heating. (Su Shi: "The Night Scene of Hui Chong {Riverside)") 3. There are three poems about mountains and three poems about water

There are mountains in the poem

1. a hundred mountains and no bird, a thousand paths without a footprint. (Jiang Xue by Liu Zongyuan)

2. mountains cover the white sun, and oceans drain the golden river. (Wang Zhihuan's at heron lodge)

3. once climbing to the top of the peek, one would see, the other mountains all appear dwarfs under the sky.. (Du Fu's "Looking at Yue"

4. though a country be sundered, hills and rivers endure, the city is full of grass and trees. (Du Fu's Spring Hope)

5. there seems to be no one on the empty mountain, and yet I think I hear a voice. (Lu Chai by Wang Wei)

6. the bright moon lifts from the Mountain of Heaven, in an infinite haze of cloud and sea. (Li Bai's Guan Shanyue)

7. Never tire of seeing each other, only Jingting Mountain. (Li Bai's "Sitting Alone in Jingting Mountain")

8. Planting beans at the foot of Nanshan Mountain, the grass is full of bean seedlings. (Tao Yuanming's "Tian Yuan Tian Ju")

9. Castle Peak can't be covered, after all, it flows east. (Xin Qiji, "Bodhisattva Man? Book Jiangxi builds a mouth wall ")

1. I don't know the true face of Lushan Mountain, but I am only in this mountain. (Su Shi's Title Xilin Wall)

Water in the poem

1. The so-called Iraqi people are on the water side. (The Book of Songs? "Jia Jian")

2. Where is the water, there are mountains and islands. (Cao Cao's "Watching the Sea")

3. White hair floats green water, and the red palm clears the waves. (Luo binwang's ode to the goose)

4. Tianmen interrupted the opening of the Chu River, and the clear water flowed eastward to this time. (Li Bai's "Looking at Tianmen Mountain")

5. There is no way to recover from the mountains and heavy waters, and there is another village. (Lu You's Tour of Shanxi Village)

6. Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun's. (Li Bai's "A Gift to Wang Lun")

7. The willows are green and Jiang Shuiping, and I hear the singing on the Langjiang River. (Liu Yuchun's Zhuzhici)

8. At sunrise, the river is more red than fire, and in spring, the river is as green as blue. (Bai Juyi's Remembering the South of the Yangtze River)

9. The spring eyes are silent and cherish the trickle, and the shade of the trees shines on the water, which is sunny and soft. (Yang Wanli's Xiaochi)

1. There are three or two peach blossoms outside the bamboo, and the duck prophet warms the spring river. (Su Shi's "The Night Scene of the Spring River in Hui Chong") 4. There are five poems about mountains and water, `

Mountain

1. There is no way to recover from the heavy water, and the willow flowers are bright and another village is bright. (Lu You's Tour of Shanxi Village)

2. and then he disappears at the turn of the pass, leaving behind him only hoof-prints. (Cen Can's "a Song of White Snow in Farewell to Field-Clerk Wu Going Home")

3. What is the water, the mountains and the islands. (Cao Cao's Watching the Sea)

4. we watch the green trees that circle your village, and the pale blue of outlying mountains. (Meng Haoran's "Passing the Old Man's Village")

5. Looking at the side of the ridge, it becomes a peak, and the distance is different. (Su Shi's Title of Xilin Wall)

6. once climbing to the top of the peek, one would see, the other mountains all appear dwarfs under the sky.. (Du Fu's "Looking at Yue")

7. Climb the East Mountain and be small, climb Mount Tai and be small. (Confucius)

water

1. Gushan Temple is in the north of Jiating West, and the water level is low. (Bai Juyi's Spring Trip to Qiantang Lake)

2. how the Yellow River's waters move out of heaven, entering the ocean, never to return. (Li Bai's "Going into Wine")

3. Who says that life is no less? The water in front of the door can still flow west, so don't sing yellow chicken with white hair. (Su Shi)

4. Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun's. (Li Bai)

5. As for Xiashui Xiangling, it is blocked along the back. (Li Daoyuan's "Three Gorges")

6. The water is green and blue. You can swim with fine stones and look straight at them. (Wu Jun's Book with Zhu Yuansi)

"The sun shines on Qingqiu Island, and the dust rises from Handan. The river moves to the forest bank, and the rock is deep and smoky "("Zhufang Road ")

" The hills overlap far, and the bamboo trees are close to the cage. Open your chest and soak in the cold water, and you will be relieved of the breeze "(You Shen Taoist Hall)

" Long branches sprout purple leaves, clearing the source and spreading green moss. The mountains are floating, and the spring scenery is cold "(Pan Yongkang River)

a hundred mountains and no bird, a thousand paths without a footprint. (Liu Zongyuan: Jiang Xue)

mountains cover the white sun, and oceans drain the golden river. (Wang Zhihuan: at heron lodge) 5. Write poems about mountains and water

Write poems about mountains

1. a hundred mountains and no bird, a thousand paths without a footprint. (Liu Zongyuan: Jiang Xue)