I. Wuwei Migong Temple (Anhui)
Migong Temple, formerly known as Baojinzhai, is located in Wuwei County. It was built by Mi Fei, a famous painter in the Northern Song Dynasty, when he learned about the army in Wuwei. His ancestral home moved from Taiyuan, Shanxi Province to Mi Fei, Xiangyang, Hubei Province (105 1- 107), and he was called "Xiangyang, Mi Fei". From the third year of Chongning in the Northern Song Dynasty to the first year of Daguan (1104-1107), Mi Fei knew that the army had done nothing. He is an honest official, diligent and loving the people. When he left office, people felt his virtue. After his death, Migong Temple was built on the former site of Migong Military Mansion as a memorial.
Mi Fei worships the calligraphy of Jin people, and "Jinbaozhai" is the name of his study after Wang Xizhi's Lue Wang Post, Xie An's Eighth Five-Year Post and Wang Xianzhi's Twelve Posts. In the third year of worshiping Ning in the Northern Song Dynasty (1 104), three kinds of calligraphy posts were carved on stones, and a pavilion was dug in front of Baojinzhai, Jimochi and Touyan Pavilion. In his spare time, he spent a lot of time studying here, and set up a stone in the shape of an old man on the west side of the office to worship every day. At that time, people thought it was a quirk, so it was called "worshipping stones".
The original house was destroyed by fire and rebuilt many times later. During Guangxu period, ieee fellow, the county magistrate of Ding Chou, built three pagodas in Migong Temple, with the door as the center, built three wings around the pool, built a rockery around the pool, and collected two stone carvings such as "Mo Chi" and "painting vegetables" left by Migong into the temple.
Mi Fei's inscription in those days has long been destroyed. At present, there are more than 50 inscriptions1of celebrities in the Jin and Tang Dynasties in Migong Temple, which were mainly brought to Wuwei by Jiangsu provincial judge Liu in the late Qing Dynasty. Before the founding of the People's Republic of China, the inscriptions were scattered in their private houses without cities, and all of them were moved to Migong Temple on 1950, where they were properly preserved. The stone carvings in Migong Temple are very precious, mostly made by famous artists, and their contents are informative. They mainly describe the maintenance situation and process of past dynasties and are valuable materials for investigating the rise and fall of Migong Temple. In recent years, Wuwei County Cultural Relics Management Office has sorted out the inscriptions. The first volume "Selected Monuments in Baojinzhai" has been published by Anhui Fine Arts Publishing House, and other volumes are also being prepared to be published one after another.
Migong Temple is a key cultural relic protection unit in Anhui Province. It is famous at home and abroad for its rich historical and cultural connotation, especially in Southeast Asia, Japan and other countries. It attracts many tourists every year. At present, the relevant departments are preparing to restore and expand it in order to make full use of the unique cultural value of Migong Temple and enrich the cultural connotation of the city.
2. Migong Temple in Fancheng (Hubei)
Migong Temple commemorates Mi Fei, a great painter and calligrapher in the Northern Song Dynasty. It is located in the cabinet city of Fancheng. Mi Fei (A.D.1051-107), with a seal of character, was called "Xiangyang, Mi Fei". Song Huizong was named doctor of calligraphy and painting, and was appointed minister of rites. Good at poetry, calligraphy and painting, handsome brushwork. Together with Cai Xiang, Su Shi and Huang Tingjian, they are also called "the four great calligraphers of the Song Dynasty". It was praised by Song Gaozong as "calm and happy, like riding a good horse, advancing and retreating freely, without whipping and without any improper wishes."
Migong Temple, formerly known as Mijia 'an, was built in the Yuan Dynasty, expanded in the Ming Dynasty, and later renamed Migong Temple. Since the thirty-second year of Kangxi in Qing Dynasty (1693), it was rebuilt by the 18th generation Sun Mizan, 19th generation Sun Mijue and 20th generation Sun of Mi Fei. Four years of Tongzhi in Qing Dynasty (1865) was rebuilt. There are memorial buildings such as worship hall, Baojinzhai and Yanggaotang in the temple. In addition, there are 45 pieces of Mi Fei's handwritten towels carved by Mi Fei's descendants in the eighth year of Yongzheng (1730), and other inscriptions 145 pieces. "Migong Temple and Its Stone Carvings" 1956 was announced as a key cultural relic protection unit in Hubei Province. On May 25th, 2006, Migong Temple, as an ancient building in Qing Dynasty, was approved by the State Council to be included in the sixth batch of national key cultural relics protection units.
Migong Temple, located in the southwest of Fancheng, Xiangfan City, on the bank of the Han River, formerly known as Mijia 'an, is a temple built in memory of Mi Fei, a famous calligrapher in the Song Dynasty. The pavilions in the temple are strewn at random, and ginkgo has been towering for 500 years. There are more than 65,438,000 Cai stone carvings in the museum, and their calligraphy artistic charm is vivid and complete. Migong Temple is a huge art treasure house.
According to the inscription of Mijia lineage, Mijia 'an was built from Yuan Dynasty to before. Destroyed in Ming Dynasty, rebuilt many times in Qing Dynasty. In the first year of Guangxu reign in Qing Dynasty (1875), there was a renovation, and Shan Maoqian, a university student in Wenyuange, wrote "Migong Temple" for the archway. During the Republic of China, Migao Qin, the twenty-seventh grandson of Mi Fei, did his best to keep 45 stone carvings in Migong Temple to protect these precious cultural relics from war. After liberation, Migaoqin offered stone carvings and transported them to Migong Temple for storage. 1956 The Hubei Provincial People's Government announced Migong Temple and its stone carvings as provincial key cultural relics protection units.
Since the founding of the People's Republic of China, the state has allocated funds for the maintenance of Migong Temple. In particular, the Third Plenary Session of the Eleventh Central Committee of the Party carried out a large-scale restoration of Migong Temple. Not only the only remaining Chuantang archway and Baojinzhai will be restored. Moreover, according to historical materials such as the inscription on Migong Temple, a courtyard was added, including a large screen, a half-wall hall, strange rocks and Mo Chi. The second hospital passed the "Mo Duo Garden" gate, with neat pavilions and winding paths, and a monument to the hometown of rice; Sanjinyuan is a stone forest, a ginkgo tree in its 400 s, with five monuments standing under it; Rebuilding Migong Temple Monument, Preface to Migong Forest, Story of Jingmingzhai, Preface to Migong Genealogy and Preface to Migong Genealogy. There are 65,438+06 stele corridors on both sides of the park, decorated with vermilion pillars, which are beautiful and elegant, and are embedded with stone carvings by Michaelis, Huang Tingjian, Cai Xiang, Zhao Ziang and others. The Buddha beads are full of walls and complement each other. After the renovation of Migong Temple, Chinese and foreign tourists came to watch it in an endless stream. Li Xiannian, Fang Yi, Zhang Aiping, Zhang Tingfa, Yang and other party and state leaders visited Migong Temple, and some leaders wrote inscriptions for Migong Temple.
Migong Temple consists of three buildings, with the main pavilion, worship hall, stele gallery, Baojinzhai and Yanggaotang as the central axis, with a total area of 12000 square meters. A large number of inkstone carvings of Mi Fei and Song Dynasty are collected and displayed in the hall. Monuments and couplets hung in Baidian and Baojinzhai are dazzling, such as "out of reach", "wonderful", "Two Xiangyang books and Menglumen handed down from generation to generation, and * * * Cai is called four giants and three", which are highly praised by future generations for Mi Fei's calligraphy and character.
On both sides of the central axis are east and west stone gardens, pavilions and pavilions, strewn at random and full of fish. There are more than 0/00 calligraphy stone carvings by Mi Fei, Su Shi, Huang Tingjian and Cai Xiang on the wall of the gallery, and more than 30 ink stone carvings left by famous contemporary calligraphers for Migong Temple. These exquisite calligraphy works are a huge art treasure house, attracting a large number of Chinese and foreign tourists to visit here every year, promoting the ancient and excellent traditional culture of China and playing an important role in the promotion of Xiangfan and the creation of a civilized city.