First, the development history of traditional calligraphy writing:
In the history of China, Huai calligraphy style originated in the Tang and Song Dynasties and was created by famous calligraphers. It combines the Song Dynasty running script and official script into one, and adopts various branches with different sizes and styles, which makes the calligraphy style full of changes and shows infinite agility in calligraphy.
Its calligraphy style is slightly thinner than that of Li and Xing, but it still retains the dignified atmosphere of Li and Xing, and is lively and smooth. It enriches the expressive force of calligraphy and makes the aesthetic feeling of calligraphy more touching with the characteristics of "fine in the middle and coarse in the middle".
Second, the structural characteristics of traditional calligraphy writing:
Huai's traditional calligraphy style is dignified and generous, with two obvious lines, one thin and the other thick. The former is thinner and the latter is thicker.
Thin lines are mainly used to describe the outline and basic structure of sentences, while thick lines are mainly used to connect sentence paragraphs and express rhythm, making calligraphy more expressive. Huai's traditional running script brushwork is gorgeous and snowy, forming a unique style of writing, which is smaller than Song Lishu and more atmospheric than running script.
Third, Huai's calligraphy aesthetic thought:
Huai's traditional calligraphy style is not only beautiful and generous, but also full of liveliness and fluidity. It emphasizes the certainty, development, harmony and exquisiteness of calligraphy, and fully integrates the forms of "fine, coarse, coarse and fine" and "neat, tortuous and clear" to form a more agile and energetic calligraphy style, which embodies the uniqueness of exquisite calligraphy.